Metal Men #48. November 1976

Behold, the Bronze Age!

bronze-age

“Who is Bruce Gordon and Why is He Doing All Those Terrible Things to Himself?”

Cover: Walt Simonson; Editor/Plotter: Gerry Conway

Writer: Martin Pasko; Penciler/Inker/Plotter: Walt Simonson

Colorist: Carl Gafford; Letterer: Gaspar Saladino

Assistant Editors: Paul Levitz and Jack C Harris

Robert Kanigher is given a creator credit.

Doc Magnus and the Metal Men meet Mona Bennett, Bruce Gordon’s fiancé. She needs their help: Bruce Gordon is really the evil Eclipso! He was scratched by a black diamond and anytime he is in the presense of any sclipsed sphere of light he turns into the evil spirit! While trying to destroy his alter-ego, Bruce accidentally releases him instead!

Eclipso finds a letter from Gordon’s father saying the data he seeks can be found in a library in West Germany. Mona tells the Metal Men the “data” is ancient Incan parchment saved from destruction by a Spanish monk. The Metal Men fly to the German library to find Eclipso already there! Eclipse fights off the Metal Men and leaves with the parchment.

A dying librarian points to a Peruvian map. The Metal Men deduce this must be where Eclipso is headed and they go back across the Atlantic.

The apparently beat Eclipso to an ancient abandoned Peruvian city, but not by much… Before they can make a plan Eclipso attacks!

Tin counters with the bright light of a welding torch. Eclipso screams and turns back into Bruce Gordon.

Another clue leads our heroes to Diablo Island – where Gordon first became Eclipso. They find Mophir’s cave (Mophir was the sun-god priest who fought Bruce causing his black diamond scratch …). They find an ancient tablet.

Unfortunately, retrieving the hovercraft causes an “eclipse” as it flies past the sun releasing Eclipso! He snatches the tablet and heads to a cliff overlooking the sea. Before the Metal Men can stop him, Eclipso reads from the tablet and releases the ancient god Umbra from his undersea prison!

***

The letter column explains that Gerry Conway has moved on, leaving Walt Simonson and Martin Pasko to finish the story and printed two positive letters.

***

One writer praised Simonson’s art and said it was an unusual style for the Metal Men. I agree. Although his usual excellent workman-like effort fits Eclipso and this grittier-style of story (it would not work with a lighter style of story). He captures the possibility of a grim apocalypse!

Gerry Conway (with help from Martin Pasko) advance the story of one of DC’s most interesting characters in Eclipso – he makes an unusual villain for the Metal Men which makes the story interesting and exciting. I can’t wait to see what happens next issue! Can you?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Advertisements

Metal Men #47

Behold!

bronze-age

Metal Men #47. September 1976

“The ‘X’ Effect”

Cover: Walt Simonson; Editor: Gerry Conway

Writer: Gerry Conway; Penciler/Inker: Walt Simonson

Colorist: Carl Gafford; Letterer: Gaspar Saladino

Assistant Editors: Paul Levitz and Jack C Harris

Robert Kanigher is given a creator credit.

A cadmium robot attacks McMurdo Sound (Antarctica) Army Base but then suddenly disappears! For the next six days the base is attacked by a robot representing a different element:  tungsten, barium and chromium and others.

Searching for the robots, the army finds the Metal Men wandering the polar wilderness, looking for Doc Magnus. The army attacks, thinking the Metal Men to be among the culprits! The army blast the robots’ de-freezing devices on their arms and capture the frozen (or in Mercury’s case, shattered) bodies.

HQ contacts the base and prevents the Metal Men’s destruction. The soldiers thaw out the robots who tell the military why they are in the Antarctic: last issue, Chemo hurled the safe containing Doc’s ten-million-dollar-ransom money into space. Doc’s computer calculated the safe landed somewhere in Antarctica.

As their hovercraft approached McMurdo Sound, the Metal Men and Doc Magnus were shot down and attacked by a giant Liquid Oxygen robot – destroying Tin and kidnapping Magnus! The Metal Men went in pursuit but were captured by the army.

Meanwhile, Doc Magnus confronts his kidnapper – it is Plutonium Man disguised as Doc Magnus! The evil robot explains how he came back to life after his previous battle with the Metal Men – he was able to split himself in two, causing his physical bodies to be below critical mass and reform. One robot retained Plutonium Man’s abilities, the other a drone who could change into any elemental robot. The robot harassed the army base, ensuring the soldiers would blame and attack the Metal Men when they were found!

Because of its rising radiation due to his hatred of Magnus, Plutonium Man unintentionally destroys the cash in the safe!  The Metal Men and the army burst into PM’s hideout and attack! PM turns his drone into Liquid Helium who immediately freezes the soldiers and destroys Platinum. Plutonium Man destroys Lead, as Doc realizes that PM is headed for a chain reaction.

Lead covers the drone and melts it into slag – destroying it in much the same way Platinum destroyed PM back in issue 45. Gold flings Plutonium Man into a glacial fissure that seals itself shut due to PM’s excessive heat. It causes a massive earthquake, crushing the evil robot.

***

The letter column contains the mini-soapbox found in all of Conway’s Corner comics in summer/fall of 1976 asking for ideas and suggestions (how I longed for a team-up between Kobra and Kamandi!).

The letters on the Metal Men revival were very positive!

***

Hmm, was this a fill-in issue? It filled some of the holes left from the story arc from its final first-run issues. The only thing left was Magnus’ money.

I love the work of Gerry Conway. I do. In this storyline of the Metal Men conflict and eventual rapprochement with the army was excellent; but the Plutonium Man portion was … not. The science was silly and baseless. Oh, I know these are comic books and not a JPL thesis, but Gerry is better than this. PM’s return and his ability to control his drone isn’t even Star Trek-ish mumbo jumbo. Gerry doesn’t just make up science and hope we don’t giggle or roll our eyes.

I love the work of Walt Simonson. I do. Both he and Gerry Conway would be on the first inductees in any Comic Book Hall of Fame – on the first ballot (well, maybe behind Kirby and Kubert, but I think even THEY would agree with that…). But the art here was rough – even for Simonson’s gritty style.  Was this a rushed fill-in issue? Should I ever meet either artist, I … well, I wouldn’t waste my time discussing THIS issue, I would be gushing about the exemplary work they have done elsewhere…

Even Babe Ruth struck out a few times…

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

The Bronze Age: Metal Men 46

Behold!

Bronze age

Metal Men #46. July 1976

“The Chemo Conspiracy”

Cover: Dick Giordano; Editor: Gerry Conway

Writer: Gerry Conway; Penciler/Inker/Letterer: Walt Simonson; Colorist: Carl Gafford

The rebuilt Metal Men try to find Doc Magnus’ cash store received when Magnus blackmailed the world in his evil phase, but the hiding place was empty. Magnus eventually joins the search and finds a chemical trail leading away from the hiding place. The trail leads to the home of the two keepers of the vault who once worked for Magnus and the vault’s guard – Chemo!

Meanwhile, in Washington DC, someone claiming to be Doc Magnus destroys a mugger …

The Metal Men attach Chemo! They drill through his ankle to drain the monster of his chemical innerds and then smash his glass exterior. Gold, Lead and Mercury give their artificial lives to achieve their victory.

***

There are still a few loose ends to clean up in the Metal Men’s strange late-silver-age continuity. Gerry mops it up while re-introducing one of the MM’s popular villains. Add that it is defeated simply by draining it and smashing its glass container. Except for the environmental disaster that would result, it seems a pretty simple way to get rid of it!

Metal Men was probably not the best-selling comic in DC’s stable. Would it not have benefitted a little by being one of the “DC Salutes the Bicentennial” comics – in which one stripped off the special cigar-band logo to win a precious Superman belt buckle?  Well, it couldn’t have hurt anyway …

Once again the art and story fit perfectly with the mood of the book. The Metal Men are still finding their way in this revived continuity – they are no longer hunted and Doc is on their side, a complete reversal from prior issues. And their personalities are coming back: Lead is slow, Mercury is argumentative, Gold is the leader and Iron his (near) invincible back-up. Tin is meek and Platinum is hot.  The fun of the comic continues!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #45, May 1976: Welcome Back!

Behold!

Bronze age

Metal Men #45, May 1976

“Evil is in the Eye of the Beholder”

Cover: Dick Giordano; Editor: Gerry Conway

Writer: Steve Skeates; Penciler/Inker/Colorist: Walt Simonson

The Metal Men tour the country’s colleges displaying their powers. This allows new readers some exposition as to who the Metal Men are. Doc Magnus, meanwhile, is held for mental examination after being rescued from Karnia.

To aid in his recuperation, the Feds allow Doc time and equipment to make another Metal Man. He creates Plutonium Man. PM escapes and leaves a trail of mayhem behind. A Karnian spy is exposed among Magnus’ keepers. Magnus and the surviving military hunt down Plutonium Man.

But the Metal Men get their first. Despite all their efforts, nothing works and member after member meet their doom … until Platinum wraps herself around Plutonium Man to cause a mini-China Syndrome, destroying them both.

Magnus, seemingly all better, vows to rebuild the Metal Men.

***

Metal Men’s history by this point is very strange, stranger than you expect from this group: even Gerry Conway admitted so in the letter column. And if the man who brought you Conway’s Corner’s stable of comic books thinks something is strange …

In brief: by 1968 the original Metal Men creative team moved on to other things and the new team made the Metal Men fugitives from justice and hunted by the law. The robots created secret human identities and fought supernatural enemies. Doc Magnus was kidnapped by the dictator of Karnia and brainwashed to evil and hatred as to his creations. The comic ended with a cliffhanger, of sorts, with #42, January 1970.

Three reprint issues in 1973 failed to gain traction. The magazine was revived again in 1976 with this issue.

Rather than start anew, this new creative team wrapped up the storyline from six years before. Perhaps they should have restarted the comic and pretend 1968 – 1970 never happened! If only because it gives the series an awkward grittiness.

But if this comics’ creators insist on grittiness, it picked the perfect team. Walt Simonson’s art (his first DC work since Manhunter) fits in perfectly. His workman-like style is instantly recognizable even at this “early on” stage. It fits well.

And Gerry Conway’s obvious love for the characters is evident. He does a Red Adair-like job of putting out the continuity fires and inevitable clean-up!

Welcome back, guys!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #1: Kirby’s DC leftovers, but great pulpy fun!

Behold!

Bronze age

Kobra # 1, March 1976 (remember the cover date of comics is about three months ahead of the actual publication date, blah blah blah…)

“Fangs of the Kobra” written by Martin Pasko and Jack Kirby, art by Kirby and Pablo Marcus. Editor: Gerry Conway, Inkers: D. Bruce Berry and Pablo Marcos, Colorist: Carl Gafford, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: (why type it all out when someone else has done it for me?)

(the following paragraph courtesy of ReadComicsOnline):

Deep beneath the streets of Manhattan, assassin-for-hire, Horst Buchner, along with two associates, are ushered through secret tunnels, to keep a prearranged rendezvous with Kobra. At the first sign of insult, Buchner’s men draw on Kobra. Put off by Kobra’s arrogance, Buchner declines his offer of employment, deciding, instead, to rob Kobra of several intriguing artifacts. Still held at gunpoint, Kobra leads Buchner and his gunsels into another chamber, one that holds Kobra’s most unique artifact, the Ovoid. Within the confines of the still shimmering meteoroid, Kobra reveals an enormous alien robot, he calls the Servitor. At Kobra’s command, the Servitor steps forward, then murders Horst and his associates, pummeling them to death with its giant metal fists. Sensing that his brother, Jason Burr, is soon to learn of Kobra’s existence, and whereabouts, Kobra sends the Servitor up to the streets, on a mission to slay Burr. The Servitor leaves a swath of destruction in its path, as it makes its way to Columbia university. Despite opposition from New York’s finest, the Servitor moves inexorably to the student union building. Inside, Lieutenant Perez is interviewing Jason Burr. Just as Perez is about to reveal to Burr the existence and identity of his brother, the Servitor crashes through the wall. Lifting Burr up in one of its gargantuan hands, the Servitor, at Kobra’s command, begins crushing him. Suddenly, Kobra, too, feels the crushing force of the Servitor’s grip compressing his own chest. Realizing that he and Burr share a sympathetic bond, Kobra orders the Servitor to release him. The countermand causes the Servitor to self-destruct…

Jason meets Lt. Perez who tells Jason the secret origin of Kobra …

(from Wikipedia): (Kobra) “… was born part of a set of Siamese twins, but was stolen at birth by the Cult of the Kobra god, since a prophecy claimed he would lead them to rule the world. Under their teaching, he became a dangerous warrior and a sadistic criminal mastermind. He led the cult into using advanced technology to menace the world.  … However, unknown to the cult, he had a psychic link to his twin brother, Jason, who knew nothing of Kobra. As a result, one felt what the other felt, including pain. Because of this, his brother was recruited by an international agency to help them combat Kobra.”

Perez convinces Jason to injure himself (holding his hand over a candle flame. Kobra cannot stand the pain any further and confronts Jason for the first time). Perez and his men try to capture Kobra, who slithers through their trap. The police shoot at the terrorist. “No guns!” shouts Jason to no avail. Were they trying to kill Kobra? IF they do, he will be collateral damage! Kobra escapes unharmed …

***

(from Wikipedia):

(Kobra was) “… created by Jack Kirby for a proposed DC Comics series called King Kobra, the first issue of which was both written and drawn by Kirby (the letter column discussed Infantino and Kirby wanting to do a take on the Corsican Brothers). This first issue then sat in DC inventory for over a year, during which time Kirby left the publisher to return to Marvel Comics.  Eventually the concept was handed over to writer Martin Pasko with orders to make a series out of it. Pasko was unimpressed with King Kobra, feeling it to be a throwaway idea churned out by Kirby as he was preparing to leave DC, and tried to make the best of the assignment by whiting out all of Kirby’s original dialogue, rescripting the issue, and having Pablo Marcos redraw some of the art (and re-)titled simply Kobra. … Pasko later reflected, “I wrote all of Kobra with my tongue firmly planted in my cheek—it was a preposterous exercise dumped in my lap, and it helped pay the rent on a very nice place in the Village.”

Dumped? Even the letter column introducing the comic said the title was “thrown” into Conway’s Corner. It seemed no in at DC gave much of a damn about the comic.

Pasko was correct about this preposterous exercise, but THIS pre-teen loved every issue of it! I still have every issue of the original run. The comic is great fun straight from the pulps – not a caped crime-fighter in sight! It was akin to Dr. Yen Sin or the Mysterious Wu Fang.  DC did something it did not do often – it took a chance! An unknown villain in the lead and an unknown cast! Very shortly it would launch another villain-led comic: the beloved Secret Society of Super-Villains, firmly entrenched in the DC’s superhero world.

Kirby’s art by the mid-1970s was an acquired taste: exaggerated physiologies, gaping mouths, fingers the size of Snickers bars, women whose eyes were set below the center horizontal line of their faces, etc. Marcos did his best redrawing Jason and Perez, but the redo was glaring and obvious. I would have loved cringing at Kirby’s original dialogue, but Pasko did a fine rewrite with what he had (I kept expecting one of the Cobra Cult to say, in Kirby’s typical expositional shorthanded way, “We must obey!”).

Not an auspicious beginning to only the second DC title to headline a villain (The Joker was first by less than a year). Villains starring in comics was a rarity (and was to remain so for the next several years – nowadays it is somewhat common): the Golden Age had its Yellow Claw and the Sub-Mariner (who was more of an anti-hero than an outright villain). The Silver Age, with its Comics Code, was more cautious about villain-led features. Even the House of Ideas itself – Marvel in the Silver Age – only gave Doctor Doom the lead in an anthology without giving him his own title.

The comic got better in later issues … much better …

***

 About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

DC Bicentennial banner comics by the numbers: lies, damn lies and statistics!

DC SALUTES THE BICENTENNIAL

Tale of the Tape

 This is for all the number crunchers …

 Tally:

Of the 33 Bicentennial comics …

 

 July issues: 12

August issues: 21

 50-cent issues: 5

35-cent issues: 28

 

Bi-monthly issues: 20

Monthly issues: 11

9-times-a-year: 2 (Superboy/Legion and World’s Finest)

 ***

             Comic books were “required by law” to publish an annual sales statement, including individual issues sold closest to the reporting month. Here are the comics I have during that reporting month from 1976 that stated their individual sales figures.

Brave & Bold 151,000
JLA 193,000
World’s Finest 132,185
Adventure 104,309
Superman 216,122
Superman Family 156,636

***

 Editors:

 Denny O’Neil edited one comic

Nelson Bridwell two

Gerry Conway, five

Joe Kubert, three

Julius Schwartz, seven

Murray Boltinoff, seven

Joe Orlando led them all with eight comics

 ***

Cover artists:

 Bob Oksner

Dave Manak

Keith Giffen

Ricardo Villagran

Jose Luis Garcia Lopez, two including one with Bob Wiacek

Mike Grell, two

Jim Aparo, two

Luis Dominguez, three

Joe Kubert, four

Dick Giordano, five issues, including one with Terry Austin

Ernie Chua drew an astounding ten issues

 ***

 Writers: keep in mind there are more than 33 writers here, that’s because obviously many comics had two (or three or sometimes more) stories per issue. Some comics, such as Ghosts, did not list the writers, and neither Grand Comics Database nor DC Comics Database list authors for that issue.

 Barry Jameson

Bart Regan (two)

Bob Haney (three)

Bob Rozakis (two, including one with Michael Uslan)

Cary Bates (three)

Dave Wood

David Anthony Kraft

David Michelinie

David V. Reed

Denny O’Neil

Don Cameron & Joe Samachson

Elliot S! Maggin (three)

Gardner Fox (two reprints)

George Kashdan (two)

Jack Oleck 

John Broome (two reprints)

Len Wein

Martin Pasko (two, NOT counting two more with Gerry Conway and Paul Levitz)

Michael Fleisher

Russ Manning

Sheldon Meyer (a reprint)

Steve Skeates

Weshley Marsh (Murray Boltinoff)

Gerry Conway (seven, including one with Marty Pasko)

Robert Kanigher (our leader with nine total stories written in the 33 comics)

Did I miss any? Wouldn’t surprise me… 

***

 Artists: as with the writers category there are more than 33 artists here, that’s because obviously many comics had two (or three or sometimes more) stories per issue

 Buddy Gernale

Carmine Infantino (two reprints)

Chic Stone and Mike Royer

Curt Swan (three, including one with John Calnan)

Dick Dillin & Frank McLaughlin

Don Perlin

ER Cruz

Ernie Chua (two including one with Tex Blaisdell)

Nestor Redondo (and/or his studio)

Franc C Reyes

Fred Carillo

Gene Ureta

George Evans

George Molintorni

Gil Kane & Sid Greene (reprint)

Irv Novick (two, one with Ted Baisdell)

Jerry Robinson (reprint)

Jess Jodloman

Jim Aparo (two)

Jim Mooney (a).

José Delbo

Jose Luis Garcia Lopez (two, one with Bob Oksner)

Keith Giffen & Wally Wood

Keith Griffin, Ricardo Villagran and Oscar Novelle & Luis Dominguez

Mike Grell

Mike Kaluta (reprint)

Noly Zamora

Pablo Marcos

Pablo Marcos  & Bob Smith

Paul Kruchner and Tex Blasdell

Ricardo Villamonte

Rich Buckler

Rico Rival

Romana Fradon & Juan Canale,

Ross Andru & Mike Esposito

Rubeny

Ruby Florese

Russ Manning

Sam Glanzman

Sheldon Moldoff (reprint)

Terry Hensen

Ric Estrada (an amazing 8, which includes 2 with Joe Staton and one with Al Milgrom – with that many comics I can imagine he would need the help!)

 ***

             Comics, especially from the Big Two, rarely have letter columns in these days of email and Instant Messaging. I think that’s a shame. But letter columns made up an integral part of a comic book – it’s how fans kept in touch with one another. Some fans became professionals simply because their letter writing gave them name recognition at hiring time (Bob Rozakis for one) – it helped that the letter writers (Bob included) were also talented! One wonders how many hacks were turned away – “but I had 46 letters published!” “Your letter writing skill is good, that’s true, but as a comic book fiction writer … you stink.”  The only future comic book talent from the letter writers of these July 1976 comics that I recognize is Bob Rodi (from Karate Kid #3).

            “Hey!” I write for comics and I’m on that list! Oops, sorry I didn’t recognize the name. What comics do you write/draw/etc. for? I’d love to read them!

            I left out anonymous and obvious fake names. Here are, I think, all of them:

            The most prolific writers were Mike White, who appeared in 7 issues (nearly one third of the comics) and Fred Schneider in 5 issues.

 Adam Castro of New Rochelle, NY (3 letters total)

Arthur Grance of Staten Island, NY

Arthur Kowalik of Wilmington, DE

Barry Charles of Louisville, KY

Bart Casey of Dayton, Ohio

Bob Robinson, Lincoln, NE

Bob Rodi of Columbia, MO

Brian Dyke of Goodlettsville, TN

Brian Scott of Streator, IL

Burt Fowler of Jacksonville, FL

Cadet Captain Ruby S Nelson of Jacksonville, AL

Carlton McDaniels of New York

Clifford Gerstman of New York, NY

Craig Kenner of Massillon, OH

Damian Brokaw of Denver, CO

Dan Cardenas, San Luis Obispo, CA

Dave Wilcox, Arlington Heights, IL

David A Jones of Horse Cave, KY

David B. Kirby of Richmond, VA

David Hanson of Swartz Creek, Mich.

David J. Brown of Hammond, IN

David L Klees of Newton Centre, Mass 

David Trenton of New York, NY

DK Thomas of Brunswick, ME

Doil Ward of Ardmore TX

Don Vaughn of Lake Worth, FL

Drury Moore of Springfield, IL

Edward Wojcik of Detroit, Michigan

Elizabeth Smith of Tacoma Washington

Eric Ehrlich of North Platte, NE

FL Watkins, Champaign, IL

Fred Schneider of New York (6 issues)

Gerald Duit of New Orleans, LA

Glenn Rowsam of Oakland, CA

Hugh J. Leach, Mason, MI

Charles Backman of Sterling Heights, MI

Jack Gregotz, Mayfield Heights, OH

James Parker of Clarksville, TN

Janet Fadel of Hollywood, CA

Jeff Sporn of Bethesda, MD

Jerry Rosen of New York, NY

Jim Dever of Philadelphia, PA

Jim Humm of El Monte, CA

Jim Planack of Poughkeepsie, NY

Jimmy Holcomb of Mesquite, TX

Joe Peluso, Brooklyn, NY

John Baker of Baltimore, MD

John Elliot, New York, NY (3 letters)

John Jesse of Hobart, IN

Jonathan Kuntz, Los Angeles, CA

Judy Newton of Thompkinsville, RI

Katie Raisler of East Lansing, MI

Ken Kemble of San Antonio, TX

Ken Regalado, South Pasadena, CA

Kevin L. Callahan, Brea, CA (3 issues)

Kirk Anderson of DeForest, WI

Linas Sabalys of Laval, PQ, Canada (3 issues)

Louis A, Latzer of St. Louis, MO

Marie Munas of La Mesa, CA

Mark McIntyre of Atlanta, GA

Mark Schmeider, Concord, Mass (5 issues)

Mark Wannop of Camden, NJ

Mark Zutkoff, Timoniom, MD

Mary E. ReCasino, Vernon, CT

Matthew Elyosin, Madison, CT

Michael D Dargay of Royal Oak, MI (3 issues)

Michael Lapsley of Morrow, GA

Mike Karvalas of Chicago, IL

Mike Thompson of Lockemup Prison

Mike White of Mackinaw, IL (the most: 7 issues)

Paul Emrath of Milwaukee, WI (3 issues)

Paulo Mariorann of Parma, Ontario

Peter Sanderson of New York, NY

Robert Gustive of Grand Island, Neb

Robert LaChine of Chicago, IL

Robert Vias, Dover, NJ

Robert W. Chan of Edmonton, Canada

Rod McLaughlin of Ramsey, Mont.

Roger Thomas Enevoldesen, North Augusta, SC

Ron Lindsey of Augusta, GA

Ronald M. Fitz, Valparaiso, IN

Sam MCHendley of Berkeley, CA

Sarah Finnegan of Washington DC

Scott Gibson of Evergreen CO (5 issues)

Scott R. Taylor of Portland, TX (3 issues)

Steve Kalaitzidis of Toronto, Ontario

Teddy Arnold of Houston TX

Terry Chadwick of Phoenix, AZ

Thomas Edward Bigham of Matt, Mass

Thomas Russon of Mt. Kisco, NY

Tim Corrigan, Rochester, NY

Tom Kelleher of Norwalk, Conn.

Tom Weyandt of Broadtop City, PA

Wade Sears of Calgary, Alberta

Walter Green of Wading River, NY

 ***

 Thanks for reading the blog series. It was as much fun to read (and re-read) these comics as it was to comment about them.

 My father would bring home stacks and stacks of DC comics for me. He worked for the Air Force, but some of his staff’s spouses worked for Sparta Printing – where they used to give away comics to the employees by the truckload. It was literally, “your boss has a kid? Here!” {thud}

Doing this blog series reminded me of that. I had a stack of comics next to my chair. I also had a notepad and pen to make notes. But at times I imagined my dad bringing home these 33 comics for me to enjoy.

This blog series is dedicated to him.

 

Original Material copyright 2015 Michael Curry

 

            Images used are copyright their respective holders and and reproduced here under the “fair Use” doctrine of 17 USC 106 & 106a for the purposes of criticism and comment.

Blackhawk #247: the Bicentennial Banner blog continues!

DC SALUTES THE BICENTENNIAL

#25

Blackhawk #247

Blackhawk_Vol_1_247

Published bi-monthly, thirty cents, August

Cover artist: Dick Giordano

Editor: Gerry Conway

            This paragraph is a repeat of my blog on Freedom Fighters #3. Quality Comics was a successful comic book company during the medium’s golden age. It introduced Kid Eternity, the Blackhawks, the much-lauded Spirit and Plastic Man to comics. The company closed shop in the mid-1950s and the catalogue of characters was bought by DC/National. They continued only four of Quality’s titles: GI Combat, Plastic Man (although DC would not publish a Plastic Man comic until the 1960s), Blackhawk, and Heart Throbs – all but the latter were still being published by the time of the Bicentennial (Plastic Man would get much more popular in the coming decades).

            Blackhawk debuted in Military Comics #1, August 1941 as ace pilots fighting the Nazi menace. Note this was before the US involvement in WWII. The group was given its own comic published in Winter 1944 beginning with issue #9 (retitled from Uncle Sam Quarterly – this was commonly done even as late as the 1970s to avoid postal fees and registrations, etc.). They still starred in Military Comics (renamed Modern Comics) until it was cancelled with issue #102 (October 1950).

            At one point the Blackhawks outsold every other comic book character other than Superman.

            DC Comics continued the series when it bought Quality and continued publishing the comic until 1968, canceling it after issue #243. During the mid-1960s the Blackhawks became costumed superheroes rather than ace pilots.

            The title was brought back with #244 in January 1976. Although still ace pilots, the series was set in modern times fighting modern menaces. This run ended with #250 (January 1977) and was successfully revived in later years (picking up with the original numbering) and also appearing in the anthology Action Comics Weekly in the 1980s.

***

 “Operation Overkill”, David Anthony Kraft ( w ), Ric Estrada and Al Milgrom (a), Liz Berube (c), Gaspar Saladino (l)

            I think this synopsis will take longer to read then the comic itself, as is usually with the masterful David Anthony Kraft, his comics are chock-full of plot and details!

            While debriefing their workout in their private training course, the Blackhawks are interrupted by the Duchess Ramona Fatale, also called Patch. She introduces her own team of lady commandoes and asks the Blackhawks to help her raid the HQ of Anton Vibrax – who murdered Patch’s troops in issue #244. Blackhawk allows only Andre to go with them, as he has worked with Patch’s commandos before.

patch

 

            Meanwhile, Blackhawk receives a message from their CIA contact asking them to escort a secret cargo from Greenland to Great Britain. They agree and take off – except for Hendrickson, who stays behind with his daughter, as he is getting too old for such adventures.

            The CIA contact reveals himself to be the villain Bio-Lord. The Blackhawks are flying into a trap!

biolord

            And indeed cyborgs blast two of the Blackhawks out of the sky (Olaf and Blackhawk himself) and capture the others mid-air. Blackhawk and Olaf are eventually also overcome and captured.

            Andre and Patch’s commandoes invade the headquarters of Vibrax’s master. Andre chastises the women warriors for using real bullets to kill instead of subdue. They find the HQ empty – it was a decoy. Andre again chastises them for taking lives for nothing!

            Andre learns of the other Blackhawk’s fate from Hendrickson and heads to Greenland. Hendrickson’s turns around to find his daughter, Elsa, pointing a gun at him and threatening his life!

            The Biolord explains to Blackhawk his evil scheme: he will detonate an anti-matter bomb and decimate Great Britain as part of his plot to destroy the human virus. Blackhawk breaks his bonds and rescues his troops, but not before the Anti-bomb is launched!

            To be continued…

            I started collecting Blackhawk with the next issue until its cancellation with #250.

 

Blackhawk By-lines: Letter discussing mostly issue #245. Assistant Editor Jack C. Harris introduces us to new writer David Anthony Kraft with a lengthy bio. Letters by Brian Dyke of Goodlettsville, TN (very positive) and Carlton McDaniels of New York, NY (negative – bemoaning that these new Blackhawks carry guns and kill their adversaries.

***

Join me next time for DC’s Bicentennial issue #26: World’s Finest Comics #239

 

Original Material copyright 2015 Michael Curry

Images used are copyright their respective holders and reproduced here under the “Fair Use” doctrine of 17 USC 106 & 106a for the purposes of criticism and comment.