Kobra #6, February 1977

“The Crack-in-the-World Conspiracy”

Cover Artists: Michael Netzer, Joe Rubinstein, Tatjana Wood

Writer: Martin Pasko

Penciler: Michael Netzer, Inker: Joe Rubinstein

Colorist: Liz Berube, Letterer: Ben Oda

Story Editor: Paul Levitz, Managing Editor: Joe Orlando


Jonny Double uses the glass shards of his wrist watch to cut the ropes binding him to the Golden Gate Bridge. He engages Kobra, knocks off his wrist weapon-unit, and is flung with him over the bridge! Kobra uses his teleportation ray to safely get back to the Ark. Double climbs back on the Bridge and retrieves Kobra’s wrist weapon-unit to stop the earthquake-causing mechanism.

Meanwhile, all the passengers on Jason Burr’s plane – which is crashing in Oregon – disappear! Kobra appears on the plane and tosses an envelope to Burr containing a lock of Melissa’s hair. Kobra advises Burr he shall not make it to his meeting with Double in San Francisco.

But Randu Singh DOES make it to Double’s office. They discuss their missing friend and meet Professor Ross Emerson – electronics expert – who examines Kobra’s wrist weapon-unit.

Disguised as Kobra henchmen, Double and Singh return to Kobra’s computer bank he visited in the previous issue to discover why Kobra forced the earthquake. Kobra catches them mid-hack and engulfs the room with poison gas as Kobra’s goons invade to finish them off. With the help of the wrist weapon-unit, Double kills the Kobra agents allowing Singh to retrieve computer tapes. They escape out the window.

Jason Burr lies unconscious in the airplane – which, to the amazement of the two pilots, landed safely on an Oregon lake.

Double and Singh discover Kobra’s plan – using the earthquake to damage global communications cable. Disguised as repairmen, Kobra’s men will “repair” the cables and plant a “bug” – effectively tapping the entire world! The find and board Kobra’s Ark, hidden in the Bay.

Kobra blinds Singh and engages Double. Double shoots at Kobra with the wrist weapon-unit – who was aghast that Double had his weapon. His one error in calculation …

Double shoots and shoots at the Ark, finally causing it to explode in mid-air! Singh cries out – with Kobra dead, so is Jason Burr!

The Coast Guard investigate the explosion and then report that the telephone company will repair the cables near the explosion tomorrow. One of the officer’s hand-held radios is marked with a cobra-symbol.

To be continued!


The letter page announces this as Rich Buckler’s second appearance as artist in this issue. He wasn’t the artist.

Also, Double and Singh escape Kobra’s computer room by jumping out the window. Window? In last issue the computer room was in a sub-basement … oops!


About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!



Kobra #5, December 1976


“The Eye of the Serpent”

Cover Artists: Rich Buckler & Frank McLaughlin

Writer: Martin Pasko

Penciler: Rich Buckler, Inker: Frank McLaughlin

Colorist: Carl Gafford, Letterer: Ben Oda

Story Editor: Paul Levitz, Managing Editor: Joe Orlando

I contributed this description to DC Wikia:

Kobra lands his ark in San Francisco. His surveillance overhears Jason Burr and Randu Singh back in New York discussing Melissa’s disappearance.

We then meet Jonny Double, a private eye from DC’s past who questions his current assignment – helping a secretary accused of murdering her lover/boss. His suspicions are aroused when police records confirm the murder, but there is no evidence of the existence of the boss … that and Double spots his client leaving a motel with her supposed victim.  Before he can trail them in his borrowed cab, he is flagged down by a fare. The customer leaves his valise; Double deduces it contains explosives – this WAS a set-up! Double escapes the destruction of his taxi. He finds remains of the case containing the bomb – marked with a strange cobra symbol…

Double returns to the office building at which he dropped off his murderous fare and is attacked by three hoods. Dispatching them, Double takes an elevator to a computer control room, where he gathers as much information as he can about the murder of Ricardo Perez and something called Operation: Chrysopylae … Through his contacts, Double learns of Perez, Horst Buchner and … Jason Burr. He calls Jason …

Double complains about the heavy traffic on the Golden Gate Bridge due to construction while on his way to testify to a trial. One of the construction workers has a cobra symbol on his hand-held radio.

Double hopes to meet Mack, his CIA contact, at a Chinatown theater, but finds Mack murdered. The killer fires on Double Meanwhile, Jason Burr cannot find a flight to Frisco. The booking agent helps find a flight on a smaller airline. She reaches for her walkie-talkie … which has a cobra symbol on it.

The gunman who killed Mack runs for it and Jonny Double gives chase. He also takes out two more Kobra hitmen before escaping onto a cable car. Kobra confronts Double directly and disengages the cable car, causing it to plummet downhill.

After several hours of delay, Jason finally boards his flight to San Francisco. The pilot’s hand-held radio is marked with a cobra-symbol.

Jonny Double jumps from the cable car just before it crashes, knocking him unconscious on the street; his limp form rises slowly in Kobra’s anti-gravity beam.

The engines of Jason Burr’s plane catch fire; it plummets into the Oregon wilderness.

Double awakes to find himself strapped to the Golden Gate Bridge. Kobra reveals his plan – he will destroy San Francisco with an earthquake! To use his words: “… an earthquake created by one of my devices … which is implanted in the beam to which you are tied. The mechanism is constructed of a material that disintegrates when it vibrates. The earthquake’s shock-waves will destroy the machine and no evidence of its ever having existed will survive! The device extends down through the support beams – into the bay – forming a needle which penetrates the earth’s crust! The needle will cause the San Andreas fault to shift! … The action of sunlight on the solar panel triggers the mechanism. At dawn – approximately 20 minutes from now – the bridge will be the first casualty. And you, Mr. Double, will be …. the second!”


To be continued!


The letter page mentions a new approach and welcomes Rich Buckler as the new penciller. The magazine was saved by an “avalanche” of positive mail!


Jonny Double previously appeared in Showcase #78, Challengers of the Unknown #74 and Wonder Woman #199-203.

Note the cover date – December? Three months since issue #4. Was it scheduled for cancellation but given a reprieve with a new direction and new art team? The opening splash says “The story originally scheduled for this magazine will not appear.” Hyperbole? Did the story exist and crumbled to dust in someone’s file cabinet telling us of the “Panic on Pennsylvania Avenue” (as hyped on the final panel of issue #4)?

Regardless, the quality of this comic’s plot increased 1000%. DC hyped this issue and the next – these last three issues (and the “conclusion” in DC Special Series #1) were some of the best pulp-inspired comics ever published. Seriously. I love them, I f’ing love them!


About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #4, September 1976

Behold, the Bronze Age!


“Brother’s Keeper – Brother’s Killer” Written by Martin Pasko, Art by Angel Gabriele. Inker: Lowell Anderson, Colorist: Liz Berube, Letterer: Ben Oda, Editor: Gerry Conway, Assistant Editors: Paul Levitz and Jack C. Harris

Cover by: Joe Kubert

herc6-kobra4 direct currents banner

Kobra 4 house ad

Synopsis: Kobra leaves his New York headquarters to go to Peru to oversee an archeological dig. There his crew find another Ovoid similar to that found in issue #1. As before, the Ovoid opens and a second Servitor attacks! The blast to Kobra’s arm also causes Jason to flee from his graduate school class. Melissa follows Jason, a synopsis of the comic’s plot is given (“I just met my brother … we have a symbiotic link…”) and Jason questions Melissa about her past relationship with Kobra. Melissa runs out before giving any answers.

Meanwhile, the battle with the Servitor ends in the machine’s dismantling. During the battle it carried a metallic cylinder that spoke to Kobra after the battle. It is an alien from the planet Illandus, who came to retrieve the pod that creates the Servitors.  Kobra takes the Illandian to his New York City lair.

Jason returns to his apartment after a late class to find Randu Singh waiting. After a quick confrontation Randu asks Jason’s help in defeating Kobra – Randu fears Kobra will soon declare war against his native India.

The Illandian reveals its physical form to Kobra – a two-headed four-armed alien that shall soon split in two again. Kobra is intrigued by its duel nervous system and plans to examine the alien to eliminate the link between himself and his brother. They discover the first ovoid has again produced a Servitor. The Illiandian wishes to take his probes and Servitors and return to his home, but Kobra says there are forces on our planet that will stop the alien from doing so.

Well, he IS correct …

And convinces the Illiandian to help Kobra stop him! Kobra’s first victim is Lt. Perez – whose outgoing plane is torn apart by one Servitor and Perez crushed by another! Jason and Randu arrive in the midst of the “Chaos at Gate 57”. Jason confronts his brother.

The Illiandian realizes that it is Kobra who is preventing him/them from retrieving the pod and unleashed a wall of flame at the airport. Jason and Kobra continue to fight over what happened to Melissa – Jason is convinced Kobra is involved in the disappearance.

An ovoid appears around the Servitors and the Illiandian and whisks them back into the alien vessel. Kobra is enraged and strikes Jason now that all his plans have been thwarted – even Project R might be abandoned, he says!

Jason awakes to find the airport in chaos, Perez dead and Kobra long gone (but how, he thinks? Kobra would have been knocked out cold, too!). Perhaps he should seriously consider Randu’s suggestion about making the ultimate sacrifice…


The letter page explains that the magazine was reprieved from the pending cancellation of #3, but also says its mailbox is almost empty of letters! AND this is the fourth artwork team in as many issues! Bad signs …

This issue had the famous editorial that ran in all the Conway’s Corner magazine:


Oh how I yearned for a team-up between Kobra and Kamandi!

And as for Jason’s foreboding dread of Kobra being more powerful than he (Jason was knocked out while Kobra escaped). Even when I read this back in 76 my first thought was … “Well, wouldn’t his followers have carried him away … or wouldn’t he still be teleported to his ship…?”

This issue is a nice book-end with issue #1 – explaining some of that storyline while (thankfully) forgetting the super-hero-y aspects of #s 2 & 3. No one was expecting the series to get better.

But it did!


About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!


Kobra #3, July 1976

Behold, the Bronze Age!


“Vengeance in Ultra-Violet” written by Martin Pasko, art by Keith Giffen. Editor: Gerry Conway, Inkers: Terry Austin and Dick Giordano, Colorist: Liz Berube, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: Kobra and Jason Burr plummet to their deaths after the cliffhanger of the previous issue. Perez throws a line to save Jason. Burr grabs the line and watches as his twin plummets to earth. He braces for death, due to the empathic symbio-link between the twins: one feels what the other feels, even, presumably the sweet kiss of death.

But … Jason lives! And is convinced that Kobra is dead!

Until Kobra breaks into Jason’s apartment and enlists his aid in defeating Solaris. Jason agrees, and while he changes into his Gemini suit, Kobra and Melissa share an emotional and mysterious moment (that Jason also feels). Apparently, Melissa and Kobra had a relationship some two years before…

Dig this beautiful Giffen art …

Giffen art Kobra 3

While invading Solaris’ stronghold, Kobra tells Jason about Natalie, his former love: they met while both were convalescing in a hospital. Kobra quit his Cult to travel with Natalie, who is shot dead by Interpol agents in Picadilly. Seems she was a murderess and jewel thief. He later says he returned to the cult to conquer them and mold them into international terrorists bent on destroying the law enforcers who killed Natalie.

Meanwhile, Kobra stops Solaris’ mechanical guard as Jason negotiates a laser trap by communicating telepathically with his twin who controls Jason’s movements through the maze (we never see the twins use this trick again in the series).

Kobra and Jason attack Solaris and his men. Jason realizes Kobra not only wants to stop Solaris, but also to snag the Heliotron for his own! In the midst of the battle between the brothers Perez blasts his way in with his fellow CIA agents. CIA? Yes, Kobra reveals that Perez is really CIA and trying to get back canisters of cobra venom (stolen by Kobra) – venom that should have been destroyed six years ago!

Burr feels betrayed, punches Perez, rips off the Gemini costume and goes home.

A nice way to conclude the magazine – the letters page says this is likely the last issue, despite the blurb describing issue four on the last panel.


This July 1976 DC comic was not part of the “DC Salutes the Bicentennial” collection of issues in which one collected the cigar band upper covers to get a coveted Superman belt buckle. But it was in good company – issues of Flash and Wonder Woman weren’t part of the promotion either.

Look at the people involved in this issue – they should all be part of a comic book hall of fame: Giordano? Terry Austin? Keith Giffen? Martin Pasko? Yeesh! For a C-list comic this has a lot of talent! Granted all but Giordano are early in their comic book careers, but STILL …

Pasko does a fine job showing us Solaris’ insanity. He is almost child-like and we almost pity his demise at Kobra’s hands.



About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #2: Super-heroing a pulpy idea …

Behold! The Bronze Age


Kobra #2, May 1976

“Code Name: Gemini!” written by Martin Pasko, art by Chic Stone. Editor: Gerry Conway, Inker: Pablo Marcos, Colorist: Liz Berube, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: Jason Burr is attacked by his brother Kobra in a hall of mirrors; but it ended up being a dream. He is consoled by his girlfriend Melissa and Jason tells her (and thus we, the readers) the main plot thread of the book:  he and Kobra, the leader of the international Cobra Cult, are Siamese twins separated at birth but still linked empathically – a symbio-link in which one feels what the other feels whether pain or pleasure. Kobra awakes after having the same dream. He feels Jason kissing Melissa. We learn of Kobra’s deceased lover Natalie and how he now loves Melissa who, somehow, ended up in Jason’s arms. We are told by the editor that we will learn more about this triangle soon…

Kobra then attacks the headquarters of Solaris, a former NASA engineer who created the Heliotron after losing his job “and, apparently, his sanity”!  The Heliotron accelerates the decay of the skin and kills instantly, but without pain (well, let’s be thankful for that). Solaris and his weapon escapes the coils of Kobra.

Meanwhile, Lt. Perez goes to Jason and orders him to assist in their own assault on Solaris; as Solaris threatens to use his Heliotron on a Long Island town. Perez gives Jason a uniform and a code name: Gemini.

Perez and the military await Solaris’ attack on the town. Solaris and Kobra appear at the same time and all three forces enter into battle.  Jason Burr uses his jet pack to fly to Solaris – and right into the beams of the Heliotron. Kobra, knowing his fate is tied with Jason, leaps through the air to rescue his brother. The Heliotron hits Gemini’s jet pack and destroys it (it was made of skin?) and Kobra and our hero plummet earthward!

To be continued!


Turning Jason in to a named hero called Gemini was an eye-rolling moment. The reader groans as loudly as Jason Burr laughs at the idea. Please, don’t turn this into just another superhero comic, please! Ironically the letter page says they are NOT “…creating a super-hero mystique around either of our characters…” but that the “… occasional use of a costume by Jason Burr will add to that larger-than-life quality (that is the business of comic books). Or so we hope.”

I certainly don’t … After the first issues homages into pulpy goodness we switch gears into a typical super-hero pastiche.

The premier issue was not a dazzling debut, and this issue is, well, somewhat pedestrian.

Strike Two?


About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!



Kobra #1: Kirby’s DC leftovers, but great pulpy fun!


Bronze age

Kobra # 1, March 1976 (remember the cover date of comics is about three months ahead of the actual publication date, blah blah blah…)

“Fangs of the Kobra” written by Martin Pasko and Jack Kirby, art by Kirby and Pablo Marcus. Editor: Gerry Conway, Inkers: D. Bruce Berry and Pablo Marcos, Colorist: Carl Gafford, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: (why type it all out when someone else has done it for me?)

(the following paragraph courtesy of ReadComicsOnline):

Deep beneath the streets of Manhattan, assassin-for-hire, Horst Buchner, along with two associates, are ushered through secret tunnels, to keep a prearranged rendezvous with Kobra. At the first sign of insult, Buchner’s men draw on Kobra. Put off by Kobra’s arrogance, Buchner declines his offer of employment, deciding, instead, to rob Kobra of several intriguing artifacts. Still held at gunpoint, Kobra leads Buchner and his gunsels into another chamber, one that holds Kobra’s most unique artifact, the Ovoid. Within the confines of the still shimmering meteoroid, Kobra reveals an enormous alien robot, he calls the Servitor. At Kobra’s command, the Servitor steps forward, then murders Horst and his associates, pummeling them to death with its giant metal fists. Sensing that his brother, Jason Burr, is soon to learn of Kobra’s existence, and whereabouts, Kobra sends the Servitor up to the streets, on a mission to slay Burr. The Servitor leaves a swath of destruction in its path, as it makes its way to Columbia university. Despite opposition from New York’s finest, the Servitor moves inexorably to the student union building. Inside, Lieutenant Perez is interviewing Jason Burr. Just as Perez is about to reveal to Burr the existence and identity of his brother, the Servitor crashes through the wall. Lifting Burr up in one of its gargantuan hands, the Servitor, at Kobra’s command, begins crushing him. Suddenly, Kobra, too, feels the crushing force of the Servitor’s grip compressing his own chest. Realizing that he and Burr share a sympathetic bond, Kobra orders the Servitor to release him. The countermand causes the Servitor to self-destruct…

Jason meets Lt. Perez who tells Jason the secret origin of Kobra …

(from Wikipedia): (Kobra) “… was born part of a set of Siamese twins, but was stolen at birth by the Cult of the Kobra god, since a prophecy claimed he would lead them to rule the world. Under their teaching, he became a dangerous warrior and a sadistic criminal mastermind. He led the cult into using advanced technology to menace the world.  … However, unknown to the cult, he had a psychic link to his twin brother, Jason, who knew nothing of Kobra. As a result, one felt what the other felt, including pain. Because of this, his brother was recruited by an international agency to help them combat Kobra.”

Perez convinces Jason to injure himself (holding his hand over a candle flame. Kobra cannot stand the pain any further and confronts Jason for the first time). Perez and his men try to capture Kobra, who slithers through their trap. The police shoot at the terrorist. “No guns!” shouts Jason to no avail. Were they trying to kill Kobra? IF they do, he will be collateral damage! Kobra escapes unharmed …


(from Wikipedia):

(Kobra was) “… created by Jack Kirby for a proposed DC Comics series called King Kobra, the first issue of which was both written and drawn by Kirby (the letter column discussed Infantino and Kirby wanting to do a take on the Corsican Brothers). This first issue then sat in DC inventory for over a year, during which time Kirby left the publisher to return to Marvel Comics.  Eventually the concept was handed over to writer Martin Pasko with orders to make a series out of it. Pasko was unimpressed with King Kobra, feeling it to be a throwaway idea churned out by Kirby as he was preparing to leave DC, and tried to make the best of the assignment by whiting out all of Kirby’s original dialogue, rescripting the issue, and having Pablo Marcos redraw some of the art (and re-)titled simply Kobra. … Pasko later reflected, “I wrote all of Kobra with my tongue firmly planted in my cheek—it was a preposterous exercise dumped in my lap, and it helped pay the rent on a very nice place in the Village.”

Dumped? Even the letter column introducing the comic said the title was “thrown” into Conway’s Corner. It seemed no in at DC gave much of a damn about the comic.

Pasko was correct about this preposterous exercise, but THIS pre-teen loved every issue of it! I still have every issue of the original run. The comic is great fun straight from the pulps – not a caped crime-fighter in sight! It was akin to Dr. Yen Sin or the Mysterious Wu Fang.  DC did something it did not do often – it took a chance! An unknown villain in the lead and an unknown cast! Very shortly it would launch another villain-led comic: the beloved Secret Society of Super-Villains, firmly entrenched in the DC’s superhero world.

Kirby’s art by the mid-1970s was an acquired taste: exaggerated physiologies, gaping mouths, fingers the size of Snickers bars, women whose eyes were set below the center horizontal line of their faces, etc. Marcos did his best redrawing Jason and Perez, but the redo was glaring and obvious. I would have loved cringing at Kirby’s original dialogue, but Pasko did a fine rewrite with what he had (I kept expecting one of the Cobra Cult to say, in Kirby’s typical expositional shorthanded way, “We must obey!”).

Not an auspicious beginning to only the second DC title to headline a villain (The Joker was first by less than a year). Villains starring in comics was a rarity (and was to remain so for the next several years – nowadays it is somewhat common): the Golden Age had its Yellow Claw and the Sub-Mariner (who was more of an anti-hero than an outright villain). The Silver Age, with its Comics Code, was more cautious about villain-led features. Even the House of Ideas itself – Marvel in the Silver Age – only gave Doctor Doom the lead in an anthology without giving him his own title.

The comic got better in later issues … much better …


 About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Rich Buckler – RIP to a comic book great!

… and on Gardner Fox’s 106th birthday, I also honor a Golden & Silver Age great!


I was very sad to hear of the death of comic book artist Rich Buckler today.  Here is his Wikipedia entry (note his death had yet to make the page):

Rich Buckler (born February 6, 1949) is an American comic book artist and penciller, best known for his work on Marvel Comics’ Fantastic Four in the mid-1970s and for creating the character Deathlok in Astonishing Tales #25. Buckler has drawn virtually every major character at Marvel and DC, often as a cover artist.

As a teenager in Detroit, Buckler attended the initial iterations of the Detroit Triple Fan Fair, eventually running the convention along with originator Robert Brosch in 1969–1970.

Buckler’s first comics work was as a teenager with the four-page historical story “Freedom Fighters: Washington Attacks Trenton” in the King Features comic book Flash Gordon #10 (cover-dated Nov. 1967). At DC Comics, he drew the “Rose and the Thorn” backup stories in Superman’s Girl Friend, Lois Lane #117-121 (Dec. 1971 – April 1972).

Buckler drew the first three issues of writer Don McGregor’s Black Panther series in Jungle Action vol. 2, #6-8 (Sept. 1973 – Jan. 1974), a run that Comics Bulletin in 2010 ranked third on its list of the “Top 10 1970s Marvels”. He fulfilled a decade-long dream in 1974 when assigned to draw Marvel’s flagship series, Fantastic Four, on which he stayed for two years.  During this period, Buckler created the cyborg antihero Deathlok, which starred in an ongoing feature debuting in Astonishing Tales #25 (Aug. 1974). Also during this period, Buckler hired the young George Pérez as his studio assistant.

Buckler collaborated with writer Gerry Conway on a “Superman vs. Shazam!” story published in All-New Collectors’ Edition #C-58 (April 1978). He drew the newspaper comic strip The Incredible Hulk for approximately six months in 1979. A Justice League story by Conway and Buckler originally intended for All-New Collectors’ Edition saw print in Justice League of America #210-212 (Jan.-Mach 1983). Buckler and Roy Thomas then created the World War II superhero team the All-Star Squadron in a special insert in Justice League of America #193 (Aug. 1981) which led to the team’s own title the following month.

Buckler worked for Archie Comics in 1983 and 1984, when that publisher briefly revived its Red Circle Comics superhero line, and he recruited Cary Burkett to write the Mighty Crusaders title. In 1985, Buckler returned to Marvel and briefly drew The Spectacular Spider-Man with writer Peter David, where they produced the storyline “The Death of Jean DeWolff”. He also served as editor for a short-lived line of comics by Solson Publications, where in 1987 he created Reagan’s Raiders.

He is the author of two books: How to Become a Comic Book Artist and How to Draw Superheroes. In 2015, he became an Inkwell Awards Ambassador.


I remember his covers of the comic books I collected during the Bronze Age, but as I searched for his comic book covers on the internet I was stunned at how prolific he was; at least with the comics I collected. He was everywhere! He, Jim Aparo and Ernie Chua seemingly accounted for 75% of DC covers in the 1970s! I may only slightly be exaggerating! Here are some examples of the man’s work. I still have all these issues …


Today also marks the 106th birthday of Gardner Fox, prolific comic book author whose writing helped create the Golden Age and whose creations still exist in one form or another. He was the creator or “… co-creator of DC Comics heroes the Flash, Hawkman, Doctor Fate and the original Sandman, and was the writer who first teamed those and other heroes as the Justice Society of America. Fox introduced the concept of the Multiverse to DC Comics in the 1961 story “Flash of Two Worlds!” …” (from Wikipedia).


Two comic book great are being remembered today. Thank you both for your wonderful bodies of work. You and your talent are both missed very much!