Kobra #4, September 1976

Behold, the Bronze Age!

bronze-age

“Brother’s Keeper – Brother’s Killer” Written by Martin Pasko, Art by Angel Gabriele. Inker: Lowell Anderson, Colorist: Liz Berube, Letterer: Ben Oda, Editor: Gerry Conway, Assistant Editors: Paul Levitz and Jack C. Harris

Cover by: Joe Kubert

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Kobra 4 house ad

Synopsis: Kobra leaves his New York headquarters to go to Peru to oversee an archeological dig. There his crew find another Ovoid similar to that found in issue #1. As before, the Ovoid opens and a second Servitor attacks! The blast to Kobra’s arm also causes Jason to flee from his graduate school class. Melissa follows Jason, a synopsis of the comic’s plot is given (“I just met my brother … we have a symbiotic link…”) and Jason questions Melissa about her past relationship with Kobra. Melissa runs out before giving any answers.

Meanwhile, the battle with the Servitor ends in the machine’s dismantling. During the battle it carried a metallic cylinder that spoke to Kobra after the battle. It is an alien from the planet Illandus, who came to retrieve the pod that creates the Servitors.  Kobra takes the Illandian to his New York City lair.

Jason returns to his apartment after a late class to find Randu Singh waiting. After a quick confrontation Randu asks Jason’s help in defeating Kobra – Randu fears Kobra will soon declare war against his native India.

The Illandian reveals its physical form to Kobra – a two-headed four-armed alien that shall soon split in two again. Kobra is intrigued by its duel nervous system and plans to examine the alien to eliminate the link between himself and his brother. They discover the first ovoid has again produced a Servitor. The Illiandian wishes to take his probes and Servitors and return to his home, but Kobra says there are forces on our planet that will stop the alien from doing so.

Well, he IS correct …

And convinces the Illiandian to help Kobra stop him! Kobra’s first victim is Lt. Perez – whose outgoing plane is torn apart by one Servitor and Perez crushed by another! Jason and Randu arrive in the midst of the “Chaos at Gate 57”. Jason confronts his brother.

The Illiandian realizes that it is Kobra who is preventing him/them from retrieving the pod and unleashed a wall of flame at the airport. Jason and Kobra continue to fight over what happened to Melissa – Jason is convinced Kobra is involved in the disappearance.

An ovoid appears around the Servitors and the Illiandian and whisks them back into the alien vessel. Kobra is enraged and strikes Jason now that all his plans have been thwarted – even Project R might be abandoned, he says!

Jason awakes to find the airport in chaos, Perez dead and Kobra long gone (but how, he thinks? Kobra would have been knocked out cold, too!). Perhaps he should seriously consider Randu’s suggestion about making the ultimate sacrifice…

***

The letter page explains that the magazine was reprieved from the pending cancellation of #3, but also says its mailbox is almost empty of letters! AND this is the fourth artwork team in as many issues! Bad signs …

This issue had the famous editorial that ran in all the Conway’s Corner magazine:

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Oh how I yearned for a team-up between Kobra and Kamandi!

And as for Jason’s foreboding dread of Kobra being more powerful than he (Jason was knocked out while Kobra escaped). Even when I read this back in 76 my first thought was … “Well, wouldn’t his followers have carried him away … or wouldn’t he still be teleported to his ship…?”

This issue is a nice book-end with issue #1 – explaining some of that storyline while (thankfully) forgetting the super-hero-y aspects of #s 2 & 3. No one was expecting the series to get better.

But it did!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

Hercules Unbound #3, March 1976

 

Behold!

bronze-age

“Within the Pit Below”

Cover: José Luis García-López, Editor: Joe Orlando

Writer: Gerry Conway; Penciler: José Luis García-López; Inker: Wally Wood

Synopsis from DC Wikia: “Cerebus captures Jennifer Monroe in order to lure Hercules to a battle in Pluto’s realm.”

Most modern comics can use 15 words to describe over 18 pages of story and art, true, but a Bronze Age comic?

Going through the entrance to Hell, Hercules, Kevin and Basil meet a minstrel and Charon at the shores of the River Styx. Our heroes are attacked by one of Pluto’s Shadow Beasts. Kevin begs the minstrel to help them save Jennifer. The minstrel plays his lyre to weaken the Shadow Beast. Hercules quickly dispatches the ethereal monster.

The minstrel, Orpheus, joins Hercules on his quest.

Cerebus meanwhile takes Jennifer to Tartarus, the palace of Pluto and his lady Persephone.

Meanwhile again, back in Paris, Jennifer’s friends David Rigg and Simon St. Charles are captured by Ares – their fate to be determined in a later issue!

Orpheus reveals why he is in hell: as with the “real” legend. This son of Apollo lost his bride Eurydice when she died from a snake bite. He went to Tartarus to confront Pluto. Pluto allowed Eurydice to follow Orpheus out of hell as long as Orpheus did not turn around to look at her. Nearly at the gate, Orpheus was overcome by his curiosity and turned to make sure his bride was still there. She was, but instantly disappeared back into hell.

Cerebus and Jennifer talk quietly – here he seems to pine for his former bride-to-be, whereas last issue he was filled with rage as to her betrayal. Hercules finally tracks down the Nubian and calls him out to battle! The gods clash! Hercules knocks a wall on Cerebus, crushing him. Jennifer speaks to Cerebus while he is in his death throes. “It is the woman who betrayed you that caused your death,” she says. “No, it was my hatred and need for vengeance,” Cerebus says.

Pluto releases Jennifer. Orpheus reveals he is a ghost and reunites with Eurydice just as Cerebus was released from his hatred.

Finally reunited with Jennifer; Hercules, Kevin and Basil leave Hell.

 ***

The letter column is filled with missives praising the first issue – the art, the story and Hercules quiet (compared to his Marvel counter-part) power.

***

In a few panels Cerebus shows more depth than Hercules. But this was a fun issue and a nice way to complete the first story arc.

But in three issues we still do not know much about our main characters – neither Kevin nor Jennifer despair over the losses of WWIII. Hercules – although there is no question that he is loyal and heroic – is still a mystery. He hates Ares, true, but what about his loves? What makes him smile? Laugh? We know his persona, what about his personality?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #51; May, 1977

 

Behold, the Bronze Age!

bronze-age

 

Cover: Walt Simonson

“Killing Me Softly With His Scream!”

Writer: Jack C. Harris & Martin Pasko; Penciler/Inker: Joe Staton

Colorist: Liz Berube

Story editor: Paul Levitz; Managing editor: Joe Orlando

#50 had new material book-ending the excellent reprint of MM#6. Remember, this is a blog about the Bronze Age – there is no place for even an excellent Silver Age story here!

The new story in #50 (Consisting of only just over two pages) was as follows: Magnus and his robots are ordered to a secret military base wherein lay “Project Automaton”. When they arrive, they are informed the Metal Men are now in the custody of the US Army!

The robots are locked into a chamber while Colonel Craven tries to convince Doc Magnus to use his robot building technique for Project Automaton. An attack on the Metal Men by unknown armed terrorists is foiled by our friends, and one of the unspeaking attackers kills himself during the interrogation.

We meet Vox – a man with a mechanical jaw and voice box whose scream can kill and who is building a cyborg army for America’s enemies. Vox and his cyborg army invade the army base to capture Magnus and the Metal Men. The robots fight off the cyborgs, but Vox manages to make off with Magnus, Iron and Colonel Craven! Vox demands the secret on how the Metal Men can alter their forms – with this knowledge his own cyborgs will be invincible!

Magnus refuses to tell his secret – but Craven tells Vox in exchange for a mechanical heart to replace his pacemaker! Craven tells Vox about the Metal Men’s responsometers, that allows them to change their form. Vox refuses to honor his end of the bargain and his heart gives out in his rage.

The Metal Men trick the Cyboriginals (Vox’s cyborg army) into leading them to where Vox is keeping Magnus and rescues him.

***

The letter pages ranged from complimentary to scathing in their reviews of issue #49, which the editor says is the start of their new “tongue in cheek” version of the Metal Men. Did I read the same issue? That was part two of the Eclipso story … tongue in cheek? Wha…?

***

I suppose this issue shows the “tongue in cheek” direction of Metal Men. A strange villain, true, but not in the goofy mode of, say, Plastic Man.

The eclectic story is magnified by the dual writers. The prior issue said Harris came in to help with Pasko’s plot.

The artwork is fine and solid – a good description of the style of Joe Staton. His fluid style complements strange plottings of the story in addition to the Metal Men themselves. Staton captures their powers and abilities cleanly and clearly. By this time, he has already become the Bronze Age artist for all things Earth-2 and will shortly become THE Green Lantern artist. He is currently doing his usual thorough workman-like job for the Dick Tracy comic strip.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Mister Miracle #22. February 1978.

Behold, the Bronze Age!

bronze-age

Cover: Marshall Rogers

“Midnight of the Gods”

Writer: Steve Englehart as John Harkness

Penciler: Marshall Rogers, Inker: Rick Bryant and John Fuller

Colorist: W. Argyle Nelson-Smith, Letterer: Milton Snappin

Story Editor: Larry Hama;  Managing Editor: Joe Orlando

Scott Free decides to take on Darkseid himself! Through a hologram message, Darkseid challenges Free to surrender or the earth will be destroyed.

Miracle again incites the Lowlies, but is arrested. He escapes from the Prime Protectors’ prison cage. Avoiding the guards, Miracle enters the Cerberus Chute, through which lay Darkseid’s throneroom!

Miracle confronts his foster father and blasts him with a lethal blaster. Darkseid survives the blast and warns Miracle that there can be no light without darkness. Does this mean there can be no ending to war and hatred, Scott Free says?

Darkseid ends the meeting the throws Miracle into a vortex, laughing…

***

Per DC Wikia: Due to the writing not meeting his own standards, Steve Englehart used the pseudonym “John Harkness” for this issue. No source is given.

It wasn’t that bad. True, it wasn’t the best thing he had ever written … and the last two pages were odd and preachy.

And even the artwork seemed sketchy and rushed. Not Rogers’ best either.

Definitely an “in between” issue – Miracle is still trying to foment an uprising among the lowlies and a non-confrontation with Darkseid. The storyline barely advanced; you’d think this was a modern comic.

***

The editor in the letter column claims they have the hit of the century on their hands.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Hercules Unbound #4, May 1976

Behold, the Bronze Age!

bronze-age

“Within the Pit Below”

Cover: José Luis García-López, Editor: Joe Orlando

Writer: Gerry Conway; Penciler: José Luis García-López; Inker: Wally Wood

While sailing in the channel heading for England, Hercules and his troupe are attacked by a U-Boat filled with … cat people! They are under orders by their leader Hunter Blood: destroy any ship heading for the Sceptered Isle! Herc defeats the cat people and tows their boat to shore.

They are going to England because their friends David Rigg and Simon St. Charles left a note saying they are headed there. Readers from last issue know this is not true! Jennifer also has her suspicions.

After another battle, Hunter Blood captures our heroes and bound Hercules and Kevin to church bells in the tower of his cathedral headquarters.

Hunter, by the way, has the ability to turn anything in his gaze to dust. A sad and ironic power to someone who collected works of art before the war – he can no longer see and admire the collection he loves!

The bells of the cathedral toll and Hercules is given extra power through Kevin to break his bonds and destroy the bell tower!

Hunter believes Hercules and Kevin dead, but Hercules appears in the doorway and calls Hunter to battle in a final-panel cliffhanger!

***

The letter column has two letters again praising the first issue and recommending connections with Wonder Woman and Hippolyta while asking NO links to Kamandi. With this issue that might be too late!

***

The cat-people brings this comic very close to the world of Kamandi. We will have to see what future issues bring.

And we finally see a glimpse of Hercules’ adaption into the modern world – something the comic has ignored for three issues. Although the nuclear holocaust of World War III gives the creators a way around modern-era issues, our hero is STILL 2,000+ years from his time. The brief encounter with “woman’s lib” has been the only characterization of the Son of Zeus in the magazine! We learn a little more of Kevin’s bizarre mental powers, but nothing else.

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

 

 

Metal Men #49. January 1977

 

BEHOLD!

bronze-age

“The Dark God Cometh”

Cover: Walt Simonson; Editor: Joe Orlando, Story Editor: Paul Levitz

Writer: Martin Pasko; Penciler/Inker/Plotter: Walt Simonson

Colorist: Carl Gafford; Letterer: Ben Oda

Robert Kanigher is given a creator credit.

The god Umbra increases Eclipso’s power and he unleashes it on the Metal Men, turning Lead to molten slag! Eclipso captures Mona, but Gold and Iron mold Lead into a magnifying glass and aims him at Eclipso. The bright intense light changes Eclipso back into Bruce Gordon.

We learn that ancient aliens landed in Peru and were considered gods by the prehistoric natives before being banished by white magic. Generation after generation of witch doctors kept the alien cult alive until the last servant/priest Mophir died battling Bruce Gordon. Mophir scratched Gordon with the Black Diamond – a segment of the jewel in Umbra’s forehead – used in their Umbra worship, turning him into the Umbra’s new servant, Eclipso.

Back in the cave where Gordon first fought Mophir, the Metal Men find another parchment, this one a Spanish translation of the Incan scrolls. Magnus reads what he cans, reviving Umbra who attacks!

Umbra sends death bolts to kill off the human companions – bolts that criss cross to get to their intended targets and … eclipse each other. Gordon changes to Eclipso who joins the Metal Men in battling Umbra. Magnus orders the Metal Men into specific configurations to create a giant laser beam emitter to focus Eclipso’s Black Diamond beam into Umbra’s forhead jewel and shatters it. Umbra explodes and sloughs back into the ocean.

The bright light from the explosions turns Eclipso back into Bruce Gordon. Doc Magnus uses the parchment to recreate Umbra’s undersea prison and, with the Metal Men’s help, trap Umbra again.

***

The letter column explains that Gerry Conway has moved back to Marvel with most of his books going to Joe Orlando and a series of assistant editors. The letters were positive with suggestions of guest heroes and villains.

***

Walt Simonson’s dark and gritty style was perfect for Umbra and his brethren – Cthulhu-esque kaiju but of mezzo-American design. Pasko did a fantastic job finishing this semi-revival of Eclipso.

The comics really is getting better and better! This is Simonson’s last issue as the series artist …

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Kobra #3, July 1976

Behold, the Bronze Age!

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“Vengeance in Ultra-Violet” written by Martin Pasko, art by Keith Giffen. Editor: Gerry Conway, Inkers: Terry Austin and Dick Giordano, Colorist: Liz Berube, Letterer: Ben Oda

Cover by: Ernie Chua (Chan)

Synopsis: Kobra and Jason Burr plummet to their deaths after the cliffhanger of the previous issue. Perez throws a line to save Jason. Burr grabs the line and watches as his twin plummets to earth. He braces for death, due to the empathic symbio-link between the twins: one feels what the other feels, even, presumably the sweet kiss of death.

But … Jason lives! And is convinced that Kobra is dead!

Until Kobra breaks into Jason’s apartment and enlists his aid in defeating Solaris. Jason agrees, and while he changes into his Gemini suit, Kobra and Melissa share an emotional and mysterious moment (that Jason also feels). Apparently, Melissa and Kobra had a relationship some two years before…

Dig this beautiful Giffen art …

Giffen art Kobra 3

While invading Solaris’ stronghold, Kobra tells Jason about Natalie, his former love: they met while both were convalescing in a hospital. Kobra quit his Cult to travel with Natalie, who is shot dead by Interpol agents in Picadilly. Seems she was a murderess and jewel thief. He later says he returned to the cult to conquer them and mold them into international terrorists bent on destroying the law enforcers who killed Natalie.

Meanwhile, Kobra stops Solaris’ mechanical guard as Jason negotiates a laser trap by communicating telepathically with his twin who controls Jason’s movements through the maze (we never see the twins use this trick again in the series).

Kobra and Jason attack Solaris and his men. Jason realizes Kobra not only wants to stop Solaris, but also to snag the Heliotron for his own! In the midst of the battle between the brothers Perez blasts his way in with his fellow CIA agents. CIA? Yes, Kobra reveals that Perez is really CIA and trying to get back canisters of cobra venom (stolen by Kobra) – venom that should have been destroyed six years ago!

Burr feels betrayed, punches Perez, rips off the Gemini costume and goes home.

A nice way to conclude the magazine – the letters page says this is likely the last issue, despite the blurb describing issue four on the last panel.

***

This July 1976 DC comic was not part of the “DC Salutes the Bicentennial” collection of issues in which one collected the cigar band upper covers to get a coveted Superman belt buckle. But it was in good company – issues of Flash and Wonder Woman weren’t part of the promotion either.

Look at the people involved in this issue – they should all be part of a comic book hall of fame: Giordano? Terry Austin? Keith Giffen? Martin Pasko? Yeesh! For a C-list comic this has a lot of talent! Granted all but Giordano are early in their comic book careers, but STILL …

Pasko does a fine job showing us Solaris’ insanity. He is almost child-like and we almost pity his demise at Kobra’s hands.

 

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Mister Miracle #21. December 1977.

Behold, the Bronze Age!

bronze-age

Cover: Marshall Rogers, Managing Editor: Joe Orlando

“Command Performance!”

Writer: Steve Englehart, Penciler: Marshall Rogers, Inker: Vince Colletta

A blurb on the splash page announces this is the creative team from Detective Comics.

Colorist: Liz Berube, Letterer: Ben Oda, Editor: Larry Hama

From DC Wikia:

Granny Goodness has conditioned Big Barda to believe she will die unless they are together. To free her from this spell, Mr. Miracle goes to Apokolips to challenge Darkseid. At the Terrorium, Mr. Miracle must escape from the greatest deathtrap of all–the Necro-File!

***

A return to Apokolips brings back the fantastic storyline and art you expect from this team. Although in these later days it is odd seeing Darkseid NOT be as big as a wall – in some panels he seems almost thin.  The plot and dialogue is Kirby-esque in its strange exositions: “We must serve Darkseid!” Rogers’ art shows action as well as Kirby but in a different way – more menacing and less Wagnerian. The Necro-files swirling blades looked genuinely lethal!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

One last try at the Adventure anthology…

Behold, the Bronze Age!

bronze-age

Adventure Comics #427. May 1973.

Joe Orlando: editor.  Luis Dominguez: cover artist.

***

The Adventurer’s Club: “Voodoo Lizards”

Writer: John Albano; Penciler/Inker/Letterer: Jim Aparo

Co-edited by Joe Orlando and E. Nelson Bridwell

Carter desires to be the world’s greatest action photographer and convinces his native guides to herd antelopes into a crocodile nest and pays one native to try to high dive into a river. Unsuccessfully.

But to join the Adventurer’s Club, he tells Nathan Strong about his most nightmarish episode:

After taunting lions into severely injuring his boss and native guide, Carter bribes another native into taking him to a secret ceremony … a woman staked to the ground to be fed to a lizard raised by the witch doctors. If the lizard does NOT attack the girl – she will be married to the native prince!

Carter and his guide were discovered! The guide was killed, but Carter ran and ran … thinking he got away; but, exhausted, he discovered he was right back at the ceremony and attacked by the lizards!

But wait, if he was attacked by the lizards, how could he survive to tell the story to Nathan strong. The last panel reveals the lizard bites caused a strange metamorphosis…

***

Vigilante: “The Slaying Town!”

Writer: Cary Bates;  Penciler: Mike Sekowsky, Inker: Dick Giordano, Letterer: Ben Oda

Co-edited by Joe Orlando and E. Nelson Bridwell

The Vigilante tracks smugglers to a set of a western movie. Vig watches from the distance as a scene turns into disaster – a stunt man is shot with real bullets instead of blanks and is killed by the star of the movie Wade Preston. Vig overhears the director admitting to wanting the stunt man dead because he wanted a “bigger cut” and framed Preston. The Vigilante breaks the star out of the jailhouse. The fugitives run through a gauntlet of grips and gaffers until finally escaping with the diamonds the director was smuggling in his gas tank.

***

Captain Fear: “His Daughter’s Keeper”

Writer: Steve Skeates; Penciler/Inker: Alex Nino; Letterer: Marcus Pelayo

Co-edited by Joe Orlando and E. Nelson Bridwell

Captain Fear quickly turns the tables on the plantation owner’s daughter and takes her below just as her father attacks Fear’s ship! The father overpowers Fear and his crew and shackles the Captain. Later, the daughter, Denise, rescues Fear.

Before Fear escapes. He confronts the father and kills him. Fear is captured again by the crew and Denise reveals herself not only as the new captain but that she was NOT the man’s daughter, but a purchased slave. She asks Fear to serve as her second-in-command. He kisses her and leaps off the ship – rejecting her offer. Denise vows vengeance!

***

The letter column now has missives about the change in format (#425) and is typically mixed – some love the change, some did not, some loved one feature and disliked the others, another gave an opposing view. Joe gives a brief overview of the characters requested to appear. The Legion of Super-Heroes seems to be frequently requested and Orlando hypes their appearance and full-length stories in Superboy.

***

The Adventure anthology-style lasted only three issues, this being the last. Sales were likely very low for these issues and the anthology was not given much time to take hold, as it had in DC’s horror titles. Too bad. The comic made a nice repository for stories that did not quite fit into their horror vein. Even their dip into superheroics (the Vigilante) seemed appropriate – a western strip set in modern times.

And over the last three issues we were given a who’s who of comic book writers and artists. This would be the last time DC tried for a non-horror or science fiction anthology comic book.

It was a noble, if failed, experiment. The Captain Fear strip would continue for some issues, but hereafter the comic would resume in the superhero mold (even, arguably, the Spectre series), but that didn’t mean it wouldn’t take chances on something different … Black Orchid debuts with the next issue!

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!

Metal Men #48. November 1976

Behold, the Bronze Age!

bronze-age

“Who is Bruce Gordon and Why is He Doing All Those Terrible Things to Himself?”

Cover: Walt Simonson; Editor/Plotter: Gerry Conway

Writer: Martin Pasko; Penciler/Inker/Plotter: Walt Simonson

Colorist: Carl Gafford; Letterer: Gaspar Saladino

Assistant Editors: Paul Levitz and Jack C Harris

Robert Kanigher is given a creator credit.

Doc Magnus and the Metal Men meet Mona Bennett, Bruce Gordon’s fiancé. She needs their help: Bruce Gordon is really the evil Eclipso! He was scratched by a black diamond and anytime he is in the presense of any sclipsed sphere of light he turns into the evil spirit! While trying to destroy his alter-ego, Bruce accidentally releases him instead!

Eclipso finds a letter from Gordon’s father saying the data he seeks can be found in a library in West Germany. Mona tells the Metal Men the “data” is ancient Incan parchment saved from destruction by a Spanish monk. The Metal Men fly to the German library to find Eclipso already there! Eclipse fights off the Metal Men and leaves with the parchment.

A dying librarian points to a Peruvian map. The Metal Men deduce this must be where Eclipso is headed and they go back across the Atlantic.

The apparently beat Eclipso to an ancient abandoned Peruvian city, but not by much… Before they can make a plan Eclipso attacks!

Tin counters with the bright light of a welding torch. Eclipso screams and turns back into Bruce Gordon.

Another clue leads our heroes to Diablo Island – where Gordon first became Eclipso. They find Mophir’s cave (Mophir was the sun-god priest who fought Bruce causing his black diamond scratch …). They find an ancient tablet.

Unfortunately, retrieving the hovercraft causes an “eclipse” as it flies past the sun releasing Eclipso! He snatches the tablet and heads to a cliff overlooking the sea. Before the Metal Men can stop him, Eclipso reads from the tablet and releases the ancient god Umbra from his undersea prison!

***

The letter column explains that Gerry Conway has moved on, leaving Walt Simonson and Martin Pasko to finish the story and printed two positive letters.

***

One writer praised Simonson’s art and said it was an unusual style for the Metal Men. I agree. Although his usual excellent workman-like effort fits Eclipso and this grittier-style of story (it would not work with a lighter style of story). He captures the possibility of a grim apocalypse!

Gerry Conway (with help from Martin Pasko) advance the story of one of DC’s most interesting characters in Eclipso – he makes an unusual villain for the Metal Men which makes the story interesting and exciting. I can’t wait to see what happens next issue! Can you?

***

About the author: Michael Curry is the author of the Brave & Bold: From Silent Knight to Dark Knight, The Day John F Kennedy Met the Beatles and the award-winning Abby’s Road, the Long and Winding Road to Adoption and How Facebook, Aquaman and Theodore Roosevelt Helped.  Check his website for more releases! Thanks for reading!