More Christmas comics: Superman #369

Behold!

Bronze age Christmas

Special Christmas Edition

Superman #369, March, 1982

Cover Artists: Rich Buckler & Frank Giacoia

“Superman’s Last Christmas!”

Writer: Cary Bates, Penciler: Rich Buckler

Inker: Frank McLaughlin, Colorist: Adrienne Roy

Editor: Julius Schwartz

After Superman saves a family and their home from a sinkhole, he delivers and trims a pine tree to the Metropolis Galaxy Christmas Tree Celebration.

Meanwhile, secret agent Cory Renwald (who was the Kent’s foster child before they adopted Clark) gets his orders for the holidays: to shadow a TV personality who is suspected of treasonous acts against the country: Clark Kent!

While relaxing in his Fortress of Solitude, Superman holds a pity party reminiscing about his parents and Smallville. He is attacked by the Parasite! Even after absorbing some of Superman’s power, Parasite cannot prevent the Man of Steel from hurling him 17 miles away.

Parasite is pleased – he has enough power to last him a few more days and his mental absorption of Superman’s state-of-mind gives him an idea to finally defeat the Kryptonian.

A hitman’s attempt at Clark Kent’s life (for exposing Metropolis’ mob) is thwarted by Renwald to Clark’s astonishment! Renwald gets more details of his assignment. Kent is betraying the US not to an enemy country – but to aliens from space! Renwald breaks into Kent’s apartment and triggers an alert.

Before Clark Kent can change into Superman and confront Renwald, the Parasite attacks again!

We learn that Renwald’s superior in his new assignment is really the Parasite in disguise. Sure enough, Renwald discovers the alien trophies in Clark’s apartment.

Parasite reveals his plan: with him attacking Superman, and Renwald investigating Clark Kent, and Superman’s blues over the holidays, the Man of Steel is physically and emotionally ripe for defeat!

Renwald and Parasite (disguised as his boss) meet; and Renwald and Superman expose Parasite’s ploy! During the battle, Parasite passes out after Superman reveals he injected himself with low-grade Kryptonite, paralyzing the Parasite more and more every time he absorbed Superman’s powers (through Parasite would say Superman was still weakened from their previous battles, when it was really his Kryptonite injections).

Renwald confronts Clark about the alien trophies. He assumes Clark is keeping the trophies on Superman’s behalf. Clark is no traitor, and the two “brothers” enjoy Christmas reminiscing about Jonathan and Martha.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

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A disjointed review of Justice League …

Only in America can a movie that has made over 200 billion dollars in profit be considered a box-office bomb.

I liked Justice League.

I didn’t love it with giddy glee nor did I hate it so much I demanded of God my 2+ hours back. But I liked it. I might even get the DVD when it comes out.

I saw it over this past weekend (as usual several weeks since it was released) after most of the professional and fanboy reviews were in.

I struggled for some days with this review – I just couldn’t put my finger on what I liked and disliked about it. I think that is because the movie couldn’t decide what it was either.

Justice League suffered from bearing the burden of being both a capstone and a touchstone.

A capstone: the finale of the first phase of the DC Cinematic Universe (DCCU) – giving us a conclusion to all that came before it. On that level, it worked: it reconciled the cliffhangers from Batman vs Superman: Superman’s death, Wonder Woman’s place in the DCCU, etc.

And to compare Justice League with the original Avengers movie is an unfair as it is inevitable: Avengers was the capstone of Marvel’s cinematic universe, but did so in a thrilling way – fans (and even non-fans – therein lies the key) were excited by a fun plot with fun characters.

The DCCU has hardly been fun.

Expectations were low for the movie – most assuming it would be the usual fest of ultra-violence and brooding sociopaths with no redemption or hope. A typical Zach Snyder film. (He left the movie after the suicide of his daughter – something that is unimaginable and my deepest sympathies and condolences go to him and his family. I can’t imagine his sadness and am very sorry for his loss. But his movies are still shit.).

Then Joss Whedon “took over” and word spread the tone was lightened and (gasp) bits of humor were injected. By this time Batman vs Superman made only the darkest basement-dwellers look forward to Justice League; while Wonder Woman gave the rest of us comic book fans cautious optimism.

DC’s capstone was satisfying, but only just. There is no avoiding the feeling that DC is struggling in Marvel’s shadow and is constantly in a state of catching up (which it has with rare exception since the 1960s).

Familiar and “new” heroes get together and fight off an alien menace. Sound familiar?

“Yes, but it’s Superman, Batman and Wonder Woman! People will flock to see it!”

Fans will, to be sure. But the rest of us? Are you willing to risk $300 million on that?

It had its great moments: the only shining point of the big battle amongst our heroes was watching Superman’s eye follow the Flash as he approached and the ensuing superspeed slugfest. You just have to see it to understand what that is going on, I won’t spoil it. We know exactly what is going through Flash’s mind at that moment. “Oh shit” was left unspoken and hardly touches how Flash must have felt.

And kudos to the secondary cast – particular Amy Adams as Lois Lane, Diane Lane as Martha Kent, JK Simmons as Commissioner Gordon and Jeremy Irons (stealing ever scene) as Alfred.

***

Justice League is also the touchstone of the future DCCU. From here would spring an Aquaman movie, a Flash movie, and a more-in-tune-DCCU-Batman and Superman franchise reboot.

Herein lies the problem – DC is again copying Marvel with Avengers Age of Ulton. It was also a lynchpin, but it spent too much time being a lynchpin and forgot it was supposed to be an enjoyable movie.

Admirably, Justice League avoided some of the problems with Age of Ultron. Time and background was given to the newbies: Aquaman, Flash and Cyborg. But was it enough to make us anticipate their movies? With the large scope of the movie, it may have gotten lost. As with the comics, the stories of the smaller characters are lost compared to the big three. Still, Justice League showed us as much of Aquaman and Flash as Civil War did of Spider-Man, which lead to Homecoming; a success

Another problem with the Flash is the parallel with the excellent handling of the CW Flash. My very first thought when I saw the trailer introducing the Speedster was, “Why not Grant Gustin?” Leave it to DC: not only are they plagued by their failures, but also their successes.

(and by the way, the DCCU is the Spock-with-a-beard universe compared to DC-CW. Gustin’s Flash – even another actor with a comparable personality – would have been an ill-fit. To his credit, Ezra Miller did a great job – he’d have made a great Peter Parker.)

Justice League had other good moments. Batman giving Flash advice: save one person at a time. I wish the movie would have continued with the theme: Flash’s rescue of the Russian family should have reminded us of that.

There’s more: some of the humor was well-placed and in character (a problem that notably plagued Thor: Ragnarok). The only real awkward/ill-placed bit of funny was in the aforesaid rescue of the Russian family. Anyone who knows the name Dostoyevsky probably knows it is not Russian for “Goodbye”.

But DC is not really known for their comedy.  Over the past few decades, they’re not really known for their comic books either…

A disjointed and mixed review for a disjointed and mixed movie. I’d like to discuss it further, would you?

Copyright 2017 Michael Curry

Adoption Month Spotlight: Calista Flockhart!

It’s National Adoption Awareness Month! This year my theme will be famous celebrities who have adopted!

Calista Flockhart!

From Wikipedia:

Calista Kay Flockhart (born November 11, 1964) is an American actress. She is best known for starring as the title character in the legal comedy-drama series Ally McBeal (1997–2002) and Kitty Walker in the drama series Brothers & Sisters (2006–2011). She has also been featured in a number of films, including the comedy film The Birdcage (1996), the romantic comedy film A Midsummer Night’s Dream (1999), and the drama film Things You Can Tell Just by Looking at Her (2000).

Flockhart has won a Golden Globe Award and Screen Actors Guild Award, and garnered three Emmy Award nominations.

Flockhart

From: https://mom.me/entertainment/4004-celeb-moms-who-have-adopted/item/calista-flockhart/

In 2001, 36 and single, Calista Flockhart decided to become a mom, adopting son Liam, now 10. Naturally, a few months later, she met the love of her life, Harrison Ford, while spilling a drink on him at a party. Already a father of four, Ford embraced Flockhart and her son with open arms. “She’s brought a child back into my home,” Ford told Reader’s Digest in 2009. “It’s a wonderful opportunity to be a part of a child’s growing up, which is always an endless springtime. You see the blossoming and the growing and the nurturing and the payoff.”

(Interesting that an article about Calista Flockhart spends most of its time on Harrison Ford …)

Ironically, Calista has recently been known as playing Cat Grant on the CW’s Supergirl, whose eponymous character was also adopted by Jeremiah and Eliza Danvers (named Fred and Edna Danvers in the comics), an echo of Jonathan and Martha Kent’s adopting of Superman…

See? I can’t get away from comic books no matter how hard I try …

***

frontcover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

WINNER: 2015 Reader’s Favorite Book Award Finalist, Non-Fiction Humor

WINNER: Honorable Mention, 2015 New York Book Festival!

WINNER: Honorable Mention, 2014 Great Midwest Book Festival

 

Abby’s Road is available at AmazonBarnes and Noble, and at Smashwords.

 

Copyright 2017 Michael Curry

 

Oh Mighty Isis #1: DC-TV

Isis #1. November 1976.
Cover by: Kurt Schaffenberger
“Scarab – the Man Who Would Destroy!”
Story/Editor: Denny O’Neil; Art: Ric Estrada and Wally Wood

Logo Isis
From DC Wikia:
An ancient Egyptian pyramid is being erected in the town square, as Andrea, Cindy, Rick and Doctor Joshua Barnes, the High School Principal, watch. From the pyramid emerges Scarab, an evil sorcerer who was imprisoned inside. As he uses his magic to capture the others, Andrea transforms herself into The Mighty Isis and saves her friends. Scarab then attacks Isis with a lightning bolt and she deflects it with one of her spells. Scarab takes to the air to get away and Isis follows him. To distract her, Scarab causes an airplane to disintegrate while airborne and Isis has to rescue the passengers. Scarab gets away and Isis returns to the high school to become Andrea.
She is met by Cindy, who asks Andrea about the time she helped in finding a pyramid. Andrea’s mind then wanders back to the time she found the amulet that gave her the powers of Isis. As Andrea looks through magic books to find a way to defeat Scarab, he roams the streets. He uses his telepathy to locate Isis but finds Andrea instead. He uses her to set a trap for Isis by creating a magic aura around her that destroys anyone with magical powers. He sets fire to Andrea’s house, then flies to the White House to capture the President. Meanwhile, Andrea’s pet bird, a crow named Tut, unties the gag in her mouth. Andrea quickly says, “Mighty Isis!” As she is transformed into the Goddess, the aura that surrounded her is destroyed instantly. She commands the fire to go out, then takes to the sky to go after Scarab. On the way to the White House, Isis uses her powers to transport the pyramid to the White House grounds. She creates oak trees to camouflage it. Isis challenges Scarab to face her. As Scarab attacks Isis, she lowers the pyramid and traps him inside. Afterward, Andrea explains to her friends that when Scarab was forced to reenter the pyramid, he would be imprisoned there forever.

***

The text page provides a brief history of the goddess.

***

Shazam Isis Hour

This comic was on the shelves in July 1976. By this time the TV show Isis was completed her first season. In September, season two, comprising seven new shows, would debut.
A great beginning. The art is wonderful – Wally Wood’s inks dominates Estradas’ pencils – who is himself a great artist – with a very clean and (otherwise) identifiable style.
The story was NOT aimed at children. Adult comic book fans would find the story and art enjoyable, too. Like the TV show, there was a lesson, of sorts, at the end; but it was in the context of character conversation as opposed to Isis speaking directly into the screen (as was done in her first appearance in Shazam #25).
Isis’ incantations are wordy, but never annoying (compared to, say, Zatanna, where one needs a pocket mirror to read her spells). At one point in their battle Scarab calls her “noisome”, which means smelly, not noisy.
I’d bet she smells nice … more flowery and earthy than perfume-y … I don’t know why …

logo

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped. Check his website for more releases! Thanks for reading!

DC-TV: Saturday Morning comics…

DC-TV

When most people think of DC television … well … nothing pops into mind.

When most fans of DC comics think of DC television, their minds go to the live-action shows such as Arrow, Legends of Tomorrow, Gotham, or the upcoming Black Lightning.

Some comics fans may think of excellent animated series like Batman: TAS, Batman Beyond and Justice League Unlimited.

house ad (October 1976)

But for some of us the phrase “DC-TV” takes us back to 1976 and 1977 and four comic books published by DC but put under a different banner (now we would call it an “imprint”): the DC-TV Series of comics!

Logo Superfriends

Superfriends originally aired in 1973 and 1974, lasting only one season. It was revived as a mid-season replacement in 1976 and one version or the other continue to air into the mid-1980s. The comic Superfriends (TV shows are italicized, comics underlined) was published starting November 1976 until August of 1981, lasting 47 issues. The Saturday morning cartoon still being popular, the comic used the DC-TV logo through its entire run.

Logo Shazam

Shazam (Captain Marvel) debuted in September 1974 for two seasons with a third as part of the Shazam/Isis Hour in late 1976 – coinciding with the DC/TV comic books debut. The comic book published its first DC issue in 1973 and was suspended in early 1976 – despite the still-popular TV show. It was revived as a DC-TV comic and lasted for 11 more issues (until June 1978), the last two issues without the DC-TV logo. The comic book lasted longer than the TV show, but to be fair it started before the show as well …

Logo Isis

Isis debuted in September 1975 and lasted for 2 years and 22 episodes. She was never actually given her own program, but linked with Captain Marvel in the Shazam/Isis Hour. Her comic lasted 8 issues until January 1978, lasting longer than the television show – athough the character appeared in animated form in other Filmation shows (such as Freedom Force in 1980).

Logo Kotter

Welcome Back Kotter also debuted in September 1975 and lasted until May of 1979. Its comic lasted ten issues until May 1978. An unpublished story and other features were printed in a tabloid-size special edition.

Rumors abound of negotiations of a MASH comic book. If true, it did not go far.

Shazam #25, with an October 1976 cover date, introduced us not only to Isis, but the DC-TV series. The other three comic books debuted in November 1976, but available on the newsstands (as per the house ad) June, July and August of 1976.

For only the second time in its history, National/DC changed its logo to accommodate this special series of comics. The first issues had a simple DC-TV logo attached to a console television showing us the star of the magazine. This was during their “cigar-band” logo period. When the publisher went back to the logo in the upper-left corner, it added a square-shaped “TV” to its circular starred “DC”.

I’ll review most of the DC-TV line-up in this blog. I’ll stop with Super Friends #13 (July 1978) when it became the last title of the line.

I hope you enjoy the blog series and I look forward to your comments.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #1: Kirby’s DC leftovers, but great pulpy fun!

Behold!

Bronze age

Kobra # 1, March 1976 (remember the cover date of comics is about three months ahead of the actual publication date, blah blah blah…)

“Fangs of the Kobra” written by Martin Pasko and Jack Kirby, art by Kirby and Pablo Marcus. Editor: Gerry Conway, Inkers: D. Bruce Berry and Pablo Marcos, Colorist: Carl Gafford, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: (why type it all out when someone else has done it for me?)

(the following paragraph courtesy of ReadComicsOnline):

Deep beneath the streets of Manhattan, assassin-for-hire, Horst Buchner, along with two associates, are ushered through secret tunnels, to keep a prearranged rendezvous with Kobra. At the first sign of insult, Buchner’s men draw on Kobra. Put off by Kobra’s arrogance, Buchner declines his offer of employment, deciding, instead, to rob Kobra of several intriguing artifacts. Still held at gunpoint, Kobra leads Buchner and his gunsels into another chamber, one that holds Kobra’s most unique artifact, the Ovoid. Within the confines of the still shimmering meteoroid, Kobra reveals an enormous alien robot, he calls the Servitor. At Kobra’s command, the Servitor steps forward, then murders Horst and his associates, pummeling them to death with its giant metal fists. Sensing that his brother, Jason Burr, is soon to learn of Kobra’s existence, and whereabouts, Kobra sends the Servitor up to the streets, on a mission to slay Burr. The Servitor leaves a swath of destruction in its path, as it makes its way to Columbia university. Despite opposition from New York’s finest, the Servitor moves inexorably to the student union building. Inside, Lieutenant Perez is interviewing Jason Burr. Just as Perez is about to reveal to Burr the existence and identity of his brother, the Servitor crashes through the wall. Lifting Burr up in one of its gargantuan hands, the Servitor, at Kobra’s command, begins crushing him. Suddenly, Kobra, too, feels the crushing force of the Servitor’s grip compressing his own chest. Realizing that he and Burr share a sympathetic bond, Kobra orders the Servitor to release him. The countermand causes the Servitor to self-destruct…

Jason meets Lt. Perez who tells Jason the secret origin of Kobra …

(from Wikipedia): (Kobra) “… was born part of a set of Siamese twins, but was stolen at birth by the Cult of the Kobra god, since a prophecy claimed he would lead them to rule the world. Under their teaching, he became a dangerous warrior and a sadistic criminal mastermind. He led the cult into using advanced technology to menace the world.  … However, unknown to the cult, he had a psychic link to his twin brother, Jason, who knew nothing of Kobra. As a result, one felt what the other felt, including pain. Because of this, his brother was recruited by an international agency to help them combat Kobra.”

Perez convinces Jason to injure himself (holding his hand over a candle flame. Kobra cannot stand the pain any further and confronts Jason for the first time). Perez and his men try to capture Kobra, who slithers through their trap. The police shoot at the terrorist. “No guns!” shouts Jason to no avail. Were they trying to kill Kobra? IF they do, he will be collateral damage! Kobra escapes unharmed …

***

(from Wikipedia):

(Kobra was) “… created by Jack Kirby for a proposed DC Comics series called King Kobra, the first issue of which was both written and drawn by Kirby (the letter column discussed Infantino and Kirby wanting to do a take on the Corsican Brothers). This first issue then sat in DC inventory for over a year, during which time Kirby left the publisher to return to Marvel Comics.  Eventually the concept was handed over to writer Martin Pasko with orders to make a series out of it. Pasko was unimpressed with King Kobra, feeling it to be a throwaway idea churned out by Kirby as he was preparing to leave DC, and tried to make the best of the assignment by whiting out all of Kirby’s original dialogue, rescripting the issue, and having Pablo Marcos redraw some of the art (and re-)titled simply Kobra. … Pasko later reflected, “I wrote all of Kobra with my tongue firmly planted in my cheek—it was a preposterous exercise dumped in my lap, and it helped pay the rent on a very nice place in the Village.”

Dumped? Even the letter column introducing the comic said the title was “thrown” into Conway’s Corner. It seemed no in at DC gave much of a damn about the comic.

Pasko was correct about this preposterous exercise, but THIS pre-teen loved every issue of it! I still have every issue of the original run. The comic is great fun straight from the pulps – not a caped crime-fighter in sight! It was akin to Dr. Yen Sin or the Mysterious Wu Fang.  DC did something it did not do often – it took a chance! An unknown villain in the lead and an unknown cast! Very shortly it would launch another villain-led comic: the beloved Secret Society of Super-Villains, firmly entrenched in the DC’s superhero world.

Kirby’s art by the mid-1970s was an acquired taste: exaggerated physiologies, gaping mouths, fingers the size of Snickers bars, women whose eyes were set below the center horizontal line of their faces, etc. Marcos did his best redrawing Jason and Perez, but the redo was glaring and obvious. I would have loved cringing at Kirby’s original dialogue, but Pasko did a fine rewrite with what he had (I kept expecting one of the Cobra Cult to say, in Kirby’s typical expositional shorthanded way, “We must obey!”).

Not an auspicious beginning to only the second DC title to headline a villain (The Joker was first by less than a year). Villains starring in comics was a rarity (and was to remain so for the next several years – nowadays it is somewhat common): the Golden Age had its Yellow Claw and the Sub-Mariner (who was more of an anti-hero than an outright villain). The Silver Age, with its Comics Code, was more cautious about villain-led features. Even the House of Ideas itself – Marvel in the Silver Age – only gave Doctor Doom the lead in an anthology without giving him his own title.

The comic got better in later issues … much better …

***

 About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Adventure Comics #425: a new, less super direction…

Behold!

Bronze age

Adventure Comics #425. January 1973.

Joe Orlando: editor. Mike Kaluta: cover artist.

***

“The Wings of Jealous Gods”

Writer: Lynn Marron; Penciler/Inker/Letterer: Alex Toth

Rodeo showman Chad L. Hammond is in the Himalayas, where he hears rumors of “hawkhorses”. His guides say they are a myth, but he wants to hunt them anyway! In a snow-less grassy valley, he captures a foal and kills its winged mother. His guides accuse him of killing a sacred god and desert him.

While descending with the foal, he is attacked by pegusi, but managed to take the foal (now named “Cloud”) to the US and enters her into the racing circuit until its wings sprout. It wins, often, making Hammond a rich man.

Cloud’s wings begin to grow much to Hammond’s ire – he can’t race it if it has wings! He orders the wings removed. Cloud’s handler (who came with Hammond from the Himalayas) tries to stop Hammond but is killed for his concern over the sacred animal. Hammond sets the barn on fire – hiding the evidence of his murder.

After Cloud’s wings sprouted, Hammond rides the skies – only to be held hostage as Cloud joins the white Pegasus. They make it back to the sacred mountain and drop Hammond into a nest of hungry, sharp-toothed foals!

***

“Prior Warning” Writer: unknown. Penciler/Inker/Letterer: Frank Redondo

Aliens come to earth claiming to be peaceful. They think they are tricking the earthlings and actually plan to attack. But earth attacks them first and drive them off! The aliens have no idea what made the earthlings know they were, in fact, aggressors. Maybe the fact they dressed like Nazis and their leader is a dead ringer for Hitler!

***

“Sword of the Dead” Writer/ Penciler/Inker/Letterer: Gil Kane

Evlig, the renegade knight, slaughters a woman and her children, not knowing it was the family of John the Gaunt, retired champion of the kingdom. John comes out of retirement to hunt down the killer and both fight to the death … and beyond!

***

“Captain Fear”

Writer: Robert Kanigher; Penciler/Inker/Letterer: Alex Nino

A native Carib tribe in Haiti are attacked by Spaniards in search of slaves. Fero, the son of the chief, and others are captured and put to work in the mines. They revolt and escape in a Spanish ship; only to have the ship destroyed in a storm.

Rescued by other pirates, Fero fights for the command of the ship and kills the Asian captain. He renames himself Captain Fear – for that is what he will put in the hearts of every white devil he will meet! This he vows to the cheers of his bloodthirsty crew!

***

In a short letter column Joe Orlando explains the change in the magazine’s format from Supergirl to high adventure: fantasy, science fiction, mystery and/or horror!

***

Until its first cancellation in 1982, Adventure Comics was the oldest continually running comic book on the stands (back when there were stands…). Its first issue was called New Comics dated December 1935 by someone calling themselves National Allied Publications. It changed its title with issue #12 (January 1937) to New Adventure Comics. The “New” was removed in November 1938 and remained that way until its cancellation (although during the Spectre’s run in the early 1970s it was called Weird Adventure Comics, to cash in on the horror trend: Weird Mystery, Weird War, Weird Western, etc.

With its change to New Adventure Comics, it changed formats from humorous stories to action/adventure tales – some stories were written and drawn by future-Superman creators Joe Shuster and Jerry Seigel.

At the dawn of the superhero age Adventure dove right in with the debut of the Sandman with issue #40, Hourman (#48, March 1940), Starman (#61, April, 1941) and Simon & Kirby’s Manhunter (#73, April 1942).

When More Fun Comics changed formats to humor stories, its characters moved to Adventure, including Superboy, as of issue #103 (April 1946).

Issue #247 (April 1958) the Legion of Superheroes debuted. They eventually shared billing with Superboy during their classic run.

They were replaced by a solo Supergirl lead as of issue #381 (June 1969). She starred in the comic until #424 (October 1972). The letter column of her last issue explains she will get her own book but says the editors do not yet know the next issue’s new format. It only says to be back for a “new line-up of fantastic features!”

With #425 Adventure went back 35 years to focus on … well … adventures! Why? A search of the internet does not say specifically, but I can guess. At this point both DC and Marvel were making good money with their non-superhero lines – horror comics weren’t outselling Superman, but by gum the sales figures weren’t bad! With the Legion safely ensconced in Superboy and the Maid of Steel getting her own magazine, maybe it was time to add another non-superhero anthology … perhaps a repository for some not-quite-horror-themed tales …

(For more on Adventure Comics history AFTER issue #425, click here … or watch this blog for future issues!)

***

Captain Fear is the only feature of this short-lived era of Adventure with any legs. He had back-up stories in later issues of Adventure and in the Unknown Soldier.  He is given pages in Who’s Who and the History of the DC Universe.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!