Kobra #4, September 1976

Behold, the Bronze Age!

bronze-age

“Brother’s Keeper – Brother’s Killer” Written by Martin Pasko, Art by Angel Gabriele. Inker: Lowell Anderson, Colorist: Liz Berube, Letterer: Ben Oda, Editor: Gerry Conway, Assistant Editors: Paul Levitz and Jack C. Harris

Cover by: Joe Kubert

herc6-kobra4 direct currents banner

Kobra 4 house ad

Synopsis: Kobra leaves his New York headquarters to go to Peru to oversee an archeological dig. There his crew find another Ovoid similar to that found in issue #1. As before, the Ovoid opens and a second Servitor attacks! The blast to Kobra’s arm also causes Jason to flee from his graduate school class. Melissa follows Jason, a synopsis of the comic’s plot is given (“I just met my brother … we have a symbiotic link…”) and Jason questions Melissa about her past relationship with Kobra. Melissa runs out before giving any answers.

Meanwhile, the battle with the Servitor ends in the machine’s dismantling. During the battle it carried a metallic cylinder that spoke to Kobra after the battle. It is an alien from the planet Illandus, who came to retrieve the pod that creates the Servitors.  Kobra takes the Illandian to his New York City lair.

Jason returns to his apartment after a late class to find Randu Singh waiting. After a quick confrontation Randu asks Jason’s help in defeating Kobra – Randu fears Kobra will soon declare war against his native India.

The Illandian reveals its physical form to Kobra – a two-headed four-armed alien that shall soon split in two again. Kobra is intrigued by its duel nervous system and plans to examine the alien to eliminate the link between himself and his brother. They discover the first ovoid has again produced a Servitor. The Illiandian wishes to take his probes and Servitors and return to his home, but Kobra says there are forces on our planet that will stop the alien from doing so.

Well, he IS correct …

And convinces the Illiandian to help Kobra stop him! Kobra’s first victim is Lt. Perez – whose outgoing plane is torn apart by one Servitor and Perez crushed by another! Jason and Randu arrive in the midst of the “Chaos at Gate 57”. Jason confronts his brother.

The Illiandian realizes that it is Kobra who is preventing him/them from retrieving the pod and unleashed a wall of flame at the airport. Jason and Kobra continue to fight over what happened to Melissa – Jason is convinced Kobra is involved in the disappearance.

An ovoid appears around the Servitors and the Illiandian and whisks them back into the alien vessel. Kobra is enraged and strikes Jason now that all his plans have been thwarted – even Project R might be abandoned, he says!

Jason awakes to find the airport in chaos, Perez dead and Kobra long gone (but how, he thinks? Kobra would have been knocked out cold, too!). Perhaps he should seriously consider Randu’s suggestion about making the ultimate sacrifice…

***

The letter page explains that the magazine was reprieved from the pending cancellation of #3, but also says its mailbox is almost empty of letters! AND this is the fourth artwork team in as many issues! Bad signs …

This issue had the famous editorial that ran in all the Conway’s Corner magazine:

RCO025_1493092804

Oh how I yearned for a team-up between Kobra and Kamandi!

And as for Jason’s foreboding dread of Kobra being more powerful than he (Jason was knocked out while Kobra escaped). Even when I read this back in 76 my first thought was … “Well, wouldn’t his followers have carried him away … or wouldn’t he still be teleported to his ship…?”

This issue is a nice book-end with issue #1 – explaining some of that storyline while (thankfully) forgetting the super-hero-y aspects of #s 2 & 3. No one was expecting the series to get better.

But it did!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

Advertisements

Hercules Unbound #3, March 1976

 

Behold!

bronze-age

“Within the Pit Below”

Cover: José Luis García-López, Editor: Joe Orlando

Writer: Gerry Conway; Penciler: José Luis García-López; Inker: Wally Wood

Synopsis from DC Wikia: “Cerebus captures Jennifer Monroe in order to lure Hercules to a battle in Pluto’s realm.”

Most modern comics can use 15 words to describe over 18 pages of story and art, true, but a Bronze Age comic?

Going through the entrance to Hell, Hercules, Kevin and Basil meet a minstrel and Charon at the shores of the River Styx. Our heroes are attacked by one of Pluto’s Shadow Beasts. Kevin begs the minstrel to help them save Jennifer. The minstrel plays his lyre to weaken the Shadow Beast. Hercules quickly dispatches the ethereal monster.

The minstrel, Orpheus, joins Hercules on his quest.

Cerebus meanwhile takes Jennifer to Tartarus, the palace of Pluto and his lady Persephone.

Meanwhile again, back in Paris, Jennifer’s friends David Rigg and Simon St. Charles are captured by Ares – their fate to be determined in a later issue!

Orpheus reveals why he is in hell: as with the “real” legend. This son of Apollo lost his bride Eurydice when she died from a snake bite. He went to Tartarus to confront Pluto. Pluto allowed Eurydice to follow Orpheus out of hell as long as Orpheus did not turn around to look at her. Nearly at the gate, Orpheus was overcome by his curiosity and turned to make sure his bride was still there. She was, but instantly disappeared back into hell.

Cerebus and Jennifer talk quietly – here he seems to pine for his former bride-to-be, whereas last issue he was filled with rage as to her betrayal. Hercules finally tracks down the Nubian and calls him out to battle! The gods clash! Hercules knocks a wall on Cerebus, crushing him. Jennifer speaks to Cerebus while he is in his death throes. “It is the woman who betrayed you that caused your death,” she says. “No, it was my hatred and need for vengeance,” Cerebus says.

Pluto releases Jennifer. Orpheus reveals he is a ghost and reunites with Eurydice just as Cerebus was released from his hatred.

Finally reunited with Jennifer; Hercules, Kevin and Basil leave Hell.

 ***

The letter column is filled with missives praising the first issue – the art, the story and Hercules quiet (compared to his Marvel counter-part) power.

***

In a few panels Cerebus shows more depth than Hercules. But this was a fun issue and a nice way to complete the first story arc.

But in three issues we still do not know much about our main characters – neither Kevin nor Jennifer despair over the losses of WWIII. Hercules – although there is no question that he is loyal and heroic – is still a mystery. He hates Ares, true, but what about his loves? What makes him smile? Laugh? We know his persona, what about his personality?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Hercules Unbound #4, May 1976

Behold, the Bronze Age!

bronze-age

“Within the Pit Below”

Cover: José Luis García-López, Editor: Joe Orlando

Writer: Gerry Conway; Penciler: José Luis García-López; Inker: Wally Wood

While sailing in the channel heading for England, Hercules and his troupe are attacked by a U-Boat filled with … cat people! They are under orders by their leader Hunter Blood: destroy any ship heading for the Sceptered Isle! Herc defeats the cat people and tows their boat to shore.

They are going to England because their friends David Rigg and Simon St. Charles left a note saying they are headed there. Readers from last issue know this is not true! Jennifer also has her suspicions.

After another battle, Hunter Blood captures our heroes and bound Hercules and Kevin to church bells in the tower of his cathedral headquarters.

Hunter, by the way, has the ability to turn anything in his gaze to dust. A sad and ironic power to someone who collected works of art before the war – he can no longer see and admire the collection he loves!

The bells of the cathedral toll and Hercules is given extra power through Kevin to break his bonds and destroy the bell tower!

Hunter believes Hercules and Kevin dead, but Hercules appears in the doorway and calls Hunter to battle in a final-panel cliffhanger!

***

The letter column has two letters again praising the first issue and recommending connections with Wonder Woman and Hippolyta while asking NO links to Kamandi. With this issue that might be too late!

***

The cat-people brings this comic very close to the world of Kamandi. We will have to see what future issues bring.

And we finally see a glimpse of Hercules’ adaption into the modern world – something the comic has ignored for three issues. Although the nuclear holocaust of World War III gives the creators a way around modern-era issues, our hero is STILL 2,000+ years from his time. The brief encounter with “woman’s lib” has been the only characterization of the Son of Zeus in the magazine! We learn a little more of Kevin’s bizarre mental powers, but nothing else.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

 

Metal Men #48. November 1976

Behold, the Bronze Age!

bronze-age

“Who is Bruce Gordon and Why is He Doing All Those Terrible Things to Himself?”

Cover: Walt Simonson; Editor/Plotter: Gerry Conway

Writer: Martin Pasko; Penciler/Inker/Plotter: Walt Simonson

Colorist: Carl Gafford; Letterer: Gaspar Saladino

Assistant Editors: Paul Levitz and Jack C Harris

Robert Kanigher is given a creator credit.

Doc Magnus and the Metal Men meet Mona Bennett, Bruce Gordon’s fiancé. She needs their help: Bruce Gordon is really the evil Eclipso! He was scratched by a black diamond and anytime he is in the presense of any sclipsed sphere of light he turns into the evil spirit! While trying to destroy his alter-ego, Bruce accidentally releases him instead!

Eclipso finds a letter from Gordon’s father saying the data he seeks can be found in a library in West Germany. Mona tells the Metal Men the “data” is ancient Incan parchment saved from destruction by a Spanish monk. The Metal Men fly to the German library to find Eclipso already there! Eclipse fights off the Metal Men and leaves with the parchment.

A dying librarian points to a Peruvian map. The Metal Men deduce this must be where Eclipso is headed and they go back across the Atlantic.

The apparently beat Eclipso to an ancient abandoned Peruvian city, but not by much… Before they can make a plan Eclipso attacks!

Tin counters with the bright light of a welding torch. Eclipso screams and turns back into Bruce Gordon.

Another clue leads our heroes to Diablo Island – where Gordon first became Eclipso. They find Mophir’s cave (Mophir was the sun-god priest who fought Bruce causing his black diamond scratch …). They find an ancient tablet.

Unfortunately, retrieving the hovercraft causes an “eclipse” as it flies past the sun releasing Eclipso! He snatches the tablet and heads to a cliff overlooking the sea. Before the Metal Men can stop him, Eclipso reads from the tablet and releases the ancient god Umbra from his undersea prison!

***

The letter column explains that Gerry Conway has moved on, leaving Walt Simonson and Martin Pasko to finish the story and printed two positive letters.

***

One writer praised Simonson’s art and said it was an unusual style for the Metal Men. I agree. Although his usual excellent workman-like effort fits Eclipso and this grittier-style of story (it would not work with a lighter style of story). He captures the possibility of a grim apocalypse!

Gerry Conway (with help from Martin Pasko) advance the story of one of DC’s most interesting characters in Eclipso – he makes an unusual villain for the Metal Men which makes the story interesting and exciting. I can’t wait to see what happens next issue! Can you?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #47

Behold!

bronze-age

Metal Men #47. September 1976

“The ‘X’ Effect”

Cover: Walt Simonson; Editor: Gerry Conway

Writer: Gerry Conway; Penciler/Inker: Walt Simonson

Colorist: Carl Gafford; Letterer: Gaspar Saladino

Assistant Editors: Paul Levitz and Jack C Harris

Robert Kanigher is given a creator credit.

A cadmium robot attacks McMurdo Sound (Antarctica) Army Base but then suddenly disappears! For the next six days the base is attacked by a robot representing a different element:  tungsten, barium and chromium and others.

Searching for the robots, the army finds the Metal Men wandering the polar wilderness, looking for Doc Magnus. The army attacks, thinking the Metal Men to be among the culprits! The army blast the robots’ de-freezing devices on their arms and capture the frozen (or in Mercury’s case, shattered) bodies.

HQ contacts the base and prevents the Metal Men’s destruction. The soldiers thaw out the robots who tell the military why they are in the Antarctic: last issue, Chemo hurled the safe containing Doc’s ten-million-dollar-ransom money into space. Doc’s computer calculated the safe landed somewhere in Antarctica.

As their hovercraft approached McMurdo Sound, the Metal Men and Doc Magnus were shot down and attacked by a giant Liquid Oxygen robot – destroying Tin and kidnapping Magnus! The Metal Men went in pursuit but were captured by the army.

Meanwhile, Doc Magnus confronts his kidnapper – it is Plutonium Man disguised as Doc Magnus! The evil robot explains how he came back to life after his previous battle with the Metal Men – he was able to split himself in two, causing his physical bodies to be below critical mass and reform. One robot retained Plutonium Man’s abilities, the other a drone who could change into any elemental robot. The robot harassed the army base, ensuring the soldiers would blame and attack the Metal Men when they were found!

Because of its rising radiation due to his hatred of Magnus, Plutonium Man unintentionally destroys the cash in the safe!  The Metal Men and the army burst into PM’s hideout and attack! PM turns his drone into Liquid Helium who immediately freezes the soldiers and destroys Platinum. Plutonium Man destroys Lead, as Doc realizes that PM is headed for a chain reaction.

Lead covers the drone and melts it into slag – destroying it in much the same way Platinum destroyed PM back in issue 45. Gold flings Plutonium Man into a glacial fissure that seals itself shut due to PM’s excessive heat. It causes a massive earthquake, crushing the evil robot.

***

The letter column contains the mini-soapbox found in all of Conway’s Corner comics in summer/fall of 1976 asking for ideas and suggestions (how I longed for a team-up between Kobra and Kamandi!).

The letters on the Metal Men revival were very positive!

***

Hmm, was this a fill-in issue? It filled some of the holes left from the story arc from its final first-run issues. The only thing left was Magnus’ money.

I love the work of Gerry Conway. I do. In this storyline of the Metal Men conflict and eventual rapprochement with the army was excellent; but the Plutonium Man portion was … not. The science was silly and baseless. Oh, I know these are comic books and not a JPL thesis, but Gerry is better than this. PM’s return and his ability to control his drone isn’t even Star Trek-ish mumbo jumbo. Gerry doesn’t just make up science and hope we don’t giggle or roll our eyes.

I love the work of Walt Simonson. I do. Both he and Gerry Conway would be on the first inductees in any Comic Book Hall of Fame – on the first ballot (well, maybe behind Kirby and Kubert, but I think even THEY would agree with that…). But the art here was rough – even for Simonson’s gritty style.  Was this a rushed fill-in issue? Should I ever meet either artist, I … well, I wouldn’t waste my time discussing THIS issue, I would be gushing about the exemplary work they have done elsewhere…

Even Babe Ruth struck out a few times…

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

The Bronze Age: Metal Men 46

Behold!

Bronze age

Metal Men #46. July 1976

“The Chemo Conspiracy”

Cover: Dick Giordano; Editor: Gerry Conway

Writer: Gerry Conway; Penciler/Inker/Letterer: Walt Simonson; Colorist: Carl Gafford

The rebuilt Metal Men try to find Doc Magnus’ cash store received when Magnus blackmailed the world in his evil phase, but the hiding place was empty. Magnus eventually joins the search and finds a chemical trail leading away from the hiding place. The trail leads to the home of the two keepers of the vault who once worked for Magnus and the vault’s guard – Chemo!

Meanwhile, in Washington DC, someone claiming to be Doc Magnus destroys a mugger …

The Metal Men attach Chemo! They drill through his ankle to drain the monster of his chemical innerds and then smash his glass exterior. Gold, Lead and Mercury give their artificial lives to achieve their victory.

***

There are still a few loose ends to clean up in the Metal Men’s strange late-silver-age continuity. Gerry mops it up while re-introducing one of the MM’s popular villains. Add that it is defeated simply by draining it and smashing its glass container. Except for the environmental disaster that would result, it seems a pretty simple way to get rid of it!

Metal Men was probably not the best-selling comic in DC’s stable. Would it not have benefitted a little by being one of the “DC Salutes the Bicentennial” comics – in which one stripped off the special cigar-band logo to win a precious Superman belt buckle?  Well, it couldn’t have hurt anyway …

Once again the art and story fit perfectly with the mood of the book. The Metal Men are still finding their way in this revived continuity – they are no longer hunted and Doc is on their side, a complete reversal from prior issues. And their personalities are coming back: Lead is slow, Mercury is argumentative, Gold is the leader and Iron his (near) invincible back-up. Tin is meek and Platinum is hot.  The fun of the comic continues!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #45, May 1976: Welcome Back!

Behold!

Bronze age

Metal Men #45, May 1976

“Evil is in the Eye of the Beholder”

Cover: Dick Giordano; Editor: Gerry Conway

Writer: Steve Skeates; Penciler/Inker/Colorist: Walt Simonson

The Metal Men tour the country’s colleges displaying their powers. This allows new readers some exposition as to who the Metal Men are. Doc Magnus, meanwhile, is held for mental examination after being rescued from Karnia.

To aid in his recuperation, the Feds allow Doc time and equipment to make another Metal Man. He creates Plutonium Man. PM escapes and leaves a trail of mayhem behind. A Karnian spy is exposed among Magnus’ keepers. Magnus and the surviving military hunt down Plutonium Man.

But the Metal Men get their first. Despite all their efforts, nothing works and member after member meet their doom … until Platinum wraps herself around Plutonium Man to cause a mini-China Syndrome, destroying them both.

Magnus, seemingly all better, vows to rebuild the Metal Men.

***

Metal Men’s history by this point is very strange, stranger than you expect from this group: even Gerry Conway admitted so in the letter column. And if the man who brought you Conway’s Corner’s stable of comic books thinks something is strange …

In brief: by 1968 the original Metal Men creative team moved on to other things and the new team made the Metal Men fugitives from justice and hunted by the law. The robots created secret human identities and fought supernatural enemies. Doc Magnus was kidnapped by the dictator of Karnia and brainwashed to evil and hatred as to his creations. The comic ended with a cliffhanger, of sorts, with #42, January 1970.

Three reprint issues in 1973 failed to gain traction. The magazine was revived again in 1976 with this issue.

Rather than start anew, this new creative team wrapped up the storyline from six years before. Perhaps they should have restarted the comic and pretend 1968 – 1970 never happened! If only because it gives the series an awkward grittiness.

But if this comics’ creators insist on grittiness, it picked the perfect team. Walt Simonson’s art (his first DC work since Manhunter) fits in perfectly. His workman-like style is instantly recognizable even at this “early on” stage. It fits well.

And Gerry Conway’s obvious love for the characters is evident. He does a Red Adair-like job of putting out the continuity fires and inevitable clean-up!

Welcome back, guys!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!