The Back Pages: The Human Target (part 1)

The Back Pages: back-up features of the Bronze Age of comic books:

419

The Human Target

From Wikipedia: “Christopher Chance, first appears in Action Comics #419 (December 1972), and was created by Len Wein and Carmine Infantino. This character, a private investigator and bodyguard who assumes the identities of clients targeted by assassins and other dangerous criminals …”

In the Bronze Age he appeared in Action Comics, Brave & Bold, Detective Comics and Batman. He was given a one-shot comic based on the 1991 TV show, and a six-issue miniseries based on the woefully ignored 2010 TV show. A Vertigo imprint title ran for 21 issues and a Special.

***

action 419

Action Comics #419. December 1972.

“The Assassin-Express Contract!”

Writer: Len Wein, Penciler: Carmine Infantino

Inker: Dick Giordano, Editor: Julius Schwartz

From DC Wiki: “Christopher Chance practices his skills on a private sound-proofed shooting range inside his Boston apartment. His close friend Luigi brings in a Mr. Smithers who wants to hire the Human Target for a case. Smithers works for Horizon Chemical Corporation and has accidentally hired a killer to murder his boss T.C. Newman, although he only intended to engage in some industrial espionage. He is hiring the Human Target to get the murder off his conscience. Chance takes the executives place on a train to California where he knows the assassin will strike, and figures out that his assailant is posing as the conductor. After dealing with a bomb in his compartment, he gives chase to the man and they end up fighting on the top of the car. Chance activates the emergency break with a gadget in his cufflink, and the hitman goes flying off to his death. Later, Smithers is relieved that they were successful, but he also loses his job when his boss discovers what happened.”

Infantino’s art, sometimes an acquired taste, is fantastic here! Giordano smooths the sharp edges for which Infantino’s art is most criticized. And the story sets the stage for future Human Target stories. A great beginning!

Plus this story has the honor of being reprinted in the special edition of Action Comics #1000!

***

Action 420

Action Comics #420. January 1973.

“The King of the Jungle Contract!”

Writer: Len Wein, Penciler/Inker: Dick Giordano, Editor: Julius Schwartz

From DC Wiki: “Christopher Chance is hired by famous hunter Gunther King, who believes that his rival Ernest Holoway is trying to kill him. The Human Target travels around disguised as King on safari in Kenya, dealing with traps that have been set for him. After fighting a lion and a buffalo, he gets into a gunfight with the hidden Holoway, but King steps in and apparently kills his nemesis before he can shoot Chris. Chance examines the body and realizes that Holoway had been murdered beforehand, the whole thing was an elaborate plot for King to get rid of his competition. The two men struggle, and Gunther King fires his muddy rifle which explodes into his face. The hunter falls backwards into a river, and his body washes away.”

***

Action 422

Action Comics #422. March 1973.

“The Shadows-of-Yesterday Contract!”

Writer: Len Wein, Penciler/Inker: Dick Giordano, Editor: Julius Schwartz

From DC Wikia: Christopher Chance takes on Hyram Walsh as his client, a man who is being pursued by a ruthless killer with ties to Chance’s past. The assassin is the same man who killed Chance’s father. He takes on the case for nothing because the man can’t pay, and reflects on his origins.

Many years ago, when Christopher was a young child, his father Philip Chance struggled to provide for his family. In his desperation, he took out a loan from local gangster Amos Sharkey to invest in the stock market, but lost it all and was unable to pay. To send a message to others who couldn’t settle their debts, Sharkey sent a hitman named Dancer to kill him. One night while the two were walking home from school, they were cornered by Dancer in an alleyway. Chris leapt to defend his father, but was swept aside. His father sobbed and begged for his life, but was shot without hesitation. Strengthened by his own rage, Christopher tackled the murderer to the ground and nearly choked him to death before police sirens came. On his deathbed, Philip Chance told his son that he had to make something of himself, and be successful, like his dad never could. Christopher Chance watched his father die before his own eyes, and felt terrible that he couldn’t save him. He swore that as long as he could prevent it, nobody would ever have to suffer that kind of fear and humiliation again. That night, something changed inside of him, and he found himself completely unable to experience fear. He spent the rest of his life training himself to the peak of physical perfection, preparing himself for the dangerous path that lay ahead. Christopher Chance would become the Human Target.

(The flashback about Chance’s origins is reprinted as part of another Human Target story in Brave and the Bold #143 featuring another appearance by Amos Sharkey.)

The annual statement says that issues of Action Comics were selling around 542,000 copies!

The Human Target’s other Action Comics appearances are detailed here.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

DC Comics Right in your Mailbox!!

DC COMICS RIGHT IN YOUR MAILBOX!!

Over the July 4th weekend I binge-read DC’s “Ghosts” (don’t judge). I came across the house ads asking readers to subscribe to their favorite issues.
I noticed something.
I had seen it before in my comics from the early 1970s, but since I had a stack of comics ranging over a seven year period, I decided to compare the ads.
Each comic had a number. Action Comics, for example, was #1. And it stayed at #1 through the decade. Say that in a Casey Kasem voice…
Where did the numbers come from? Apparently it was divided into genres and listed alphabetically; except for Forever People and Flash. Perhaps Forever People was just slid into the line-up replacing a comic that started with a D, E or F.
Superman’s titles were first. Those were the single-digit comics.
DC’s other stable of stars made up the tens, starting with Batman (hard as it is to believe in this day and age, Superman outsold Batman for many decades – vastly outsold Batman, in fact…).
Horror titles made up the 30s and love stories were the 40s (how the Shadow snuck into that number scheme …).
War titles were in the 60s and adventure or other the 70s.
Whither the 50s? Was it their comedy or teen line? Titles that they stopped publishing in the 70s like Jerry Lewis, Scooter, Binky and Debbi?

It interested me in my own OCD way. What were the numbers of other comics and why weren’t they listed? Were comics that only lasted two issues (like Man-Bat) given a subscription number at all? Anyone know?

I left some blanks on my numberings to keep Word’s Auto-numbering from making me do more work. I’m lazy that way…
Most of this information is from the ads taken from my “Ghosts binge”. If I took ads from a Google search, I will so note.

February 1972 (Google search):

ad 1972

Comics that were mailed as a subscription from the Silver and Bronze Age are easy to spot in the secondary markets – they were folded in half long-wise before mailing. Collectors still cringe at the idea…

Note these are gathered into sections by genre. The Superman titles are gathered into their own section.

1. Action
2. Adventure
3. Jimmy Olsen
4. Lois Lane
5. Superboy
6. Superman
7. World’s Finest

10. Batman
11. The Brave & the Bold
12. Detective
13. The Forever People
14. Flash
15. Green Lantern
16. Justice League
17. Mister Miracle
18. The New Gods
19. Teen Titans
20. Wonder Woman

30. Ghosts
31. House of Mystery
32. House of Secrets
33. Phantom Stranger
34. The Unexpected
35. Witching Hour

40. Dark Mansion of Forbidden Love
41. Sinister House of Secret Love
45. Falling in Love
46. Girl’s Love Stories
47. Heart Throbs
48. Young Love
49. Young Romance

60. GI Combat
61. Our Army at War
62. Our Fighting Forces
63. Star Spangled War Stories
64. Weird War Tales

70. All Star Western

75. Tarzan
76. Korak

July 1973: The cancellation of Kirby’s Fourth World books accounted for some of the holes. There were also some title changes, but the list is essentially the same. What a selection!
Notice Shazam and Wanted were given single digits to fill in the gaps. However, this was accompanied by an ad for Prez, and Prez himself is making the offer in the ad. Prez the comic book is not available as a subscription.

SAMSUNG CAMERA PICTURES

1. Action
2. Adventure
3. Jimmy Olsen
4. Lois Lane
5. Superboy
6. Superman
7. World’s Finest
8. Wanted
9. Shazam
10. Batman
11. The Brave & the Bold
12. Detective
13.
14. Flash
15.
16. Justice League
17. Mister Miracle

20. Wonder Woman
21. Supergirl
22. Secret Origins

30. Ghosts
31. House of Mystery
32. House of Secrets
33. Phantom Stranger
34. The Unexpected
35. Witching Hour
36. Demon
37. Swamp Thing

40. Forbidden Tales of Dark Mansion (a change in name but not number)
41. Secrets of Sinister House (ditto)
42. Weird Mystery Tales
43. The Shadow
44.
45. Falling in Love
46. Girl’s Love Stories
47. Love Stories (a change in title lasted for six more issues)
48. Young Love
49. Young Romance

60. GI Combat
61. Our Army at War
62. Our Fighting Forces
63. Star Spangled War Stories
64. Weird War Tales

70. Weird Western Tales (Jonah Hex changed the format and title)

75. Tarzan
76. Korak
77. Weird Worlds
78. Kamandi
79. Sword of Sorcery
80. From Beyond the Unknown
81. Strange Adventures
March 1974: Note the ad says the 100-pagers are wrapped flat. It presumes the other ones are still folded.

SAMSUNG CAMERA PICTURES

1. Action

2. Adventure
3. Superman Family
4. .
5. Superboy
6. Superman
7. World’s Finest
8.
9. Shazam
10. Batman
11. The Brave & the Bold
12. Detective
13.
14. Flash
15.
16. Justice League
17.
18.

20. Wonder Woman

30. Ghosts
31. House of Mystery
32. House of Secrets
33. Phantom Stranger
34. The Unexpected
35. Witching Hour
36. .
37. Swamp Thing

42. Weird Mystery Tales

60. GI Combat
61. Our Army at War
62. Our Fighting Forces
63. Star Spangled War Stories
64. Weird War Tales

75. Tarzan

78. Kamandi

Where was Weird Western Tales?

February 1976: the subscription ad only offered 16 comics, but the numbering is unchanged. And note the old-fashioned-even-at-the-time illustrations of the Caped Crusaders; I’ll bet they are over a decade old at this point.

SAMSUNG CAMERA PICTURES

1. Action
3. Superman Family
6. Superman
7. World’s Finest
8.
9. Shazam
10. Batman
11. The Brave & the Bold
12. Detective
13.
14.
15.
16. Justice League
17.
18.

31. House of Mystery
32. House of Secrets
33.
34. The Unexpected
35. Witching Hour

48. Young Love

61. Our Army at War

75. Tarzan

Why just these 16 comics? There were dozens more being published – the war comics from the 1973 and 1974 lists were still being published, as were Weird Western Tales and, at this time (early in the year) the six “Adventure Line” comics.

December 1978: Just after the massive DC Explosion guaranteed DC’s place of dominance in the comic book field (who’s giggling?) Note some of the new titles – Warlord, the excellent Men of War. Interestingly, Superfriends – with its notable inclusion of Superman – was given #8, replacing Wanted. Note also the lack of Detective Comics as a choice. At the time, it was facing the chopping block of cancellation!

(from a Google search)

SAMSUNG CAMERA PICTURES

1. Action
5. Superboy/Legion (note the addition of the Legion)
6. Superman
8. Superfriends
10. Batman
11. Brave and Bold
14. Flash
16. Justice League
18. Green Lantern (by now GL is back but given #18 instead of its old #15)
20. Wonder Woman
22. DC Comics Presents
30. Ghosts
31. House of Mystery
34. The Unexpected
35. The Witching Hour
44. Secrets of Haunted House
45. Jonah Hex
61. Sgt. Rock (renamed from “Our Army At War” but with the same number)
62. Our Fighting Forces
63. Unknown Soldier (renamed from “Star Spangled War Stories”, same number)
64. Weird War Tales
66. Men of War
69. Warlord
70. Weird Western Tales (this title’s first appearance in a subscription ad in many years)

The Dollar Comics were listed separately …

2. Adventure Comics
3. Superman Family
7. World’s Finest
52. Batman Family
60. GI Combat

So … where are all the titles from the DC Explosion … ? What did they know that we didn’t? Well, at least what did we not know for another month or two?

I wonder who decided which comics went into the ads. Would it have helped a flailing title to include it? Or would it be too much trouble for the sales department to keep track of subscriptions to cancelled comics?

I found a subscription ad from the 1960s on Google. This was from 1966-1968, as Superhip debuted in 1965 and both Bob Hope and Fox & Crow were cancelled in 1968. Note some of the wonderful comics available – Metal Men, Blackhawk …

ad 1960s

And notice Showcase is no where to be found on any of the ads. Not a one. Why?

I searched a few comics from the 1980s and did not find many subscription ads except for things like this (these are Google-found ads, btw). Note these ads do NOT list comics available from DC, but focus only on one or two specific comics.

superman subscription detective subscription
So maybe subscription numbers was purely a Bronze Age thing …

Original Material copyright 2015 Michael Curry
Artwork and Layout from the ads are copyright their respective holders and used here under the Fair Use Act as commentary and critique.

It’s a bird … it’s a plane … it’s …. a Bicentennial Banner blog!

DC SALUTES THE BICENTENNIAL

#30

Action Comics #461

actioncomics461

Published monthly, thirty cents, July

Cover artist: Bob Oksner

Editor: Julius Schwartz

            Action Comics? Really? You need me to give a background of Action Comics? Okay, okay … Issue # 1 was cover dated April 1938 and featured the debut of that literary iconic trope – the superhero. He was and is called Superman. He was not a masked crime fighter inspired by the pulps like Crimson Avenger, but more in line with the pulp’s Doc Savage or Hugo Danner (the prototype superhero from the novel “Gladiator” by Phillip Wylie) in that he was a perfect human specimen. Only a bursting shell could pierce Superman’s flesh; he was faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound. Look! Up in the sky!

            Rather than a Doc Savage clone, he wore a colorful costume and cape ala the pulp detectives of the day. He was a hybrid of these two styles of hero and transcended them both.

            Superman was on the cover of the first issue (in the iconic pose of his smashing a car to bits) and did not appear on the cover again until #7, and then again not until #10.  But based on the sales of the issues on which he WAS the cover feature, the star of this anthology comic was obvious. After #13 he was on the cover (even if it was just a blurb) on every issue until the 1980s, when it changed to a weekly format.

            Action Comics also saw the debut of Lois Lane and Superman bad guys Lex Luthor, Brainiac and the Parasite as well as other DC/National heroes such as Zatara, Vixen (although she should have debuted in her own comic cancelled in the DC Implosion) and Supergirl.

***

“Kill Me or Leave Me”, Cary Bates ( w ), Curt Swan (a), Tex Blaisdell (i)

            This story is continued from the previous issue and continues in the next, concluding in the issue after that (where Superman, with amnesia, witnesses the signing of the Declaration of Independence – the comic that was actually on the stands on July of 1976 as opposed to the cover date). Still, with a little manipulating it could have had the Bicentennial banner, yes?  I owned the next two issues after this when they were published.

 karb-brak

            Villain Karb-Brak is convinced Steve Lombard is Superman and attacks him. Superman, meanwhile, saves a Senator from flame-thrower-wielding terrorists and hies to the Galaxy Building just in time to save Lombard. They battle.

            As in the previous issue, Superman gets feverish around Karb-Brak, who touches Superman and causes the gym in which they fought to explode! Superman saves Lombard and Karb-Brak. Karb-Brak, in his human identity of Andrew Meda (get it?) walks away.

karbbrak

            Karb-Brak reveals his origin: He is banished from his home planet in the Andromeda galaxy because he is allergic to everyone on the planet – a planet of super-powered beings. But the planet of his exile – earth, obviously – has a being whose powers are similar to his own. When Superman approaches, he becomes allergic. If he does not eliminate Superman, he will die.

            With Lombard no longer on his list of Superman’s secret identity, Karb-Brak goes to suspect #2: Clark Kent. Using his psi-machine, Karb-Brak mentally manipulates Clark’s friends and other citizens of Metropolis into falling in love with Kent. They fawn over him, want pieces of his clothing and treats him like a 1970s rock star. Kent is chased into a park and attacked by Karb-Brak, where Clark accidentally hurts bystanders while protecting his identity. His guilt and concern hold him back as Karb-Brak continues the assault.

            The crowd cheers on Clark Kent – they now realize he really is Superman – and he fights back. The psi-machine worked too well. Karb-Brak returns to his psi-machine to make the public cheer him instead of Kent. Superman knocks out Karb-Brak, and uses the psi-machine to make the public forget his dual identity and the fight in the park.

            Karb-Brak is now too weak to fight Superman and gives him an ultimatum: stay on earth and I die or leave earth forever and let me live – which will you choose, hero, which will you choose?

***

The Toughest Newsboy in Town”, Elliot S! Maggin (w), Curt Swan (a), Tex Blaisdell (i)

            This is a solo Perry White story. Perry was the editor-in-don’t-call-me-chief of the Daily Planet – Clark, Lois and Jimmy’s boss. He first appeared in November 1940 in Superman #7. Before that time, Lois and Clark worked for George Taylor of the Daily Star. The explanation of the switch was never given at the time, but retconned in the 1970s as part of the Earth-One and Earth-Two lore.

            After Easter dinner, Perry’s gathers his four grandchildren to tell them of his amazing exploits.

            In 1934 Perry was hawking papers when a man gave him a quarter for a two cent edition! Perry recognized him as missing toy company heir Victor Larson. Perry followed Larson to his office where he kept a man named Doctor Norton hostage. Victor ran up gambling debts with the mob and is in hiding; Norton has designed an atomic bomb and Larson is trying to torture the plans out of him. Perry jumps through the window and eventually knocks out Larson. Poor Norton dies of a heart attack in the meantime. Perry writes his first story (the atomic bomb angle was nixed) and got a job reporting for the Daily Planet instead of selling it.

            One newspapers headline (partly covered) touts “Giordano wins art …” The editor of this Earth-One Daily Planet was not named in this story – was it George Taylor?

 

 

Superman in Action: letter column for Action Comics #457 (which introduced Pete Ross’ son Jon). Brian Scott of Streator, IL (positive), Mike White of Mackinaw, IL (positive), Mark Schneider of Concord, Mass (negative as to the Superman feature, but positive on the Green Arrow back-up), and Dan Cardenas, San Luis Obispo, CA (positive) contributed.

***

Join me next time for DC’s Bicentennial issue #31: Adventure Comics #446

 

Original Material copyright 2015 Michael Curry

Images used are copyright their respective holders and reproduced here under the “Fair Use” doctrine of 17 USC 106 & 106a for the purposes of criticism and comment.