CW’s The Flash: “O Come, All Ye Faithful” Introduces Weather Witch

Thanks to https://comicbook.com/dc/2018/11/15/the-flash-season-5-episode-7-photos-cicada-weather-witch/ for the story!

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Isis #6. September 1977.

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“The Ominous Ooze”

Cover Artists: Rich Buckler & Vince Colletta

Writer: Jack C Harris; Penciler: Mike Vosburg

Inker: Vince Colletta; Letterer: Ben Oda

Editor: Dennis O’Neil; Executive Editor: Joe Orlando

From DC Wikia:

A unit of the Egyptian Army is on the march. From the air, the Mighty Isis magically stops their tanks and lands before their commander. She tells him that she will not allow them to take human lives. Suddenly, a purple, malodorous Ooze moves over the desert sands. Isis uses the sand to lift her into the sky as she tries to think of a way to destroy the Ooze. She watches in horror as the Ooze digests a camel. Then, the Ooze disappears, leaving a puzzled Isis to ponder that, since this defies the laws of science, what would Andrea Thomas do in a situation like this.

Back in the United States, Rick begins his search for Andrea and drives to the home of Andrea’s mother in Missouri. The target of Rick’s search is flying over the trail of destruction left by the Ooze, which ends in an abandoned oil field. She lands and confronts Mister Emal, the creator of the Ooze. He orders his henchmen to release it, but the Ooze machine runs out of its plutonium fuel. They pull out their guns to kill Isis, but the local military General, Abdel, orders them not to. Isis warns that she will keep a close watch on them, then flies away.

Rick arrives in Fairfax, Missouri and meets Viola Thomas, Andrea’s mother. He tells her that Andrea is missing and asks where she might be. At the same time, Dr. David Munch, who works for General Abdel, drives to a top secret government research lab to sneak out the fuel for a large scale version of the Ooze machine. Isis locates Abdel and Emal and hitches a ride on their airplane to the USA. In overhearing their plans for their Ooze Machine, she learns that their destination is Fairfax, Missouri, where Andrea’s mother lives. Isis leaves the plane and flies to Fairfax.

After landing, Isis changes back into Andrea to explain to her mother that she wants to remain as Isis forever. She spots Rick there and waits for him to go away. In a nearby clearing, Abdel, Emal and Munch start up the full-size Ooze Machine. As it begins to digest the trees and grass in the clearing, the Ooze engulfs the machine and flows out of control. Rick is about to leave when Andrea’s mother spots the approaching Ooze.

Andrea becomes The Mighty Isis and takes to the air. She tries to destroy the Ooze by removing the ground moisture and by using solar heat, but to no avail. The Ooze now catches up with its creators. Isis tries to rescue them but arrives too late. Now it goes after Rick and Mrs. Thomas. As Isis rescues them, she realizes that the Ooze feeds on organic matter. Remove it and the Ooze should die. As Isis separates the ground, the Ooze digests the remaining matter on it and dies. After Isis replaces the ground, Rick asks her why she just happens to be in Missouri. When she replies that she is where she is needed, Rick demands that she explain the connection between her and Andrea. Andrea’s mother asks Isis if she knows where her daughter is. She replies, “I cannot tell you the location of your child”. As she takes to the air, Rick begins to wonder if Isis has kidnapped Andrea.

***

The letter column still has positive letters and Cary Burkett hints at a visit in the book by Captain Marvel! They also promise they will pin down Isis’ powers and origin, as promised in the final panel blurb – next issue, the Origin of Isis!

***

Mike Vosburg’s art is a mixed bag here – honestly as much as I love his work he is an acquired taste. But look at this beautiful full-page spread …Isis 6 page

Other pages, however, appear rushed and sketchy.

So Andrea is not gone for good, but the comic certainly goes into a direction far from the television series, which by now is in its final months of summer reruns. Perhaps the sales reflected this and the editors allowed Mr. Harris to do what he wished with the characters – add romance, make Isis a little more arrogant, etc. I wish they would have had more time to develop these ideas.

But the end is coming…

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

RIP Stan Lee … thank you for (literally) everything!

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Yesterday we lost a giant in the comic book industry – indeed the entertainment industry. Stan Lee passed away at the age of 95. Love him or dislike him, his impact on comic books cannot be understated.

Mike Barnes of the Hollywood Reporter wrote a superb article about his life (with contributions by Duane Byrge and Borys Kit): https://www.hollywoodreporter.com/heat-vision/stan-lee-dead-marvel-comics-real-life-superhero-was-95-721450

Stan Lee, the legendary writer, editor and publisher of Marvel Comics whose fantabulous but flawed creations made him a real-life superhero to comic book lovers everywhere, has died. He was 95.

Lee, who began in the business in 1939 and created or co-created Black Panther, Spider-Man, the X-Men, the Mighty Thor, Iron Man, the Fantastic Four, the Incredible Hulk, Daredevil and Ant-Man, among countless other characters, died early Monday morning at Cedars-Sinai Medical Center in Los Angeles, a family representative told The Hollywood Reporter.

Kirk Schenck, an attorney for Lee’s daughter, J.C. Lee, also confirmed his death.

Lee’s final few years were tumultuous. After Joan, his wife of 69 years, died in July 2017, he sued executives at POW! Entertainment — a company he founded in 2001 to develop film, TV and video game properties — for $1 billion alleging fraud, then abruptly dropped the suit weeks later. He also sued his ex-business manager and filed for a restraining order against a man who had been handling his affairs. (Lee’s estate is estimated to be worth as much as $70 million.) And in June 2018, it was revealed that the Los Angeles Police Department had been investigating reports of elder abuse against him.

On his own and through his work with frequent artist-writer collaborators Jack Kirby, Steve Ditko and others, Lee catapulted Marvel from a tiny venture into the world’s No. 1 publisher of comic books and, later, a multimedia giant.

In 2009, The Walt Disney Co. bought Marvel Entertainment for $4 billion, and most of the top-grossing superhero films of all time — led by Avengers: Infinity War’s $2.05 billion worldwide take earlier this year — have featured Marvel characters.

“I used to think what I did was not very important,” he told the Chicago Tribune in April 2014. “People are building bridges and engaging in medical research, and here I was doing stories about fictional people who do extraordinary, crazy things and wear costumes. But I suppose I have come to realize that entertainment is not easily dismissed.”

Lee’s fame and influence as the face and figurehead of Marvel, even in his nonagenarian years, remained considerable.

“Stan Lee was as extraordinary as the characters he created,” Disney chairman and CEO Bob Iger said in a statement. “A superhero in his own right to Marvel fans around the world, Stan had the power to inspire, to entertain and to connect. The scale of his imagination was only exceeded by the size of his heart.”

Marvel Studios president Kevin Feige also paid tribute. “No one has had more of an impact on my career and everything we do at Marvel Studios than Stan Lee,” Feige said. “Stan leaves an extraordinary legacy that will outlive us all. Our thoughts are with his daughter, his family and the millions of fans who have been forever touched by Stan’s genius, charisma and heart.”

Beginning in the 1960s, the irrepressible and feisty Lee punched up his Marvel superheroes with personality, not just power. Until then, comic book headliners like those of DC Comics were square and well-adjusted, but his heroes had human foibles and hang-ups; Peter Parker/Spider-Man, for example, fretted about his dandruff and was confused about dating. The evildoers were a mess of psychological complexity.

“His stories taught me that even superheroes like Spider-Man and the Incredible Hulk have ego deficiencies and girl problems and do not live in their macho fantasies 24 hours a day,” Gene Simmons of Kiss said in a 1979 interview. “Through the honesty of guys like Spider-Man, I learned about the shades of gray in human nature.”

(Kiss made it to the Marvel pages, and Lee had Simmons bleed into a vat of ink so the publisher could say the issues were printed with his blood.)

The Manhattan-born Lee wrote, art-directed and edited most of Marvel’s series and newspaper strips. He also penned a monthly comics column, “Stan’s Soapbox,” signing off with his signature phrase, “Excelsior!”

His way of doing things at Marvel was to brainstorm a story with an artist, then write a synopsis. After the artist drew the story panels, Lee filled in the word balloons and captions. The process became known as “The Marvel Method.”

Lee collaborated with artist-writer Kirby on the Fantastic Four, Hulk, Iron Man, Thor, Silver Surfer and X-Men. With artist-writer Ditko he created Spider-Man and the surgeon Doctor Strange, and with artist Bill Everett came up with the blind superhero Daredevil.

Such collaborations sometimes led to credit disputes: Lee and Ditko reportedly engaged in bitter fights, and both receive writing credit on the Spider-Man movies and TV shows. “I don’t want anyone to think I treated Kirby or Ditko unfairly,” he told Playboy magazine in April 2014. “I think we had a wonderful relationship. Their talent was incredible. But the things they wanted weren’t in my power to give them.”

Like any Marvel employee, Lee had no rights to the characters he helped create and received no royalties.

In the 1970s, Lee importantly helped push the boundaries on censorship in comics, delving into serious and topical subject matter in a medium that had become mindless, kid-friendly entertainment.

In 1954, the publication of psychologist Frederic Wertham’s book Seduction of the Innocent had spurred calls for the government to regulate violence, sex, drug use, questioning of public authority figures, etc., in the comics as a way to curtail “juvenile delinquency.” Wary publishers headed that off by forming the Comics Code Authority, a self-censoring body that while avoiding the heavy hand of Washington still wound up neutering adult interest in comics and stereotyping the medium as one only kids would enjoy.

Lee scripted banal scenarios with characters like Nellie the Nurse and Tessie the Typist, but in 1971, he inserted an anti-drug storyline into “The Amazing Spider-Man” in which Peter Parker’s best friend Harry Osborn popped pills. Those issues, which did not carry the CCA “seal of approval” on the covers, became extremely popular, and later, the organization relaxed some of its guidelines.

Born Stanley Martin Lieber on Dec. 28, 1922, he grew up poor in Washington Heights, where his father, a Romanian immigrant, was a dress-cutter. A lover of adventure books and Errol Flynn movies, Lee graduated from DeWitt Clinton High School, joined the WPA Federal Theatre Project, where he appeared in a few stage shows, and wrote obituaries.

In 1939, Lee got a job as a gofer for $8 a week at Marvel predecessor Timely Comics. Two years later, for Kirby and Joe Simon’s Captain America No. 3, he wrote a two-page story titled “The Traitor’s Revenge!” that was used as text filler to qualify the company for the inexpensive magazine mailing rate. He used the pen name Stan Lee.

He was named interim editor at 19 by publisher Martin Goodman when the previous editor quit. In 1942, he enlisted in the Army and served in the Signal Corps, where he wrote manuals and training films with a group that included Oscar-winner Frank Capra, Pulitzer-winner William Saroyan and Theodor Geisel (aka Dr. Seuss). After the war, he returned to the publisher and served as the editor for decades.

Following DC Comics’ lead with the Justice League, Lee and Kirby in November 1961 launched their own superhero team, the Fantastic Four, for the newly renamed Marvel Comics, and Hulk, Spider-Man, Doctor Strange, Daredevil and X-Men soon followed. The Avengers launched as its own title in September 1963.

Perhaps not surprisingly, Manhattan’s high-literary culture vultures did not bestow its approval on how Lee was making a living. People would “avoid me like I had the plague. … Today, it’s so different,” he once told The Washington Post.

Not everyone felt the same way, though. Lee recalled once being visiting in his New York office by Federico Fellini, who wanted to talk about nothing but Spider-Man.

In 1972, Lee was named publisher and relinquished the Marvel editorial reins to spend all his time promoting the company. He moved to Los Angeles in 1980 to set up an animation studio and to build relationships in Hollywood. Lee purchased a home overlooking the Sunset Strip that was once owned by Jack Benny’s announcer, Don Wilson.

Long before his Marvel characters made it to the movies, they appeared on television. An animated Spider-Man show (with a memorable theme song composed by Oscar winner Paul Francis Webster, of “The Shadow of Your Smile” fame, and Bob Harris) ran on ABC from 1967 to 1970. Bill Bixby played Dr. David Banner, who turns into a green monster (Lou Ferrigno) when he gets agitated, in the 1977-82 CBS drama The Incredible Hulk. And Pamela Anderson provided the voice of Stripperella, a risque animated Spike TV series that Lee wrote for in 2003-04.

Lee launched the internet-based Stan Lee Media in 1998, and the superhero creation, production and marketing studio went public a year later. However, when investigators uncovered illegal stock manipulation by his partners, the company filed for Chapter 11 bankruptcy protection in 2001. (Lee was never charged.)

In 2002, Lee published an autobiography, Excelsior! The Amazing Life of Stan Lee.

Survivors include his daughter and younger brother Larry Lieber, a writer and artist for Marvel. Another daughter, Jan, died in infancy. His wife, Joan, was a hat model whom he married in 1947.

“J.C. Lee and all of Stan Lee’s friends and colleagues want to thank all of his fans and well-wishers for their kind words and condolences,” a family statement read. “Stan was an icon in his field. His fans loved him and his desire to interact with them. He loved his fans and treated them with the same respect and love they gave him.”

“He worked tirelessly his whole life creating great characters for the world to enjoy. He wanted to inspire our imagination and for us to all use it to make the world a better place. His legacy will live on forever.”

Like Alfred Hitchcock before him, the never-bashful Lee appeared in cameos in the Marvel movies, shown avoiding falling concrete, watering his lawn, delivering the mail, crashing a wedding, playing a security guard, etc.

In Spider-Man 3 (2007), he chats with Tobey Maguire’s Peter Parker as they stop on a Times Square street to read news that the web-slinger will soon receive the key to the city. “You know,” he says, “I guess one person can make a difference … ’nuff said.”

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Shazam #30. August, 1977

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“Captain Marvel Fights the Man of Steel”

Cover Artist: Kurt Shaffenberger

Writer: E. Nelson Bridwell, Penciler: Kurt Schaffenberger

Inker: Vince Colletta; Colorist: Jerry Serpe, Letterer: Ben Oda

Editor: Joe Orlando

From DC Wikia:

Billy Batson and Uncle Dudley travel to Ft. Pitt in Pittsburgh, where they discover that Doctor Sivana broke into the facility and stole a copy of a DC Comics comic book. In his hidden lair, Sivana reads about the adventures of Superman and decides to create his own Man of Steel. He produces a robotic brain and then dumps it into a smelting vat at a local steel factory. The molten metal forms around the robotic brain, taking the form of an old folk hero, Joe Magarac.

As Joe Magarac begins sabotaging the steelworks, Billy Batson changes into a Captain Marvel and confronts him. He punches him through the ceiling, but Magarac comes back and later captures the hero while he is in his human guise of Billy Batson. Sivana has Magarac place a metal gag across Billy’s mouth, but Billy manages to trick Joe Magarac into removing it, thereby allowing him to transform back into Captain Marvel (Actually he wrote a note calling Magarac a big ape, Magarac nearly breaks Billy’s jaw punching him and knocking off the gag).

Cap defeats Magarac, but Sivana creates steel animals to destroy ever steel mill in the area!

Captain Marvel uses the eterni-phone to consult with the elders. The spirit of Atlas informs Marvel that he will need the aid of the entire Marvel Family to stop Sivana’s scheme. Captain Marvel flies across the country and rounds up Captain Marvel, Jr., Mary Marvel and the Lieutenant Marvels. They all return to Pittsburgh and shatter the steels animals. Captain Marvel has one final showdown with a steel Superman, defeats him and apprehends Sivana.  Seems the Superman of Steel was made of a special formula created by Sivana. This super-steel will help him rule the world! Fortunately for the world, Captain Marvel snatches the formula from Sivana’s hands to be used for good …

***

The letter columns were all positive – still praising the new format and the return of Black Adam – who has over the past forty years been the most durable of Captain Marvel’s villains!

***

I still have my original copy of this comic – I was enthralled with it! Superman appears – kind of … and I learned about Joe Magarac, a folk hero I had never heard of! In these days of the internet, Magarac research is made easy – Google it!

Shazam 30 magarac

Per my research, and I might be wrong, this is the first appearance of the Lieutenant Marvels since the Golden Age (flashbacks and cameo panels aside). Of course, they were retconned out with the Crisis…). It took me well into the 1990s to get “Hill Billy”.Shazam 30 page

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

The 400th issue of … everything! My 400th blog!

This is my 400th blog. Not a big deal to people who blog everyday – they would hit 400 by the second month of their second year. My 300th blog was two years ago.

The 400th issue (or any anniversary issue) was a big deal in comic books, too. It’s a chance to celebrate an anniversary with a special issue (and increased sales) featuring the end of an epic story arc – or the beginning of one. It could be the final issue and/or debut – or a new creative team or character.

Note I say “was”. The last #400 was seven years ago; and in this age of reboots and renumberings we may not see another #400 for decades!

Getting to #400 takes time. If published monthly, a comic book would reach its 400th issue in 33 years.

I honestly believed I found all of them – American comics only of course … let me know if I missed any. Enjoy!

***

As with my 300th blog, the only golden age comic to reach #400 was 4 Color Comics, from 1952.

4 Color printed several comics per month, sometimes weekly and at times even six per month! #300 was published in 1950, #400 in 1952. One hundred issues in two years…

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The Silver Age (roughly 1955 – 1970) had NO 400th issue of any comic!

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The Bronze Age (1970 – 1986) had its share of 400th issues. By this time the most popular comics were reaching their 30+ years of existence … starting with two of the longest-running comics at the time …

Adventure Comics from 1970 – the Legion of Super-Heroes long gone and the comic dedicated to solo Supergirl stories.

Detective Comics also from 1970 with superb art by Neal Adams and this issue featuring the debut of Man-Bat!

The Man of Steel book-ended the Bronze Age with two of his starring comics …

Action Comics was from 1971 and Superman was published in 1984.

The other 400s from DC in the late-Bronze Age were …

Batman (nor surprisingly) from 1986 and Sgt. Rock (not surprisingly to Silver or Bronze Age fans – DC’s war comics were very popular) in 1985.

WDC&SThe only other Bronze Age #400 was not from the Big Two nor was it a superhero comic: It was from 1974 …

 

 

 

 

 

 

 

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The rest of the 400s belong to the Modern Age (or whatever one wishes to call the period(s) after 1986.

Speaking of DUncle scroogeisney, other than WDC&S, only Uncle Scrooge reached #400, not Mickey Mouse, not Donald Duck… Most Disney comics were published by multiple companies over the years, but only Uncle Scrooge kept its numbering intact.

From 2011:

 

 

 

 

 

Only two other publishers (other than DC or Marvel) had comics reaching #400, including one of the longest running series of all time … from 1990.

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The other was Archie Comics …

Pep from 1985, Laugh from 1987 and Archie from 1992

This was Laugh’s last issue … he who Laugh’s last … and Pep Comics would only have 11 more issues to go before cancellation.

The rest of the 400s belong to Marvel.

Uncanny X-Men – 2001, Thor – 1989, Amazing Spider-Man – 1995, Incredible Hulk – 1992,  Fantastic Four – 1995, Captain America – 1992, Avengers – 1996

***

See you at 500!

Special thanks to Lone Star Comics for searching their data base and using their photos!

Michael Curry

 

 

Hercules Unbound #9, March 1977

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“Finale”

Cover: Walt Simonson, Editor: Joe Orlando

Writer: David Michelinie; Pencilers: Walt Simonson & Bob Layton, Inker: Bob Layton

Story Editor: Denny O’Neil

Dave Rigg and his plastic robots fight Hercules, Kevin, Jennifer and their female-android army. Rigg dispatches Jennifer and the robots but Herc and Kevin (and faithful dog Basil) go deeper into the compound. Jennifer awakes among the android rubble and escapes a seemingly comatose Rigg.

Miss Agatha Simms senses their defeat and brings forward a simulacrum of the Enola Gay and its payload – the first atomic bomb – to defeat her enemy!

Working their way back to the control room – Hercules and Kevin see Riggs confronting the real enemy. I’ll use his words: He is the “representation of the Simms Analogue Data Energizer – the most advanced computer defense system ever devised and I have been under unprovoked and ever-escalating attack for the last several weeks.” Nuclear retaliation is inevitable, it says, but because of a fail-safe in its programming, only a human can launch his nuclear weapons. It destroys the Enola Gay and forces Rigg to launch its nuclear missiles. Hercules is too late to stop them!

Jennifer, lost in the compound, decides to smash some equipment. Unknowingly, she overloads Rigg’s system and releases him from SADE’s clutches! She finds an auto-destruct button and activates it before running out of the Command Center where she finds Hercules, Kevin and Dave.  They escape on Simm’s fleet before the auto-destruct hits the nuclear stockpile.

Simms, meanwhile, diverts the nuclear missile fired upon her back in time. Not far, just to October 1986, somewhere in Greece. Now on to curing Kevin’s eye sight.

Kevin refuses to let the witch touch him! He reminds Hercules of how World War III started – with a nuclear attack in Greece in October of 1986!

***

The letters page announces that Cary Bates will assume scripting duties next issue.

***

Simonson takes command of the art here, although it is not his usual beefy style. This is because he did only the layout and Bob Layton did most of the details and inks. Great job regardless. Jennifer is as beautiful as she was under Wally Wood’s inks (and that is saying something).  Plus, dig this full-page explosion of SADE’s island. WOW!Hercules Unbound 9 illo

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About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #6, February 1977

“The Crack-in-the-World Conspiracy”

Cover Artists: Michael Netzer, Joe Rubinstein, Tatjana Wood

Writer: Martin Pasko

Penciler: Michael Netzer, Inker: Joe Rubinstein

Colorist: Liz Berube, Letterer: Ben Oda

Story Editor: Paul Levitz, Managing Editor: Joe Orlando

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Jonny Double uses the glass shards of his wrist watch to cut the ropes binding him to the Golden Gate Bridge. He engages Kobra, knocks off his wrist weapon-unit, and is flung with him over the bridge! Kobra uses his teleportation ray to safely get back to the Ark. Double climbs back on the Bridge and retrieves Kobra’s wrist weapon-unit to stop the earthquake-causing mechanism.

Meanwhile, all the passengers on Jason Burr’s plane – which is crashing in Oregon – disappear! Kobra appears on the plane and tosses an envelope to Burr containing a lock of Melissa’s hair. Kobra advises Burr he shall not make it to his meeting with Double in San Francisco.

But Randu Singh DOES make it to Double’s office. They discuss their missing friend and meet Professor Ross Emerson – electronics expert – who examines Kobra’s wrist weapon-unit.

Disguised as Kobra henchmen, Double and Singh return to Kobra’s computer bank he visited in the previous issue to discover why Kobra forced the earthquake. Kobra catches them mid-hack and engulfs the room with poison gas as Kobra’s goons invade to finish them off. With the help of the wrist weapon-unit, Double kills the Kobra agents allowing Singh to retrieve computer tapes. They escape out the window.

Jason Burr lies unconscious in the airplane – which, to the amazement of the two pilots, landed safely on an Oregon lake.

Double and Singh discover Kobra’s plan – using the earthquake to damage global communications cable. Disguised as repairmen, Kobra’s men will “repair” the cables and plant a “bug” – effectively tapping the entire world! The find and board Kobra’s Ark, hidden in the Bay.

Kobra blinds Singh and engages Double. Double shoots at Kobra with the wrist weapon-unit – who was aghast that Double had his weapon. His one error in calculation …

Double shoots and shoots at the Ark, finally causing it to explode in mid-air! Singh cries out – with Kobra dead, so is Jason Burr!

The Coast Guard investigate the explosion and then report that the telephone company will repair the cables near the explosion tomorrow. One of the officer’s hand-held radios is marked with a cobra-symbol.

To be continued!

***

The letter page announces this as Rich Buckler’s second appearance as artist in this issue. He wasn’t the artist.

Also, Double and Singh escape Kobra’s computer room by jumping out the window. Window? In last issue the computer room was in a sub-basement … oops!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!