RIP Geoff Emerick 12/05/1945 – 10/02/2018

If George Martin was a wizard (and he was), Geoff Emerick was his familiar.

From Wikipedia:

Geoffrey E. Emerick was an English audio engineer who worked with the Beatles on their albums Revolver (1966), Sgt. Pepper’s Lonely Hearts Club Band (1967) and Abbey Road (1969). Producer George Martin credited him with bringing “a new kind of mind to the recordings, always suggesting sonic ideas, different kinds of reverb, what we could do with the voices”.

Emerick also engineered the Zombies’ Odessey and Oracle (1968), Paul McCartney and Wings’ Band on the Run (1973), and Elvis Costello’s Imperial Bedroom (1982). He won four Grammy Awards for his work in the music recording field. His 2006 memoir Here, There, and Everywhere: My Life Recording the Beatles caused controversy for its factual errors.

Early career at EMI

Geoff Emerick was brought up in Crouch End, London, and educated at Crouch End secondary modern school, where one of his teachers heard about a job at EMI and suggested he apply. At age 15, he was employed as assistant engineer. The fifth of June 1962 was his first day at work, and on the following day the Beatles came to Studio 2 at Abbey Road for their first recording session for EMI. To familiarise Emerick with his work, he was placed under the supervision of another assistant engineer, Richard Langham, assistant engineer to Norman Smith, who would be doing the first recording session of the Beatles in the evening. As a new recruit, Emerick was not entitled to get over-time pay, but was lucky enough to witness this first-ever EMI recording session by the finalised line-up of the Beatles in 1962, during which the group recorded for the first time with new drummer Ringo Starr on what would eventually become their debut hit single, “Love Me Do”.

 

Working with the Beatles and others

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As assistant engineer, Emerick worked on several early recordings by the Beatles, including “She Loves You” and “I Want to Hold Your Hand”. From early in 1964, his involvement with the band was limited due to his training program at EMI, as he progressed to lacquer cutter, mastering engineer and then balance (or recording) engineer. During that time, he helped record other artists for the label, including Judy Garland, and assisted at the EMI artist test of the Hollies. After working his way up to the recording engineer’s position, Emerick engineered the 1966 Manfred Mann single “Pretty Flamingo”, which became a number 1 hit in the UK.

In April 1966 at the age of 20, Emerick took over as the Beatles’ recording engineer, at the request of producer George Martin, when Smith became a producer. Emerick’s first album in this new role was Revolver, starting with the sessions for “Tomorrow Never Knows”. It was Emerick’s suggestion to record John Lennon’s vocal through a Leslie speaker on the song, to capture the ethereal sound Lennon wanted, and to close-mic Starr’s drums, formerly a prohibited practice at EMI Studios. In 1967, Emerick engineered “Being for the Benefit of Mr. Kite!”, one of the most musically complex songs on Sgt. Pepper’s Lonely Hearts Club Band. Lennon told Martin he wanted to re-create the “carnival atmosphere” of the Pablo Fanque circus poster that inspired the song. For the middle eight bars, Emerick spliced together multiple recordings of fairground organs and calliope in an attempt to create the effect; after a great deal of unsuccessful experimentation, Martin instructed Emerick to chop the tape into pieces with scissors, throw them up in the air, and re-assemble them at random. Later in 1967, he engineered the Zombies’ Odessey and Oracle and Tomorrow’s self-titled debut album.

Emerick abandoned work on The Beatles (also known as the “White Album”) on 16 July 1968, fed up with the intra-band tensions and arguments that hampered the sessions. Emerick also objected to Chris Thomas, Martin’s inexperienced assistant, being elevated to the role of producer in Martin’s absence, with the band’s acceptance. He returned to work with the Beatles on Abbey Road. Emerick received Grammy Awards for the engineering of Sgt. Pepper’s Lonely Hearts Club Band and Abbey Road.

Despite his departure from the White Album sessions, Emerick remained on good terms with the Beatles, particularly Paul McCartney, who invited Emerick to quit EMI and come and work for their company Apple Corps in 1969. In addition to engineering duties, Emerick oversaw the building of the Beatles’ Apple Studio in the Apple Corps building.

After the Beatles

Following the Beatles’ break-up in 1970, Emerick continued to work with McCartney. He served as recording engineer on McCartney albums such as Band on the Run (1973), which netted Emerick another Grammy, London Town (1978), Tug of War (1982) and Flaming Pie (1997). Emerick later said that he had always been perceived by the other ex-Beatles as “Paul’s guy”. As a result, for their solo recordings, Lennon and George Harrison chose to work instead with Phil McDonald, another former EMI engineer.

Emerick was the sound engineer on Robin Trower’s 1974 album Bridge of Sighs, and was credited by both Trower and producer Matthew Fisher for that album’s sound. He also recorded some of the backing tracks for the debut album by Stealers Wheel, The Psychomodo, but resigned early on in the process, handing over to Apple recording engineer John Mills to continue working with producers Jerry Leiber and Mike Stoller. The Stealers Wheel album featured “Stuck in the Middle with You” and went on to receive the Dutch Edison Award.

Following the success of EMI’s The Beatles at Abbey Road presentation in 1983, Emerick prepared an album of the Beatles’ studio outtakes, to be titled Sessions, for release. The former Beatles initiated legal proceedings to prevent EMI from issuing the album, saying that the work was substandard; when made available on bootleg compilations, his mixes and editing of some of the tracks were widely criticised by collectors. In the mid 1990s, these recordings were used for the Beatles Anthology CD releases.

Emerick also worked on albums by Elvis Costello (for whom he produced Imperial Bedroom and All This Useless Beauty), Badfinger, Art Garfunkel, America, Jeff Beck, Gino Vannelli, Supertramp, Cheap Trick, Nazareth, Chris Bell, Split Enz, Trevor Rabin, Nick Heyward, Big Country, Gentle Giant, Mahavishnu Orchestra and Ultravox. His other recording projects included Matthew Fisher’s first solo album, Journey’s End; Kate Bush’s demo tape to EMI, which landed her a record deal; and Nellie McKay’s critically acclaimed 2004 debut CD Get Away from Me. In 2003, he received his fourth Grammy, a Special Merit/Technical Grammy Award.

In 2007, Emerick produced a re-recording of Sgt. Pepper’s Lonely Hearts Club Band in honor of the album’s 40th anniversary. It included performances by contemporary artists such as Oasis, the Killers, Travis and Razorlight. Emerick used the original equipment to record the new versions of the songs, and the results were broadcast on BBC Radio 2 on 2 June that year.

From 1984, Emerick resided in Los Angeles.

Here, There, and Everywhere

In 2006, Emerick released his memoir, Here, There, and Everywhere: My Life Recording the Music of The Beatles, co-authored by music journalist Howard Massey. The book caused controversy for its factual errors, and for its allegedly unfavorable portrayal of Harrison, bias towards McCartney and belittling and dismissal of Harrison and Starr’s contributions. According to Beatles biographer Robert Rodriguez, Emerick’s recurring theme that Harrison lacked prowess as a guitar player until the late 1960s is more reflective of Emerick’s personality, and is countered by several other sources, and some of his descriptions of the Beatles’ recordings are negated by the availability of bootleg compilations of the band’s multitrack masters.

Beatles historian Erin Torkelson Weber said that, apart from Lennon’s account in Lennon Remembers, the book also presents arguably the most negative depiction of Martin as a record producer. The publication led to an Internet flame war, as former Beatles engineer Ken Scott challenged the accuracy of Emerick’s recollections and stated that, before writing the book, Emerick had contacted him and other EMI technical staff saying he had limited memory of the events. Scott’s 2012 autobiography, From Abbey Road to Ziggy Stardust, sought to correct Emerick’s statements in Here, There, and Everywhere, especially with regard to Harrison’s musicianship and character.

Death

Emerick died from a heart attack on 2 October 2018, aged 72. He had been hospitalized two weeks beforehand after experiencing trouble walking, but was ruled to have been dehydrated. His manager, William Zabaleta, recalled talking to Emerick for the last time: “While on the phone, he had complications and dropped the phone. I called 911, but by the time they got there, it was too late. Geoff suffered from heart problems for a long time and had a pacemaker. When it’s your time it’s your time. We lost a legend and a best friend to me and a mentor.”

Paul McCartney commented on social media: “He was smart, fun-loving, and the genius behind many of the great sounds on our records. I’m shocked and saddened to have lost such a special friend.”

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geoff_emerick

As buried in the article, he produced my beloved Badfinger (the No More album). The list of McCartney albums is not complete (Run Devil Run), but you get the idea.

Rest in peace, sir, and thank you.

For everything.

Literally, everything.

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About the blogger:

Michael Curry is a life-long Beatles fan and has written the short story “The Day John F Kennedy Met the Beatles”, available here on Amazon Kindle.

 

 

 

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John Lennon on US commemorative stamp

by STEPHEN R. GROVES

https://apnews.com/568c687641f147deaff0d9f1c18bfb9e

Sep. 07, 2018

NEW YORK (AP) — John Lennon’s iconic round glasses and shaggy 1970s mane will now adorn a U.S. stamp.

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Lennon’s widow, Yoko Ono, and their son, Sean Lennon, were in New York City’s Central Park Friday to celebrate the U.S. Postal Service’s release of a stamp honoring the late Beatle. Hundreds of Beatles fans gathered for the event.

“I know that my father would have been really thrilled to be accepted, officially in this way, on a stamp,” said Sean Lennon. “About as official as it gets, I think.”

The commemorative stamp features a photo of Lennon taken in 1974 on the roof of his Manhattan apartment building by photographer Bob Gruen, who also spoke at the event. The stamp is designed to look like a 45-rpm record sleeve.

“Everybody loves to listen to John’s songs and I’m very proud of it, but also the fact that this day, Imagine and you guys are here. It’s incredible,” Yoko Ono said.

She also joked about the blame she gets for breaking up the Beatles.

“If John just went with me and then he began, ‘La La La, Da Da Da’ or something like that, people say, ’Well, that’s Yoko’s fault,’” she said. “Well, it’s always my fault.”

The crowd received her warmly though, giving her a standing ovation.

“I always knew how much he loved her,” said Donna Gallucci who came from Pennsylvania for the event. “A lot of people didn’t understand that.”

After the event, people lined up to buy the stamps and enjoy one more day of Beatlemania in New York City.

Gallucci said, “He was so much a part of the city, so much a part of the park.”

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I got mine!

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Thanks for allowing me to share the story!

About the blogger:

Michael Curry is a life-long Beatles fan and has written the short story “The Day John F Kennedy Met the Beatles”, available here on Amazon Kindle.

Constantine to Join Legends as Series Regular

From Scoop:

“While a fourth season of DC’s Legends of Tomorrow has yet to be confirmed, Matt Ryan’s John Constantine has already been announced as a series regular. Warner Bros. Television press release didn’t offer too many details, except to say that Constantine would join the main team aboard the Waverider.

Created by Alan Moore, Steve Bissette and John Totleben, Constantine was first introduced in The Saga of Swamp Thing. The character went on to star in 300 issues of DC’s Hellblazer series.

Ryan previously portrayed Constantine for a short-lived TV series on NBC between 2014 to 2015. He later reprised his role as the cult classic character on a season four episode of Arrow entitled “Haunted.” While this was a one-time Arrow appearance, Ryan has since made a few appearances during the current season of Legends of Tomorrow.

Along with appearing in the season finale, and possible fourth season, Ryan will voice Constantine in the upcoming Constantine series. This animated series will debut this March 24, 2018 on The CW Seed.

DC’s Legends of Tomorrow airs on Monday nights at 7:00 pm (Central) on The CW.”

This article originally published on Scoop:

©2018 Gemstone Publishing, Inc. and/or Diamond International Galleries. All other material ©2018 respective copyright holders. All rights reserved. Scoop is published weekly by: Gemstone Publishing Inc., Geppi’s Entertainment Museum, Diamond International Galleries and FAN, the Fandom Advisory Network, 1940 Greenspring Drive, Suite I, Timonium, MD 21093, 443-318-8467. Diamond Comic Distributors, Inc., 10150 York Road, Suite 300, Hunt Valley, MD 21030.

My thanks for allowing me to reprint it here.

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const LOT 2

DC’s Legends of Tomorrow — “Daddy Darhkest” — Image Number: LGN310a_0366b.jpg — Pictured (L-R): Matt Ryan as Constantine and Caity Lotz as Sara Lance/White Canary — Photo: Jeff Weddell/The CW — © 2018 The CW Network, LLC. All Rights Reserved.

What exciting news! Read my news and reviews of “Constantine” and “Legends of Tomorrow” by using the search engine on my home page.

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About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

With Great Power Comes Great … Debt. Marvel Comics’ 1996 Bankruptcy.

I have a blog where I discuss various legal issues. Sometimes the issues cross over with this more … nerdy-culturally-aimed blog …

Thought you might get a kick out of it …

Celebrity Spotlight: Marvel Comics

Bankruptcy affects people of every age, creed, sex or ethnicity from every part of the country. Even celebrities both loved and disliked have their financial problems and depend on the bankruptcy laws to get out from under crippling debt.

Sometimes even superheroes…

marvel-case-presentation-26-638

From Den of Geek: my thanks for aloowing me to reprint their wonderful article…

Marvel Comics had grown in stature throughout the ’60s, ’70s, and ’80s thanks to the often stunning art and storytelling in such comics as Fantastic Four and The Amazing Spider-Man, Marvel’s financial success had reached a peak by the early ’90s. But then a series of bursting financial bubbles and questionable business deals saw Marvel’s stock value collapse; shares once worth $35.75 each in 1993 had sunk to $2.375 three years later. An ugly fight between a group of very rich investors followed, and for a while, the company’s future seemed uncertain.

Yet somehow, Marvel fought through all the corporate intrigue which dogged the company in late 1996 and for many long months afterwards, and emerged from the rubble a decade later as a film industry behemoth.

In 1993, while Marvel and the comics industry as a whole seemed to be in rude health, Sandman writer Neil Gaiman stood before about 3,000 retailers and gave a speech which few in attendance wanted to hear.

In it, he argued that the success of the comic book market was a bubble – one brought on by encouraging collectors to buy multiple editions and hoard them up in the hope that they’ll one day be worth a fortune. This, Gaiman said, was akin to tulip mania – a strange period in the 17th century when the value of tulip bulbs suddenly exploded, only for the market to collapse again.

“You can sell lots of comics to the same person, especially if you tell them that you are investing money for high guaranteed returns,” Gaiman  said. “But you’re selling bubbles and tulips, and one day the bubble will burst, and the tulips will rot in the warehouse.”

The bubble Gaiman described had begun several years earlier, when comic books, once considered disposable items by parents, were becoming prized items by collectors who’d grown up with their favorite superheroes as kids. By the 1980s, comic book collecting had gained the interest of the mainstream media, which latched onto stories about Golden Age comics selling for thousands of dollars.

Publishers were themselves courting the collector market by introducing variant covers, sometimes with foil embossing or other eye-catching, fancy printing techniques. These were snapped up hungrily by readers, but also by speculators assuming that they’d stumbled on a sure-fire means of making money by storing copies up and selling them for a profit in the future.

While the comics were flying off the shelves, Marvel attracted the interest of a man named Ron Perelman. Often pictured with a broad grin and a huge cigar in his hand, Perelman was a millionaire businessman with a variety of interests: in 1985, he’d made a huge deal for cosmetic firm, Revlon through his holding company, MacAndrews & Forbes. In early 1989, Perelman spent $82.5 million on purchasing the Marvel Entertainment Group, then owned by New World Pictures.

Within two years, Marvel was on the stock market, and Perelman went on a spending spree: he bought shares in a company called ToyBiz, snapped up a couple of trading card companies, Panini stickers, and a distribution outfit, Heroes World. All told, those acquisitions cost Marvel a reported $700m.

Through the early ’90s, Marvel was buoyed by the success of Spider-Man and X-Men, which were selling in huge numbers. Sales of a new comic, X-Force, were similarly huge, thanks in part to a cunning sales gimmick: the first issue came in a poly bag with one of five different trading cards inside it. If collectors wanted to get hold of all five cards, they – you guessed it – had to buy multiple copies of the same comic. With the boom still in full swing, that’s exactly what collectors did – as former Comics International news editor Phil Hall recalls, fans were buying five copies to keep pristine and unopened, and a sixth to tear into and read.

Then, just as Gaiman predicted, the bubble burst. Between 1993 and 1996, revenues from comics and trading cards began to collapse. Suddenly, Marvel, which at one point seemed invincible as it grew in size, now looked vulnerable.

“When the business turned,” observed then-chariman and CEO of Marvel Scott Sassa, “it was like everything that could go wrong did go wrong.”

Some in the industry went further, and argued that Perelman’s tactics had endangered the entire industry:

“[Perelman] reasoned, quite correctly, that if he raised prices and output, that hardcore Marvel fans would devote a larger and larger portion of their disposable income toward buying comics,” Chuck Rozanski, wrote CEO of Mile High Comics. “Once he had enough sales numbers in place to prove this hypothesis, he then took Marvel public, selling 40% of its stock for vastly more than he paid for the entire company. The flaw in his plan, however, was that he promised investors in Marvel even further brand extensions, and more price increases. That this plan was clearly impossible became evident to most comics retailers early in 1993, as more and more fans simply quit collecting due to the high cost, and amid a widespread perception of declining quality in Marvel comics.”

Whether Perelman was directly to blame or not, the consequences for the industry as a whole were painful in the extreme. Hundreds of comic book retailers went bust as sales tumbled by 70 percent. Suddenly, the boom had turned to bust, and even Perelman admitted that he hadn’t anticipated the dark future Gaiman had warned about in his speech.

”We couldn’t get a handle on how much of the market was driven by speculators,” Perelman said; “the people buying 20 copies and reading one and keeping 19 for their nest egg…”

By 1995, Marvel Entertainment was heavily in debt. In the face of mounting losses, Perelman decided to press on into new territory: he set up Marvel Studios, a venture which he hoped would finally get the company’s most famous characters on the big screen after years of legal disputes. To do this, he planned to buy the remaining shares in ToyBiz and merge it with Marvel, creating a single, stronger entity.

Marvel’s shareholders resisted, arguing that the financial damage to Marvel’s share prices would be too great. Perelman’s response was to file for bankruptcy, thus giving him the power to reorganize Marvel without the stockholder’s consent.

Marvel filed Chapter 11 bankruptcy on December 27, 1996. Coincidentally, its highest debt of $1.7 million was owed to Disney. Over one-third of Marvel employees were laid off.

There followed a bewildering power struggle which raged for almost two years. A stockholder named Carl Icahn tried to oppose Perelman, and the financial press eagerly reported on the very public spat which ensued. Perelman, Icahn argued, “Was like a plumber you loan money to get him started in business; then he comes in, wrecks your house, then tells you he wants the house for nothing.”

The battle, when it finally ended in December 1998, had a strange outcome which few could have predicted: after a lengthy court case, ToyBiz and Marvel Entertainment Group were finally merged, but Perelman and his nemesis Icahn were both ousted in the process. Other executives with ties with Perlmutter were also severed, including CEO Scott Sassa, whose tenure had, all told, lasted just eight months.

They’d been pushed out by two ToyBiz executives who’d been on Marvel’s board since 1993: Isaac Perlmutter and Avi Arad. With Scott Sassa gone, they installed the 55-year-old Joseph Calamari, who’d been at the helm of Marvel in the 80s, as its new CEO.

With the financial intrigue in the boardroom settling down, Marvel began to turn its attention to a target it had been trying to hit since the 1980s: the movie business. The rest, as they say …

MArvel money

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Please check my legal blog for other famous bankruptcies!

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Cap money

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About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

National Adoption Awareness Month spotlight on … Jerry Lewis!

Last year I did a series on the three biggest comedians of the 20th century – Bob Hope, Jack Benny and George Burns – who adopted all their children.

lewis hope benny

But they weren’t the only legendary comedians who adopted. Jerry Lewis did, too.

For those who need a brief bio of Jerry Lewis … from Wikipedia:

Jerry Lewis (born either Jerome Levitch or Joseph Levitch; March 16, 1926 – August 20, 2017) was an American comedian, actor, singer, producer, director, screenwriter and humanitarian. He was known for his slapstick humor in film, television, stage and radio. From 1946 to 1956, he and Dean Martin were partners as the hit popular comedy duo of Martin and Lewis. After that, he became a star in motion pictures, nightclubs, television shows, concerts, album recordings and musicals.

Lewis served as national chairman of the Muscular Dystrophy Association and hosted the live Labor Day weekend broadcast of the Jerry Lewis MDA Telethon for 45 years. He received several awards for lifetime achievement from the American Comedy Awards, Los Angeles Film Critics Association, Venice Film Festival and Academy of Motion Picture Arts and Sciences He was also honored with two stars on the Hollywood Walk of Fame.

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lewis and daughter

His only daughter was adopted during his marriage to SanDee Pitnick (his second marriage): Danielle Sara Lewis (born March 24, 1992.

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The story of Jerry’s adopted daughter has taken a controversial turn since his death:

From People Magazine:

“According to his Last Will and Testament, provided to PEOPLE by The Blast, the funnyman emphatically cut out all six children he had with his first wife Patti Palmer — meaning they will inherent nothing.

“I have intentionally excluded Gary Lewis, Ronald Lewis, Anthony Joseph Lewis, Christopher Joseph Lewis, Scott Anthony Lewis, and Joseph Christopher Lewis and their descendants as beneficiaries of my estate, it being my intention that they shall receive no benefits hereunder,” the will, written in 2012, states.

“Lewis’s potentially vast estate (estimated at 50 million dollars) will be passed to his widow, SanDee Pitnick. Second in line to inherit his fortune, should something happen to his wife, is his 25-year-old adopted daughter Danielle.”

http://www.angelfire.com/ok/kingofcomedy/article/daughter.html tells a controversial story about his sons and his new daughter.

Daughter Danielle was Jerry’s manager in his last years.

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frontcover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

WINNER: 2015 Reader’s Favorite Book Award Finalist, Non-Fiction Humor

WINNER: Honorable Mention, 2015 New York Book Festival!

WINNER: Honorable Mention, 2014 Great Midwest Book Festival!

Abby’s Road is available at Amazon, Barnes and Noble, and at Smashwords.

 

Copyright 2017 Michael Curry

National Adoption Month Spotlight on Meg Ryan!

It’s National Adoption Awareness Month! This year my theme will be famous celebrities who have adopted!

From Wikipedia:

Meg Ryan (born Margaret Mary Emily Anne Hyra; November 19, 1961) is an American actress, director, and producer. Ryan began her acting career in 1981 in minor roles, before joining the cast of the CBS soap opera As the World Turns in 1982. Subsequently, she began to appear in supporting roles in films during the mid-1980s, achieving recognition in independent movies such as Promised Land (1988) before her performance in the Rob Reiner-directed romantic comedy When Harry Met Sally… (1989) brought her widespread attention and her first Golden Globe nomination.

 

Ryan subsequently established herself, both nationally and internationally,[2] as one of the most successful actresses in the 1990s and early 2000s, particularly in romantic comedy films such as Sleepless in Seattle (1993), French Kiss (1995), You’ve Got Mail (1998), and Kate & Leopold (2001). Her other films include The Doors (1991), When a Man Loves a Woman (1994), Courage Under Fire (1996), Addicted to Love (1997), City of Angels (1998), Proof of Life (2000), and The Women (2008). In 2015, she made her directorial debut with Ithaca, a film in which she also acted.

Meg Ryan

In January 2006, Ryan adopted a 14-month-old girl from China whom she named Daisy True.

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frontcover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

WINNER: 2015 Reader’s Favorite Book Award Finalist, Non-Fiction Humor

WINNER: Honorable Mention, 2015 New York Book Festival!

WINNER: Honorable Mention, 2014 Great Midwest Book Festival

 

Abby’s Road is available at AmazonBarnes and Noble, and at Smashwords.

 

Copyright 2017 Michael Curry

Adoption Month Spotlight: Calista Flockhart!

It’s National Adoption Awareness Month! This year my theme will be famous celebrities who have adopted!

Calista Flockhart!

From Wikipedia:

Calista Kay Flockhart (born November 11, 1964) is an American actress. She is best known for starring as the title character in the legal comedy-drama series Ally McBeal (1997–2002) and Kitty Walker in the drama series Brothers & Sisters (2006–2011). She has also been featured in a number of films, including the comedy film The Birdcage (1996), the romantic comedy film A Midsummer Night’s Dream (1999), and the drama film Things You Can Tell Just by Looking at Her (2000).

Flockhart has won a Golden Globe Award and Screen Actors Guild Award, and garnered three Emmy Award nominations.

Flockhart

From: https://mom.me/entertainment/4004-celeb-moms-who-have-adopted/item/calista-flockhart/

In 2001, 36 and single, Calista Flockhart decided to become a mom, adopting son Liam, now 10. Naturally, a few months later, she met the love of her life, Harrison Ford, while spilling a drink on him at a party. Already a father of four, Ford embraced Flockhart and her son with open arms. “She’s brought a child back into my home,” Ford told Reader’s Digest in 2009. “It’s a wonderful opportunity to be a part of a child’s growing up, which is always an endless springtime. You see the blossoming and the growing and the nurturing and the payoff.”

(Interesting that an article about Calista Flockhart spends most of its time on Harrison Ford …)

Ironically, Calista has recently been known as playing Cat Grant on the CW’s Supergirl, whose eponymous character was also adopted by Jeremiah and Eliza Danvers (named Fred and Edna Danvers in the comics), an echo of Jonathan and Martha Kent’s adopting of Superman…

See? I can’t get away from comic books no matter how hard I try …

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frontcover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

WINNER: 2015 Reader’s Favorite Book Award Finalist, Non-Fiction Humor

WINNER: Honorable Mention, 2015 New York Book Festival!

WINNER: Honorable Mention, 2014 Great Midwest Book Festival

 

Abby’s Road is available at AmazonBarnes and Noble, and at Smashwords.

 

Copyright 2017 Michael Curry