Kobra #4, September 1976

Behold, the Bronze Age!

bronze-age

“Brother’s Keeper – Brother’s Killer” Written by Martin Pasko, Art by Angel Gabriele. Inker: Lowell Anderson, Colorist: Liz Berube, Letterer: Ben Oda, Editor: Gerry Conway, Assistant Editors: Paul Levitz and Jack C. Harris

Cover by: Joe Kubert

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Kobra 4 house ad

Synopsis: Kobra leaves his New York headquarters to go to Peru to oversee an archeological dig. There his crew find another Ovoid similar to that found in issue #1. As before, the Ovoid opens and a second Servitor attacks! The blast to Kobra’s arm also causes Jason to flee from his graduate school class. Melissa follows Jason, a synopsis of the comic’s plot is given (“I just met my brother … we have a symbiotic link…”) and Jason questions Melissa about her past relationship with Kobra. Melissa runs out before giving any answers.

Meanwhile, the battle with the Servitor ends in the machine’s dismantling. During the battle it carried a metallic cylinder that spoke to Kobra after the battle. It is an alien from the planet Illandus, who came to retrieve the pod that creates the Servitors.  Kobra takes the Illandian to his New York City lair.

Jason returns to his apartment after a late class to find Randu Singh waiting. After a quick confrontation Randu asks Jason’s help in defeating Kobra – Randu fears Kobra will soon declare war against his native India.

The Illandian reveals its physical form to Kobra – a two-headed four-armed alien that shall soon split in two again. Kobra is intrigued by its duel nervous system and plans to examine the alien to eliminate the link between himself and his brother. They discover the first ovoid has again produced a Servitor. The Illiandian wishes to take his probes and Servitors and return to his home, but Kobra says there are forces on our planet that will stop the alien from doing so.

Well, he IS correct …

And convinces the Illiandian to help Kobra stop him! Kobra’s first victim is Lt. Perez – whose outgoing plane is torn apart by one Servitor and Perez crushed by another! Jason and Randu arrive in the midst of the “Chaos at Gate 57”. Jason confronts his brother.

The Illiandian realizes that it is Kobra who is preventing him/them from retrieving the pod and unleashed a wall of flame at the airport. Jason and Kobra continue to fight over what happened to Melissa – Jason is convinced Kobra is involved in the disappearance.

An ovoid appears around the Servitors and the Illiandian and whisks them back into the alien vessel. Kobra is enraged and strikes Jason now that all his plans have been thwarted – even Project R might be abandoned, he says!

Jason awakes to find the airport in chaos, Perez dead and Kobra long gone (but how, he thinks? Kobra would have been knocked out cold, too!). Perhaps he should seriously consider Randu’s suggestion about making the ultimate sacrifice…

***

The letter page explains that the magazine was reprieved from the pending cancellation of #3, but also says its mailbox is almost empty of letters! AND this is the fourth artwork team in as many issues! Bad signs …

This issue had the famous editorial that ran in all the Conway’s Corner magazine:

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Oh how I yearned for a team-up between Kobra and Kamandi!

And as for Jason’s foreboding dread of Kobra being more powerful than he (Jason was knocked out while Kobra escaped). Even when I read this back in 76 my first thought was … “Well, wouldn’t his followers have carried him away … or wouldn’t he still be teleported to his ship…?”

This issue is a nice book-end with issue #1 – explaining some of that storyline while (thankfully) forgetting the super-hero-y aspects of #s 2 & 3. No one was expecting the series to get better.

But it did!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

Agents of Shield Renewed for Sixth Season

The agents will return for another season! ABC has renewed Marvel’s Agents of SHIELD for a sixth season. Unlike the usual 22-episode count, season six will air during the 2018-2019 season with 13 episodes. It remains to be seen if this will be the final season for the superhero drama.

Earlier this year, executive producer Jed Whedon teased that the events of Avengers: Infinity War would “open up a whole new playground” for the show if it received another season. “The thing that we love about what our show has become is, the movies sort of blaze a path. Doctor Strange introduced magic, all of a sudden we could have Ghost Rider on our show. We’re just waiting for that movie to come out, so it can open up a whole new playground for us.”

It seems season six will now give fans the chance to see how the fallout from Infinity War effected the agents. The fifth season finale aired Friday, May 18, which sees Coulson’s life hanging in the balance as General Talbot prepares to tear the earth apart in his quest for more gravitonium.

Agents of S.H.I.E.L.D. stars Clark Gregg, Ming-Na Wen, Chloe Bennet, Henry Simmons, Elizabeth Henstridge, Ian De Caestecker, and Natalia Cordova-Buckley.

Thank you Scoop for allowing me to reprint your article: http://scoop.previewsworld.com/Home/4/1/73/1012?ArticleID=212531

So, the question is … why? Agents of Shield is the unloved stepchild of the Marvel Cinematic Universe (MCU) and on a constant mission of catching up. It has always reflected the events of the MCU with no reciprocity. None. A ship is about to explode in the atmosphere killing everyone on earth. Why wasn’t Iron Man called in? And as far as I know, the Avengers STILL are unaware of Colson’s survival – the whole reason for their staying together during the last half of the first movie. What would Captain America make of what they did to Colson?

Incorporating the events of Infinity War may make for some interest episodes. But what then?

After an interesting premier season, the next two seasons were abysmal (oh boy, they’re fighting Ward again this week …).

The first few episodes of Agents were everything that was wonderful about the MCU – fun and exciting. The show’s reaction to the events of Captain America Winter Soldier brought back the excitement for a time, as did shows that actually folded into the MCU (Sif’s appearance in “Yes Men” (1st season) and “Who You Really Are” (2nd season)).

Unfortunately, it was followed by two years of tedium … Ward, Inhumans, Ward, more Inhumans, more Ward, “I know there’s still good inside Ward!” Blam blam! “I’m bleeding out – but I know there’s still good inside Ward…”, still more Inhumans, still more Ward, Powers Boothe, and still even more Ward.

Then came Season Four and Ghost Rider. Despite some finally-injected-differences, their ratings were still in the lower mesosphere and have remained there.

I think they are doing the right thing – 13 episodes is enough to tell the tale (actually it is about 12 more than should be needed) and if the ratings are still horrid, Disney will renew it anyway.

Comic book fans should be grateful – if this wasn’t a Marvel show it would be jettisoned in its third week.  Agents of Shield averaged 2.073 million viewers per episode (https://tvseriesfinale.com/tv-show/marvels-agents-shield-season-five-ratings/), abysmal for a network show (the #1 shows bring in 11 million viewers, the #10 show usually brings in 7 million).

Let’s hope the next season is as good as the past two. Enjoy it while we can – they could bring Ward back at any time now…

In the meantime, Season 5 will be available on Netflix as of June 17th.

Original Material 2018 by Michael Curry

Super Friends #3, February, 1977

“The Cosmic Hit Man?”

Cover: Ramona Fradon and Bob Smith

Writer: E. Nelson Bridwell, Penciler: Ramona Fradon, Inker: Bob Smith

Editor: Dennis O’Neil, Executive Editor: Joe Orlando

As two separate teams, the Super Friends defeat Spectrum and Anti-Man while Wendy and Marvin safely watch from the sidelines. But after their defeat, the villains disappear.

They were captured by Dr. Ihdrom along with a hundred other intergalactic villains. He atomizes all the villains and coalesces them into one being: the World Beater!

World Beater quickly dispatches the Justice League and then appears in the Hall of Justice to battle the Super-Friends. Wonder Woman whisks Wendy, Marvin and Wonder Dog and tells them of her mother’s prophecy (from last issue) that they are earth’s only hope!

World Beater defeats the Super-Friends with ease (we the readers learn that Dr. Ihdrom has been captured and jailed for his murderous crimes) leaving only Wendy, Marvin & Wonderdog.

They come up with a cunning plan: they assume if he has all the super-villains powers, perhaps he also has their weaknesses. They trick World Beater into using Spectrum’s x-ray powers (Anti-Man’s weakness – that is how Superman defeated him in the earlier pages of the story). World Beater is weakened and passes out.

Wendy and Marvin revive the Super-Friends and the Justice Leaguers and receive their thanks.

***

The letter column explains why these five heroes were given the job of training their young recruits: through some inventive reimagining of their origins, it is explained that Superman, Batman, Robin, Wonder Woman and Aquaman were all trained to be superheroes in their youths. Thus, having been trained as children, they know how to train children.

Ah, yes.

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***

The story here is still oriented to the younger audience, but still keeps a cosmic scale to it. Plus it guests most of the Justice League, whetting the appetites of the young TV-show fans who picked up the comic to read the adventures of other DC stars!

Ramono Fradon’s art is pitch-perfect for this comic. Her style is easy on the eyes and accessible to young fans who might be overwhelmed by … say … Mike Grell if he did the book. She would have been my pick for the book, too. And Kurt Schaffenberger…

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

The CW Fall 2018-19 Schedule

Changes are coming to our DC-CW shows. Well, at least on the days they are airing.

Originally the DC-CW shows spanned the week, now they are lumped into the first few days.

***

All times are Eastern…

SUNDAY
8-9 PM — Supergirl

MONDAY
8-9 PM — DC’S Legends of Tomorrow
9-10 PM — Arrow

TUESDAY
8-9 PM  — The Flash
9-10 PM — Black LIghtning

***

My internet trolling has not help me learn why. The ratings for the DC-CW shows are still stellar (for the CW) and all the shows ended up in their top ten.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Hercules Unbound #3, March 1976

 

Behold!

bronze-age

“Within the Pit Below”

Cover: José Luis García-López, Editor: Joe Orlando

Writer: Gerry Conway; Penciler: José Luis García-López; Inker: Wally Wood

Synopsis from DC Wikia: “Cerebus captures Jennifer Monroe in order to lure Hercules to a battle in Pluto’s realm.”

Most modern comics can use 15 words to describe over 18 pages of story and art, true, but a Bronze Age comic?

Going through the entrance to Hell, Hercules, Kevin and Basil meet a minstrel and Charon at the shores of the River Styx. Our heroes are attacked by one of Pluto’s Shadow Beasts. Kevin begs the minstrel to help them save Jennifer. The minstrel plays his lyre to weaken the Shadow Beast. Hercules quickly dispatches the ethereal monster.

The minstrel, Orpheus, joins Hercules on his quest.

Cerebus meanwhile takes Jennifer to Tartarus, the palace of Pluto and his lady Persephone.

Meanwhile again, back in Paris, Jennifer’s friends David Rigg and Simon St. Charles are captured by Ares – their fate to be determined in a later issue!

Orpheus reveals why he is in hell: as with the “real” legend. This son of Apollo lost his bride Eurydice when she died from a snake bite. He went to Tartarus to confront Pluto. Pluto allowed Eurydice to follow Orpheus out of hell as long as Orpheus did not turn around to look at her. Nearly at the gate, Orpheus was overcome by his curiosity and turned to make sure his bride was still there. She was, but instantly disappeared back into hell.

Cerebus and Jennifer talk quietly – here he seems to pine for his former bride-to-be, whereas last issue he was filled with rage as to her betrayal. Hercules finally tracks down the Nubian and calls him out to battle! The gods clash! Hercules knocks a wall on Cerebus, crushing him. Jennifer speaks to Cerebus while he is in his death throes. “It is the woman who betrayed you that caused your death,” she says. “No, it was my hatred and need for vengeance,” Cerebus says.

Pluto releases Jennifer. Orpheus reveals he is a ghost and reunites with Eurydice just as Cerebus was released from his hatred.

Finally reunited with Jennifer; Hercules, Kevin and Basil leave Hell.

 ***

The letter column is filled with missives praising the first issue – the art, the story and Hercules quiet (compared to his Marvel counter-part) power.

***

In a few panels Cerebus shows more depth than Hercules. But this was a fun issue and a nice way to complete the first story arc.

But in three issues we still do not know much about our main characters – neither Kevin nor Jennifer despair over the losses of WWIII. Hercules – although there is no question that he is loyal and heroic – is still a mystery. He hates Ares, true, but what about his loves? What makes him smile? Laugh? We know his persona, what about his personality?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #51; May, 1977

 

Behold, the Bronze Age!

bronze-age

 

Cover: Walt Simonson

“Killing Me Softly With His Scream!”

Writer: Jack C. Harris & Martin Pasko; Penciler/Inker: Joe Staton

Colorist: Liz Berube

Story editor: Paul Levitz; Managing editor: Joe Orlando

#50 had new material book-ending the excellent reprint of MM#6. Remember, this is a blog about the Bronze Age – there is no place for even an excellent Silver Age story here!

The new story in #50 (Consisting of only just over two pages) was as follows: Magnus and his robots are ordered to a secret military base wherein lay “Project Automaton”. When they arrive, they are informed the Metal Men are now in the custody of the US Army!

The robots are locked into a chamber while Colonel Craven tries to convince Doc Magnus to use his robot building technique for Project Automaton. An attack on the Metal Men by unknown armed terrorists is foiled by our friends, and one of the unspeaking attackers kills himself during the interrogation.

We meet Vox – a man with a mechanical jaw and voice box whose scream can kill and who is building a cyborg army for America’s enemies. Vox and his cyborg army invade the army base to capture Magnus and the Metal Men. The robots fight off the cyborgs, but Vox manages to make off with Magnus, Iron and Colonel Craven! Vox demands the secret on how the Metal Men can alter their forms – with this knowledge his own cyborgs will be invincible!

Magnus refuses to tell his secret – but Craven tells Vox in exchange for a mechanical heart to replace his pacemaker! Craven tells Vox about the Metal Men’s responsometers, that allows them to change their form. Vox refuses to honor his end of the bargain and his heart gives out in his rage.

The Metal Men trick the Cyboriginals (Vox’s cyborg army) into leading them to where Vox is keeping Magnus and rescues him.

***

The letter pages ranged from complimentary to scathing in their reviews of issue #49, which the editor says is the start of their new “tongue in cheek” version of the Metal Men. Did I read the same issue? That was part two of the Eclipso story … tongue in cheek? Wha…?

***

I suppose this issue shows the “tongue in cheek” direction of Metal Men. A strange villain, true, but not in the goofy mode of, say, Plastic Man.

The eclectic story is magnified by the dual writers. The prior issue said Harris came in to help with Pasko’s plot.

The artwork is fine and solid – a good description of the style of Joe Staton. His fluid style complements strange plottings of the story in addition to the Metal Men themselves. Staton captures their powers and abilities cleanly and clearly. By this time, he has already become the Bronze Age artist for all things Earth-2 and will shortly become THE Green Lantern artist. He is currently doing his usual thorough workman-like job for the Dick Tracy comic strip.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Isis #3. March 1977

“The Wrath of Set”

***

Cover Artists: Mike Vosburg & Vince Colletta

Writer: Steve Skeates; Penciler: Mike Vosburg

Inker: Vince Colletta; Letterer: Liz Berube

Editor: Dennis O’Neil; Managing Editor: Joe Orlando

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From DC Wikia: Andrea Thomas and Cindy Lee are walking back to school. Suddenly, a storm of hail begins falling down upon their heads, despite the fact that it is nearly Summer. They rush back to school, but Andrea is concerned that something nefarious may be responsible for the unexpected weather.

Andrea steps out and transforms into Isis. She flies into the sky and finds Set, the Egyptian God of the Desert. Set declares his intention to wrest control of Isis’ worshipers from her, so that they will instead pay homage to him. Isis explains that she does not demand worship from others, and that she only wants to help people. This concept is completely alien to Set and he cannot abide the notion of a humble god. Frustrated, he leaves her presence, vowing to return.

Isis returns to the school and switches back into her Andrea Thomas identity. She goes into class where she confers with Doctor Barnes. During the conversation, a prankish student named Jeffrey Carter tosses a paper airplane, striking Andrea in the head. She dismisses the act, but Barnes feels that she is too easygoing with her students.

During class, Cindy tells Andrea about a radio report concerning a nearby fire. Andrea excuses herself and changes back into Isis. She flies to a burning apartment building, and rescues several children caught in the blaze. Set appears before her, and confesses to perpetuating the fire in order to draw Isis out. He again announces his intention to become the patron deity of Earth, demanding worship from all those around him.

A crowd of students gather on the street to witness Isis’ confrontation with Set. Isis notices Jeffrey Carter amongst the crowd and uses him as a means of offsetting Set’s plan. Jeffrey, who apparently enjoys playing pranks on super-heroes as much as he does chemistry teachers, tosses a custard pie in Isis’ direction. Isis allows the dessert to hit her squarely in the face, but takes no action afterwards. Set is furious. It is obvious that the people of Earth have no respect for the Gods and he cannot believe Isis would allow herself to be humiliated in such a fashion. He no longer desires to have anything to do with these people and disappears

***

“Politcal Rally Panic”

Plot: Steven Skeates, Writer: Jack C Harris, Pencils: Jose Delbo

Inker: Vince Colletta; Letterer: Liz Berube

Editor: Dennis O’Neil; Managing Editor: Joe Orlando

Isis is flying through the city when she sees a man named Lattimer falling out of a top-story window. She catches him and brings him safely down to the street. Lattimer explains that he is an ornithologist, who had been birdwatching so intently that he fell out of his window. After telling Lattimer to be more careful, Isis takes her leave of him.

She switches back to her civilian identity and goes to the fundraiser of a local politician named Bob Carver. Andrea is Bob’s friend, and she supports his strong anti-crime bill. During the fundraiser, several people including Andrea, begin to lose their voices. She discovers that somebody has poisoned the punch bowl. She races outside and strains her constricting vocal chords to mouth the words, “Oh, Mighty Isis”. Switching into her super-hero guise, she swoops back in and finds that the man responsible for spiking the punch is Carver’s assistant, Watkins.

Watkins, realizing that he has been exposed, runs out of the building and jumps into his car. Isis follows him and easily stops the fleeing criminal. Lattimer approaches the crime scene and reveals that he is actually an undercover police officer investigating a potential murder attempt against Bob Carver. Thanking Isis for her assistance, he takes Watkins into custody.

***

The letters in the letter column all praise for the debut issue.

***

The resolution of the first story is well in keeping with the TV show – you could even say Isis defeated her foe with Gandhi-like resistance by humiliating herself to reveal Set’s ego.

The art in the first story looks vaguely like Carmine Infantino’s … it’s not, but there IS a resemblance! The second story’s art by the wonderful Jose Delbo is softer than Vosburg’s sharp style.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Gotham Renewed for Fifth, Final Season

The future of FOX’s Batman prequel series has officially been revealed. Gotham has been renewed for its fifth and final season on the network. While Fox has yet to make an official statement, the fifth season will reportedly be 13 episodes in length – which is all the series needs to reach the 100-episode milestone for syndication. This new season will focus on the final transformation of young Bruce Wayne into the Dark Knight.

In an earlier interview with Comic Book, executive producer Danny Cannon teased what the series has in store for season five. “The catastrophic event, the cataclysmic event that happens in the last three episodes [of season four] not only will change Gotham. It not only combines so many characters that you don’t think will cooperate with each other, but it changes the face of Gotham forever, so that season five, it’s almost a reboot and a different show,” Cannon said.

Gotham stars David Mazouz as Bruce Wayne, Ben McKenzie as James Gordon, Sean Pertwee as Alfred Pennyworth, Robin Lord Taylor as Penguin, Cameron Bicondova as Selina Kyle, Erin Richards as Barbara Kean, and Donal Logue as Harvey Bullock.

Thank you Scoop for allowing me to reprint your article:

http://scoop.previewsworld.com/Home/4/1/73/1012?articleID=212503

A reboot and a diffent show? No wonder. Ratings have been awful. Gotham averaged 2.563 million viewers per episode (https://tvseriesfinale.com/tv-show/gotham-season-four-ratings/). But still, the renewed Agents of Shield’s averaged half-a-million less viewers. Arrow, as another example was almost one and a half million less viewers (although on a much lesser-viewed network). Still, were it not for the Batman imprint it would have been cancelled some time back.

The first season was excellent – and went downhill from there. Ironically it was concentrating more on Bruce Wayne than on the rise of the Penguin and Jim Gordon’s struggle against corruption that caused the downfall. That being said, any scene with Sean Pertwee is worth watching. Ditto Bicondova’s Selina Kyle. The rare scenes with Alfred and Selina Kyle together made the episodes!

But as with Agents of Shield, they are doing the right thing: 13 episodes is enough to finish the tale: have Mazouz put on the cape and cowl and end it.

It’s not ending on top, but it IS ending. Let’s enjoy these last episodes as much as we enjoyed the old ones. Well, some of the old ones.

I think it is ending just in time.  Or at least one season too late.

 

Original Material 2018 by Michael Curry

A review of the Flash Season Four Finale

I sat through 21 episodes for THIS shit?

What a bitterly disappointing ending for a fair-to-good season…

Season Four had wonderful potential – the big bad was finally not another omnipotent-he-is-always-one-step-ahead-of-us speedster (he was an omnipotent-he-is-always-one-step-ahead-of-us genius), a whole new rogue’s gallery was forming, and the highlight – the introduction of the Elongated Man!

Hartley Sawyer was perfectly case – he even LOOKED like Ralph!

But the rest of the season just shows the severe limitations of the “Big Bad”-style.

I’ve complained about this style recently and called for its elimination in the DC-CW shows. The last three seasons of Arrow show the style at its worst. But it wasn’t until the last episode of Season Four of the Flash that it finally dawned on me why.

Yes, the Big Bad makes for tedium and repetition (“Hoping this is their chance to stop (insert name of Big Bad) once and for all …” seems to begin the synopsis for 3/4ths of Arrow’s IMDB’s Episode Lists …) but that is only a symptom. The disease is thus:

Nothing. Happens. Until. The last. episode.

Nothing.

No plot progression. No sense of advancement.

The Big Bad Style is interesting and thrilling when you first watch it. But the plot devise has been used in sixteen seasons between the four DC-CW shows, as well as Agents of Shield, Gotham, etc.

Maybe it’s me, maybe these shows are better while binge-watching. I doubt it. I suspect the Big Bad syndrome is even worse – seeing the heroes defeated not once per week but four times in an afternoon – “is this a rerun, did I hit the repeat button?”

Again it goes back to the main problem: “We’ll stop him this time!” “At last! I … oh. Episode 17, nope, you have five more to go before THAT happens.” Until then …

…nothing…

Arrow tried for a different take this season by killing off their Big Bad – revealing that the actual Big Bad was lurking in the background. But then it was back to the “We’ll stop him this time/this will work it HAS to!” …

Meet the new (Big Bad) boss, same as the old (Big bad) boss.

Flash should be better than this. They do done-in-one shows, they do not only character development, but character advancement! The heroes are likeable. The actors playing them fit the roles perfectly – the chemistry of the cast is obvious!

So how do we fix this? Get rid of the Big Boss. Or at least stay away from him or her for more than one episode at a time. Do two- three- or four-part arcs with other villains. Grodd, perhaps, or a more powerful non-Flash villain: Kanjar Ro, the Shadow Thief or Felix Faust.

For gosh sakes, introduce the Green Lantern Corp!

“We can’t, it might conflict with the DC Cinematic Universe!”

Ignore the DCCU; they certainly are ignoring YOU…

***

I think my souring began with the resolution of the mid-season cliff-hanger “The Trial of the Flash” and I never had a chance to recover. For several episodes Flash did not escape from his cell or allow other shenanigans. “If I cannot get out legitimately, I don’t want to do it.” So how does he get released and found innocent of murder?

Illegitimately.

Ralph disguised himself as DeVoe. How can you kill a man who is still alive? Granted DeVoe WAS alive, but it was a fraud on the court. At least Arrow, pulling similar shenanigans some months later, used it against a corrupt system. Here the judge/jury was legit.

The means do not justify the ends. Barry Allen would be the FIRST to tell us that! His reaction to how his team sprung him was conveniently ignored.

Plus, at the final hearing DeVoe’s “widow” was present, but the District Attorney was NOT?! I know this isn’t Law and Order, but STILL…

It was the nadir of the series, in my opinion.

Until this season’s finale…

***

The season finale had its moments – the introduction of Barry & Iris’ daughter from the future, the birth of Joe & Cecile’s daughter (yes, thse are spoilers, who cares? It was a crappy show), even the Thinker’s reference to himself as the “Big Bad” made me laugh.

But the rest of it?

Synopsis: with technobabble that would make the writers of Star Trek Voyager get erections, Barry put his physical self into DeVoe’s mind. This is done with the help of DeVoe’s wife who finally turns to the good side after a 20-episode build-up.

Flash finds Ralph “alive” (an why not the rest of his new Rogue’s Gallery?) and they fight off an infinite number of Thinkers in Matrix-like fashion.  Devoe is finally destroyed because Ralph’s physical body leaves the Thinker’s mind. Of course, why hadn’t anyone thought of THAT …

But, thanks to Holographic Resurrection, the Thinker appears again to menace our heroes! His wife finally defeats him by reaching around the chair and unplugging him.

Yes, they unplugged him.

By now I’d unplugged the Tivo.

***

I love the Flash, I do. I love the charactersl I love the cast.

But I swear to god if this keeps up next year I’m rooting for the bad guy.

And start watching NCIS. Abby Scuito or no Abby Scuito.

Copyright 2018 Michael Curry

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Mister Miracle #22. February 1978.

Behold, the Bronze Age!

bronze-age

Cover: Marshall Rogers

“Midnight of the Gods”

Writer: Steve Englehart as John Harkness

Penciler: Marshall Rogers, Inker: Rick Bryant and John Fuller

Colorist: W. Argyle Nelson-Smith, Letterer: Milton Snappin

Story Editor: Larry Hama;  Managing Editor: Joe Orlando

Scott Free decides to take on Darkseid himself! Through a hologram message, Darkseid challenges Free to surrender or the earth will be destroyed.

Miracle again incites the Lowlies, but is arrested. He escapes from the Prime Protectors’ prison cage. Avoiding the guards, Miracle enters the Cerberus Chute, through which lay Darkseid’s throneroom!

Miracle confronts his foster father and blasts him with a lethal blaster. Darkseid survives the blast and warns Miracle that there can be no light without darkness. Does this mean there can be no ending to war and hatred, Scott Free says?

Darkseid ends the meeting the throws Miracle into a vortex, laughing…

***

Per DC Wikia: Due to the writing not meeting his own standards, Steve Englehart used the pseudonym “John Harkness” for this issue. No source is given.

It wasn’t that bad. True, it wasn’t the best thing he had ever written … and the last two pages were odd and preachy.

And even the artwork seemed sketchy and rushed. Not Rogers’ best either.

Definitely an “in between” issue – Miracle is still trying to foment an uprising among the lowlies and a non-confrontation with Darkseid. The storyline barely advanced; you’d think this was a modern comic.

***

The editor in the letter column claims they have the hit of the century on their hands.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!