The Marvel Novel Series

Stan Lee always wanted comic books to be more than just “kiddie” books. He strived to make them more acceptable to teens and adults. Over the years he (and others who worked in the genre) succeeded.

But back in the late 1970s, Marvel had only made its way into the magazine market.

In the mid-to-late 1970s Marvel published books reprinting the origins of various Marvel heroes and villains – Origins of Marvel Comics, Son of Origins, Bring on the Bad Guys, and The Superhero Women – with Lee providing the prose introduction to the featured superheroes.

Marvel also launched a successful series of reprint books in paperback through Pocket Books. Each book contained about six issues (more if the stories were from the various anthologies) of the original run of Fantastic Four, Spider-Man (three volumes), Conan (six volumes) and books devoted to the early tales of the Hulk, Dr. Strange, Captain America and Spider-Woman.

Finally, starting in 1978, Pocket Books released prose novels starring various Marvel heroes.

Bantam Books published two novels in the late 1960s based on Marvel characters: The Avengers Battle the Earth Wrecker by Otto Binder (1967) and Captain America: The Great Gold Steal by Ted White (1968).

Eleven years later, Marvel once again hoped to bring comics into the genre of “true” literature. The books were aimed at the Young Adult audience so craved in today’s market. The first two of the eleven books were not numbered; perhaps they were the only ones planned until they proved successful. They were printed by Simon & Schuster’s under their Pocket Books imprint:

#1: The Amazing Spider-Man: Mayhem in Manhattan by Len Wein and Marv Wolfman

#2: The Incredible Hulk: Stalker from the Stars by Len Wein with Marv Wolfman and Joseph Silva

#3: The Incredible Hulk: Cry of the Beast by Richard S. Meyers

#4: Captain America: Holocaust for Hire by Joseph Silva

#5: The Fantastic Four: Doomsday by Marv Wolfman

#6: The Invincible Iron Man: And Call My Killer…Modok! by William Rotsler

#7: Dr. Strange, Master of the Mystic Arts: Nightmare by William Rotsler

#8: The Amazing Spider-Man: Crime Campaign by Paul Kupperberg

#9: Stan Lee Presents: the Marvel Superheroes edited by Len Wein and Marv Wolfman

#10: The Avengers: The Man Who Stole Tomorrow by David Michelinie

#11: The Hulk and Spider-Man: Murdermoon by Paul Kupperberg

The first two books were not hyped by Marvel and only appeared in a full-page ad along with other comic book-related wares by an independent mail-order business. The rest of the series (when it became a series with #3), were mentioned as an item in Marvel’s Bullpen Bulletins. Had Marvel pushed the books with their house ads, the series may have been more successful and more books published.

I will spend the next few blogs reviewing the books. They are over-all well-done and, although aimed at the pre-teen to early-teen audience, are exciting and hold the attention of adults; particularly Bronze Age comic book fans like me!

I hope you enjoy it! If you have read these almost-40-year old books, I hope it brings back good memories. If it piques your interest, the books pop up frequently on ebay and, if you are not too picky about the condition, cost about the same as a current paperback.


Original Material Copyright 2016 Michael Curry


Characters mentioned are copyright their respective holders. Thanks to Marvel Comics and Pocket Books for the use of their images. Cover image was photographed by the author.

I also thank the original creators of all characters mentioned, whether or not they have been properly compensated or credited.


GI Combat #192: More bicentennial banner blogging



GI Combat #192


Published monthly, thirty cents, July

Cover artist: Luis Dominguez

Editor: Murray Boltinoff, Asst. Ed: Jack C. Harris

            GI Combat was another comic acquired by DC when they bought out Quality Comics. I wrote this in my reviews of the Bicentennial issues of Blackhawk and Freedom Fighters … Quality Comics was a successful comic book company during the medium’s golden age. It introduced Kid Eternity, the Blackhawks, the much-lauded Spirit and Plastic Man to comics. The company closed shop in the mid-1950s and the catalogue of characters was bought by DC/National. They continued only four of Quality’s titles: GI Combat, Plastic Man (although DC would not publish a Plastic Man comic until the 1960s), Blackhawk, and Heart Throbs – all but the latter were still being published by the time of the Bicentennial (Plastic Man would get much more popular in the coming decades).

            GI Combat debuted in October 1952 featuring US soldiers fighting godless commies across the globe. It later featured stories set during World War Two. The first DC issue was #44 (January 1957).

            It was a standard anthology with standard war stories, but eventually a starring feature took over as lead.  The Haunted Tank debuted in issue #87 (May 1961) and continued as the main feature until they shared cover billing with The Mercenaries in the comic’s later issues.



            Confederate General J.E.B Stuart’s ghost is sent to guard his descendant and name-sake Jeb Stuart during his battles on the European front in World War II. In one story I remember fondly, Stuart’s tank is destroyed and replaced by a Sherman. “Sherman!” The ghostly Stuart was aghast that his descendant would use a tank named after a Union general! A great story, but I cannot find the specific issue.

            With issue #201 (May 1977) GI Combat became a Dollar Comic with increased page count and all-new stories such as Tales of the OSS. It returned to “normal” size with # 282 (March 1986) – making it one of the last Dollar Comics. By now the Haunted Tank was occasionally replaced as the lead feature by The Mercenaries, a fighting troupe set in modern times. The last issue was #288 (March 1987). It was the second-most successful war comic DC produced next to Sgt. Rock.

            The comic is also notable for being the debut vehicle for The Losers, who moved to their own starring feature in Our Fighting Forces. “The Rock”, a one-shot character, arguably the prototype of Sgt. Rock, had his one appearance in a 1959 issue.

            GI Combat was revived as part of the “New 52” line, but was cancelled after seven issues. The Haunted Tank was also revived with Stuart, the WWII descendant, haunting his granddaughter in modern times. A few other revivals also proved unsuccessful.


“The General Has Two Faces”, Bob Kanigher ( w ), Sam Glanzman (a)

            The Haunted Tank crew is tasked with killing Field Marshall Erwin Rommel. A squadron of tanks and planes would be expected and fought off, but a single recon tank might make it through.

            As the tank crosses a bridge, it is attacked by two fighters. Jeb is severely injured, leaving Gus to take command and stop the fighter planes. He sees JEB Stuart, who warns him of dangers to come. The other crewmen, Rick and Slim, think Gus is imagining things just like their commander.  They destroy the Krauts and cross the bridge.

            But the tank’s treads bust and they have to hoof it with their injured commander (note the change to a WWII-like vernacular…). They are met by the teenage students of an all-girl school at the Van Maltz castle, led by its Baroness. Helga is angry that the Baroness would allow verdamt Amerikaische soldats into their home. She is locked away until she calms down and the Haunted Tank crew are fed and healed. Jeb and the Baroness share a kiss.

            Someone releases Helga, who immediately gets “help”. The next morning Helga sits in the lead tank of a squadron attacking the school. Sitting beside her in command – Rommel!

            Jeb shoots at the tanks with a crossbow using dynamite sticks instead of bolts – blasting the tanks to smithereens! Rommel’s lead tank makes it to the drawbridge where a mysterious figure is cranking the handle to lift the wooden bridge. Rommel shoot and kills the figure, but too late! The tank falls into the moat – killing all. Jeb discovers the mysterious figure was the Baroness. She saved her enemies from her own people.

            Later the crew discovers it was NOT Rommel in the tank at all, but a double instead.



OSS: Office of Strategic Services is a top secret branch of military intelligence. These spy tales were featured throughout GI Combat, especially in its Dollar Comic days. It was also given its own lead feature in the last issue of Showcase (#104). The feature debuts here! Other than the Joker’s Daughter in Batman Family #6 and Earth Man, kind of, in Superboy starring the Legion of Superheroes #218, these three were the only “debuts” featured in the Bicentennial comics.

Target for Tonight – Me!” Bart Regan (w), Ric Estrada (a). Victor Lazlo (intentionally to be confused with Paul Henreid’s character from Casablanca …) and two others parachute into occupied Czechoslovakia. His companions are shot while landing and he is captured and taken to Gestapo HQ (which is made to look like a hospital and therefore, not bombed by allied aircraft) and searched. He is Czech and returned to exact revenge on the Nazis for killing his Jewish wife. He is interrogated and ordered to be hung from the gallows when an Allied bomb raid destroys the headquarters and everyone in it – including Lazlo. Seems the Nazis missed the transmitter implanted in his forehead by the OSS. He was captured intentionally and offered his own life to defeat the damned Boche!



Let’s Make Tracks: letters for #286. A positive letter from Michael Lapsley of Morrow, GA asking about prior crewmembers of the Haunted Tank, Paulo Mariorann of Parma, Ontario asked about the Haunted Tank’s theater of operation – various places in Europe in one issue and Burma the next? The editor explains (as with Sgt Rock) these stories are not in chronological order, Mike Karvalas of Chicago, IL questioned the Tank being in Greece, explaining that there were not many US soldiers in Greece – the editor explains that the Haunted Tank crew were some of the few, Tom Kelleher of Norwalk, Conn. Criticized JEB Stuart’s old man appearance when he was a relatively young man – he is a ghost, says the editor – and he looks like a ghost!


Join me next time for DC’s Bicentennial issue #28: The Unexpected #174


Original Material copyright 2015 Michael Curry

Images used are copyright their respective holders and reproduced here under the “Fair Use” doctrine of 17 USC 106 & 106a for the purposes of criticism and comment.




Weird War Tales #47: DC’s Weird Bicentennial Salute!



Weird War Tales #47


Published bi-monthly, thirty cents, August

Cover artist: Joe Kubert

Editor: Joe Orlando

WWT logo

          The Reese’s Peanut Butter Cups of comic books. “You got your horror comic in my war book!” “You’ve for your war book in my horror comic!” I loved this comic book, just LOVED it! It combined the two genres at which DC excelled!

            Weird War Tales debuted in September 1971 and lasted 124 issues until June of 1983. It was an anthology of supernatural stories set during a war. Any war. Vikings, Nazi’s, Yanks & Rebels and post-apocalyptic tales were represented.

            Although not a “personality” such as Cain, Abel or Destiny, the comic was “hosted” by death – a skeleton dressed in a uniform appropriate for the story.

            By the 1980s, regular features or “stars” were introduced – alternating between GI Robot, the Creature Commandos and the War that Time Forgot (dinosaurs) – sometimes alternating between features, sometimes teaming with each other. By that time, though, it had lost some of its horror pedigree in favor of more quasi-superheroics.


Bloodbath of the Toy Soldiers”, George Kashdan ( w ), Rubeny (a)

            In a post-apocalyptic world, despotic General Arax’s son Zeron plays with toy soldiers, exactly matching both sides’ moves in the next day’s battle. Arax’s aides, secretly loyal to the opposing force’s democratic leaders, change Zeron’s next battle plans, leading to a huge defeat.

            In a fit of pique, Arax destroys the toy soldiers. When Arax finds Zeron playing with one last toy soldier the boy kept hidden, the general, Arax throws it in the fire.

            Arax melts along with the toy replica.


            “The Day After Doomsday”, Steve Skeates ( w ), Paul Kruchner and Tex Blasdell (a)

            The sole survivor of the Great Atomic War hears a cry for help in the rubble. He digs and digs and finds a tape recorder accidentally turned on in the shifting debris replaying a radio soap opera, “Help! Help! Unhand me you brute!” In frustration, he bashes the tape recorder against a wall, causing the fragile masonry to give way and crush him.

This two-page tale is reprinted in the trade paperback “Showcase Presents: the Great Disaster featuring the Atomic Knights”.





The Warrior”, Jack Oleck ( w ), Ricardo Villamonte (a)

            Hulgar, the elderly Viking, duels Godfred to prove he still is a warrior. Eric, son of their leader Ottar, begs for mercy for Hulgar. Ottar grants it.

           During his first raid, Eric panics and is branded a coward. Holgar gives Eric the Shield of Thor that will make him invincible! With the shield, Eric defeats Godfred to earn his place in the next raid. Eric fights bravely against the British, but is killed.


WWT Viking 2 WWT viking


             Holgar mourns and begins forging another ordinary “Shield of Thor” in case anther youngster needs to find his courage from within…


APO Weird War Tales, letter column for issue #44:

            Linus Sabalys, Lavel PQ, Canada; positive comments on some stories, negative for others.

            Mark Schmieder, Concord, MA; the editor points out that Mark has the opposite view as Linus Sabalys on every story.

            John Elliott, New York, NY, positive, but requests novel-length tales instead of serializing stories over multiple issues.

            The column has a plus for Star Spangled War Stories #200 starring the Unknown Soldier and Enemy Ace.  ), but with no mention of any Bicentennial connection (see my previous blog about the missed opportunity to hype a 200th issue during the Bicentennial)


            Join me next time for DC’s Bicentennial issue #15: Four Star Spectacular #3.


Original Material copyright 2015 Michael Curry

Images used are copyright their respective holders and reproduced here under the “Fair Use” doctrine of 17 USC 106 & 106a for the purposes of criticism and comment.

DC Comics advertisements (July/August 1976)


Part Three: But First, a Word from Our Sponsor…


            There have been ads in comic books as long as there have been comic books. Some of the ads have become part of our pop culture – more memorable than most of the comic book characters themselves. Sea Monkeys, anyone?


            During my prime-time comic reading, I quaked in fear at the Deadliest Man Alive – Count Dante’! 

Count Dante

             I wanted X-Ray Specs and to learn to throw my voice and go on the Tilt-A-Whirl at Palisades Park (free admission with my Superman coupon) and to win valuable prizes selling Christmas cards and what the hell is Grit?

            The 33 DC comics with the Bicentennial heading contained either 32 pages or 48 pages – not counting the covers (which would add four more pages). Counting those four, all the comics contained 17 pages of the same ads. They might not appear in the same places – an ad from page 12 of one comic would be on page 23 of another – and some reprint titles would have house ads at the bottom third of the page ending a chapter or a story. I will tell you about those variations when I talk about the specific issues. But otherwise the ads were all the same. The centerfold (the middle four pages) of the 32-page comics were all ads, which was traditional for DC at the time.

            I’ll use the first Bicentennial Comic – Our Army At War #294 as the template.

            Inside front cover: Hostess Cupcake ad: “Superman Saves the Earth” – there are websites dedicated to these classic Hostess ads. DC, Marvel, Harvey and Archie comics had dozens of them featuring every popular character you can think of – the Joker starred in three, Josie of “…and the Pussycats” fame? 19! This one is typical – aliens meet to discuss the fate of the earth. Because it is so primitive and backward, humanity must be destroyed! Superman takes the aliens to a grocery store and introduces them to Hostess Cupcakes. The aliens love the cupcakes and spare the earth (the aliens are obviously of great intellect – in this writer’s opinion the original Hostess Cupcakes are tangible proof of the existence of God…). A species that can create such spongy cake and creamy filling deserves a chance! Whew … good thing the aliens decided this in 1976 and not after Hostess went bankrupt … we’d be doomed!

superman saves the earth

            A few DC Comics exchange this Superman ad with one starring the Joker called “The Cornered Clown”. He is trapped in a building cordoned off by the police. He tosses them Hostess Fruit Pies to distract them as he escapes out the back. Despite such tasty treats, the police are not fooled and are waiting to arrest him. Now if he had only thrown glazed doughnuts he might have succeeded. I will let you know which comics feature the Superman ad and which feature the Joker ad.

cornered clown

            Page 5: a full-page ad for Charms Blow Pops.

            Page 6: two half-page ads for selling social security plates (checkbook-sized holders with your number and an American eagle emblazed above it) – this was before identity theft was prevalent, obviously; and an ad for Slim Jims.

            Page 11: a full-page ad for Grit. Grit is still around, you know. It’s not a newspaper anymore; it’s a glossy magazine, but still around. Did anyone out there sell Grit for big money and prizes?

            Page 12: a full-page DC house ad for its latest tabloid-sized Limited Collector’s Edition comics C46 (Justice League of America) and C47 (Superman Salutes the Bicentennial) – see Part Two – the Leftovers for more about these comics.

limited collectors ad

            Page 15: two half-page ads selling Isokinetics (an exercise technique – are they implying that readers of comic books are out of shape? Well, we ARE, but I resent the implication…) and another ad for the social security decorative plates/holders from page 6.

            Page 16: a full-page ad for NCG Merchandise’s comic book binders.

            Page 17: a full-page ad for Action Lure to catch more and bigger fish (comic book fans fish? Really?)

            Page 18: a full page of house ads – a half-page ad for the Amazing World of DC Comics #11 (the Super-Villains issue – I have this one!) and a half-page DC Comics subscription form

            Page 21: a full-page ad from the US School of Music – a self-taught guitar program

            Page 22: a half-page ad for New American Physique and a half page of 10 S. Schwarz & Company ads of various sizes: learn vehicle decor customizing, hobby coin company sales, Universal Inc. muscle growing technique, custom bicentennial t-shirts for sale, Jack Hunt (comic book back issues), the famous X-Ray Specs, Estell (comic book back issues), Abracadabra Magic Tricks, Debt Relief solutions, and Discount Comics (comic book back issues).

            Page 23: a full page public service ad for Justice For All Includes Children. This is #5 of the series. Superman instructs children on their rights and duties as citizens. Here he advises the kids not to crash a party. Trespassing is illegal and could be dangerous!

Justice for all includes children, 5

            Page 27: a full-page ad for “DC Salutes the Bicentennial” reproduced in Part One of this series.

            Page 28: 14 ads from S. Schwarz & Company of varying sizes: “Space 1999” models for sale, learn karate, Robert Bill (comic book back issues), Richard Alt (comic book back issues), Pacific Comics (comic book back issues), weight lifting techniques, stamps for sale, Howard Rogofsky (comic book back issues), muscle building techniques, baseball card holders (called “lockers” – now we would call them deck holders), CCCBA (comic book back issues), techniques to grow taller, live seahorses for sale, and then several small ads designed as “classified newspaper” ads for: earning money stuffing envelopes, selling t-shirt iron-on decals, secret agent pens for sale, gliders for sale, earn money addressing and mailing envelopes.

            Page 32:  a full-page ad for muscle building (from the same company as one of the smaller ads on page 28).

            Inside front cover: a full-page ad for Monogram flying airplanes.


            Back cover: Spalding gloves (with as-always-excellent Jack Davis art!)



            Eyes spinning yet? I haven’t even begun to review the 33 comics yet! I’ll start with #1: Our Army At War #294…

             All comic covers, advertising, characters and images are the property of their respective copyright holders and reprinted here for your entertainment and review under the Fair Use Doctrine as commentary, criticism and … sometimes … parody.

            Keep in mind the actual creators probably only received a fraction of their creative worth at the time of their creation … but that is a whole other story …


Original Material Copyright 2015 Michael G Curry