The Mania Begins! Part One of my review of “Eight Days a Week”

A Review of Eight Days a Week; the Touring Years

A film by Ron Howard (yes that Ron Howard)

Part One: Mania Begins!

This documentary covers the Beatles during their Mania Years (March 1963 through August 1966) focusing primarily on their live performances and then their album recording sessions.

With only a few exceptions, the rest of the Beatle mythology during that time is ignored.

This is fine. As the title suggests, this is about their live shows. If you want a clip of John Lennon reading from “In His Own Write”, however, you had best look elsewhere.

Not that there was that much to leave out: during that time the band’s touring and recording sessions were marathons – it would have drained any mortal human beings. Their time “mach schau”-ing in Hamburg during the Early Years not only improved their musicality (as is frequently pointed out), but their stamina. 25 shows in 30 days while touring America? Grueling? You bet, but at least they are able to sleep at night. In beds. Separately.

The two big documentaries of the Fabs: “the Compleat Beatles” and “Beatles Anthology” encompass the members’ and their entourage’s lives up until 1970. This film has a much narrower focus. Only “the Beatles: The First US Visit” has a more narrow focus – their 1964 US tour. But that was a BBC documentary meant for television, not a feature film.

Most narrative films focus on the Early Years, of which little is really known and there are only vague photographs and fewer recordings extant: the band’s childhood, their formation and early days as a band. Movies such as the excellent “Backbeat” from 1994 and “Nowhere Boy” from 2009 are examples.

More rare are films of the Studio Years or the Solo Years showing the Beatles’ break-up and solo output. 1985’s “John & Yoko: A Love Story”, 2000’s “Two of Us” (although the creators state at the film’s outset that it is entirely fictional) and 2010’s “Lennon Naked” for instance.

And nothing more clearly shows the break-up of the band than “Let It Be”.

But this movie shows us neither the beginning nor the end, but the glorious middle, when Beatlemania was in full flower. For a fun fictional account, find the 1978 Roger Zemeckis movie “I Want to Hold Your Hand”.

The film as a whole shows the mania’s rise and fall. The movie opens with songs from their 1963 show in Manchester – the clips’ vivid color and sound are a wonder! Why isn’t the entire set released on DVD yet? Or has it been?

There is no narration for the film – no Malcom McDowell from “the Compleat Beatles”. It is told to us by the Fab Four themselves and their entourage ala “Beatles Anthology”. Current interviews with Paul and Ringo are interspersed with clips from John and George, as well as Beatle insider/roadie Neil Aspinall – who was with them from the beginning – and their film director Richard Lester. Most of George’s comments were culled from “Anthology” while John’s were taken from various lengthy interviews during the 1970s (Mike Douglas, Tom Snyder, Dick Cavett, etc.).

Note to Hulu: there were a few mistakes in your subtitles. You told us George was speaking when it was John. When asked about the fan reaction, John did NOT say, “the mob was incredible”, he said, “amazing, incredible”

The movie is chronological with only a few interludes taking us further back in time.

One such interlude starts about 4 minutes into the film for a three-and-a-half minute primer on the Early Years. But it was a very quick statement by John Lennon on bringing in Paul and then George and playing in Hamburg – but even here the focus is on the live performances as a upcoming band. Not of growing up in war-torn Liverpool. This means there is no mention of Pete Best, Alan Williams, Cynthia Powell or even Stuart Sutcliffe.

There is a surprisingly tender moment six minutes in – Paul talks about their first session with Ringo as drummer. His eyes mist up and he chokes back a tear. I’ve never seen him so emotional when discussing the Beatles …

After that the movie starts in earnest. It shows us the release of “Please Please Me” and then it’s on to the live shows!

One fun clip was of football fans in 1963 Liverpool singing “She Loves You” in unison. Young men bellow at full throttle whilst old men (wearing hats) are jostled as they keep smiling … but they don’t sing along.

There are the mandatory archival interviews with young people (“I love them!”) and the older generation (“They make an awful row!”).

The live music is real. No studio tracks with an audience dubbed in – as far as I can tell. The clips we watch may not be from the venue the soundtrack was recording, but the editors did an excellent job of splicing it together. Only on occasion does the mouth not match the soundtrack. In some spots, it is obvious the film is slowed down so the soundtrack can keep up, but that is forgivable.

And it is fun after all these years to still be able to see footage I have never seen before! Most notably the European concerts.

More next time …

Corporate shill department: I published a fictional account of John F Kennedy meeting the Beatles, titled, appropriately enough, “The Day John F Kennedy met the Beatles” available here on Kindle. I hope you enjoy it!

 

Original Material copyright 2016 Michael Curry

The Last Suicide Squad Movie Review (part 2)

In my last Suicide Squad blog I talked about the history of the Squad and a synopsis of the plot.

Let’s dig deeper:

I think most critics were put off by the fumbling opening of the film. It soured them to the rest of the movie.

Our heroes – er – villains were introduced in a very comic-booky sequence. Amanda Waller sat in a restaurant with men who may or may not have been her superiors. She plunked down a dossier of each of her recruits.

Deadshot! The screen fills with his stats. Then the movie flashed back to show the character and a bit of his background (in this case, his relationship with his daughter and eventual capture by Batman).

Harley Quinn! The screen fills with her stats!

Et cetera and so on…

Works for a comic book, not for a movie. It was as bad as an obvious info dump in a science fiction novel. “As you know Bob, we are on the first manned mission to Mars!” “Yes, I know, why are you telling me this?”

***

            You know what would have worked? They could have taken this entire twenty-minute introduction and put it online two weeks before the movie opened, either as a free download or on Youtube. Wherever.

Then they could open the movie twenty minutes in: with the bad guy doing his thing in Midway City and then showing the Special Forces dragging the Squad from their cells and on to their mission.

Of course if you missed the preview you might be a little lost at first. “How can we introduce all these characters in one movie and get to know all their personalities without the previews?!” “Aaa-chooguardiansofthegalaxy …!”

Then again, if you wanted to go see the movie, you probably would have found the preview online. In this day and age do people still wander into a theater not knowing what they want to see? “Oo, this looks interesting Margaret; let’s take a chance and spend a week’s income to see THIS movie!”

It could have started a trend: Watch this mega-preview first!

And they then could have added in all these scenes rumored to be on the cutting room floor that made the movie darker or funnier depending on who you believe.

***

            There are hundreds of reviews of “Suicide Squad”. Most of them were published on my Facebook wall by frenzied fans. I agree with parts of them and disagree with parts of them. Some random thoughts:

***

            Harley Quinn was fun and not as eye-rolling as the previews led me to believe she would be. A psychopath? Sure, but at least it was toned down from her comic book-y levels. And there was one moment that was wonderful. She slipped out of character for a few seconds. When the rest of the Squad caught up to her, she held up her head, pasted on the smile and was back to her psychotic self. That’s about as close as she came to three dimensions.

And she did steal every scene she was in. It helped that she was usually near the center of every the shot…

***

            Much as been made of Jared Leto’s Joker. He was on-screen for less than ten minutes total and got second billing. Unlike what some have writ, I do not think he stole every scene he was in. But is WAS a unique interpretation of the Joker. Crazy? I suppose, but no more so than villains we have seen on TV’s “Daredevil” or “Constantine”.

The actor is purportedly miffed that his best lines remain on the cutting room floor. I believe it: his Joker is a homicidal drug-dealing gangster running a nightclub. Will Smith’s wife also did that on “Gotham” with about the same body count. Leto’s Joker leans more towards Nicholson’s crazy than Ledger’s Lord of Chaos. In fact, in the few lines he had I thought “What if Johnny Depp’s Captain Jack Sparrow played Al Pacino’s role in “Scarface”? Relax, Leto fans, I’m comparing him favorably to Jack Nicholson, Johnny Depp and Al Pacino fer crissake!

Leto may or may not be back in the DC Movie Universe as the Joker, depending on the articles you read. He will have to be replaced by a DC villain who is psychotic and runs Gotham’s Underworld. Maybe the Penguin? A shame, but frankly the Joker is overused anyway.

And you don’t keep an actor who doesn’t WANT to play the character anymore! It would be like hiring someone who actively dislikes Superman to direct another … movie … Oh, yeah. I guess we WILL see Leto’s Joker soon…

***

            Will Smith was kept on a short leash and did very well with Deadshot. Granted, that of all of the Squad, he had the most characterization to sink his teeth into; but he avoided the “too cool to fool” hipness (dare I say, being Fresh?) of, for example, “Independence Day”.  Of course, a list of the things wrong with “Independence Day” would fill up a flashdrive…

He was given star billing, although Margot Robbie (Harley Quinn) and Leto got most of the press. He did a good job.

***

            Amanda Waller – more evil than even the bad guys – and Captain Boomerang – sowing seeds of rebellion and approaching Waller’s boundaries without ever crossing them – were the characters most like the comic book. The second series, of course.

 

SPOILER

            Slipknot? He was never given a preview at the beginning of the movie and introduced about a half-hour into the film. When they DID introduce him to the team, all but the most non-savvy movie-goers knew what was going to happen to him.  He might as well have been wearing a red shirt from the original “Star Trek”. His fate was so telegraphed it made the first “Jurassic Park” seem taut and suspenseful. Little things like this are why movies get bad reviews. They should have given him a preview and put him in the lineup of the movie posters, something…

END OF SPOILER

 

“Suicide Squad” wasn’t as dark as I thought. Even when Amanda Waller showed her VERY dark side, I wasn’t shocked by it.

It is relative: “Superman, The Man of Steel” being dark is shocking; “Suicide Squad” being dark is expected.

***

            So I liked it, I didn’t love it; I may or may not see the inevitable sequel. I will see “The Magnificent Seven” again. The original, not the remake. Dun dun-dundun, dundundun-dundun-dun; dun dun-dundun…

 

 

Original Material Copyright Michael Curry 2016

 

A review of Star Wars The Force Awakens (with some slight spoilers)

SW-THE-FORCE-AWAKENS

There are 7.125 billion people on this planet. On Christmas Eve I became the 7,125,000,001st person to see Star Wars: The Force Awakens. This is a brief review with minimal spoilers.

I was just the right age to enjoy the first Star Wars movie. Now, by first movie I mean FIRST movie, back in 1977, before it was a trilogy, or before that a nine-part-epic, then before that a trilogy, then before that just the one movie… 🙂 . The opening fanfare still brings back floods of memories. Every time I hear it, just for a brief second, just a nano-second, I am 12 years old again.

The only comparable feeling is the smile on my face when I hear THAT portion of the William Tell Overture. People of a certain age can’t help but shouting, “Hiyo Silver!” at just the right part of the song. The opening fanfare of Star Wars creates a logarithmically greater chill.

The archetype of the first Star Wars is well known to anyone who read (or saw) the Hobbit, Lord of the Rings, Harry Potter, the Wheel of Time series, etc.: a strange wizard whisks a youngster and his friends off to fight the forces of a dark lord.

***

The story of Star Wars boils down to this:

The movie opens with the forces of good losing a devastating battle against the forces of evil. One of our heroes has vital information that may finally defeat the bad guys once and for all. To prevent the information from falling into the hands of evil, it is hidden in a droid that is sent to a barren desert world.

After fighting off scavengers, the droid befriends our main hero. We meet the rest of our heroic band who join together to take the droid to the main HQ of the good guys – whilst in the meantime visiting various places in the galaxy including an odd bar filled with bizarre aliens and unusual – yet strangely familiar- music.

We discover that the bad guys have created a planet-size machine that can destroy an entire world in one blast. They discover a flaw that can destroy the machine, but first they have to infiltrate the machine and shut off the shields.

Then the good guys in their space fighters head to the planet’s one weak spot. Can they destroy it in time, before the machine can fire upon the good guy’s home base?

***

The rest is cinematic history: the merchandising of the first movie, the comic books, the Holiday Special (shudder), Splinter of the Mind’s Eye, the Empire Strikes Back, the Han Solo books, the Lando Calrissian books, Return of the Jedi, the cartoons, more comic books, Heir to the Empire, more and more books from the distant past and distant future, the Phantom Menace (slight chill), the other two movies of the second trilogy (shudder), the purchase by Disney … and on and on.

***

And now here we are at Star Wars Episode 7: The Force Awakens.

A brief plot descriptions (with only MILD SPOILERS):

The movie opens with the forces of good losing a devastating battle against the forces of evil. One of our heroes has vital information that may finally defeat the bad guys once and for all. To prevent the information from falling into the hands of evil, it is hidden in a droid that is sent to a barren desert world.

After fighting off scavengers, the droid befriends our main hero. We meet the rest of our heroic band who join together to take the droid to the main HQ of the good guys – whilst in the meantime visiting various places in the galaxy including an odd bar filled with bizarre aliens and unusual – yet strangely familiar- music.

We discover that the bad guys have created a planet-size machine that can destroy an entire world in one blast. They discover a flaw that can destroy the machine, but first they have to infiltrate the machine and shut off the shields.

Then the good guys in their space fighters head to the planet’s one weak spot. Can they destroy it in time, before the machine can fire upon the good guy’s home base?

END OF SPOILERS

***

Star-Wars-The-Force-Awakens-poster

I say the above with tongue planted firmly in cheek, of course. The plot of Force Awakens is an homage bordering on plagiarism, yet despite this slight similarity in plot 🙂 , it worked! Force Awakens is a great film!

And leave us not forget that the original Star Wars was itself an homage to old serials of the sci-fi and pirate genres …

It is not a complete reboot ala JJ Abrams’ two recent Star Trek movies, it is a continuation.  We meet new heroes and villains. All are interesting and I cannot wait to see them again. Each seems, again, to be an homage to those-who-came-before: Rey, the main hero from the desert-world whose past remains unresolved, Poe the pilot extraordinaire/lovable rogue (although despite such comparisons to a certain Correllian smuggler, from the first moment of his introduction Poe’s being a hero of the rebellion is never in question), Kylo Ren as the Darth Vader wannabe (SPOILER: when he takes off his mask I whispered to my wife; “Abrams couldn’t get Marilyn Manson?” END OF SPOILER), and even BB-8, the R2D2-spunky-and-cute-droid of the movie.

The most unique starring character is Finn – by that I mean he has no real original movie equivalent – as a storm trooper/deserter. He starts as a coward but his attraction to Rey, and his eventual discovery of his bravery and sense of right and wrong, turn him from the dark side.

By far my favorite character is the Palpatine-equivalent Supreme Leader Snoke, “played” by CGI-king Andy Serkis with a disturbing resemblance to Bill Nighy.

Our old friends are also present. No spoilers here, there are as-yet undiscovered tribes in the Amazon who know that Han Solo, Princess Leia and Luke Skywalker are also in the film. As are Chewbacca, C3P0 and R2D2. I heard the voice of Obi-Wan during one intense scene and although I read Yoda’s voice is also heard I must have missed it.

Certain characters (or their alien race) from the second trilogy have been happily omitted. Mesa happy about that.

Most of our old friends appear in vital slightly-more-than-cameos. Carrie Fisher’s Leia gives us more emotion here than she had in all three of the trilogy. She is wonderful in her role.

No spoilers here: I am very pleased to report that Harrison Ford’s Han Solo is more than a cameo – he has more of a roll in the movie than Poe. Captain Grumpy excels in the role that made him a superstar – I loved this Han Solo. Here is he is older and not necessarily wiser. And funnier!! “You’re cold.”

There is much more humor here than in the prior six films, but not enough to lower the movie into spoof territory. The humor comes from the characters and the situations and is realistically done. Poe and Finn especially give us some very canny quips to uncanny situations. “Why are you nodding your head at me while I am trying to talk?”

The Force Awakens is not perfect. No movie is perfect. Okay, Godfathers 1 & 2 are perfect. No OTHER movies are perfect.

But this is close. The only real issues were the deux ex machina of some of the rescues and sudden and coincidental appearances of the cast. But, to be frank, that is expected in this kind of genre, isn’t it?

The direct parallels to the first movie made for a pleasant homage to we old fuddy-duddies and still made for a great story.

The original fanfare opening the movie made me feel like a 12-year-old for that split second. The plot homages helped continue that feeling. An original plot – and remember Phantom Menace, for example, had a very original plot – might not have done so.

Perhaps it might be best Abrams is not involved in the rest of this third trilogy. If only because of his track record of his Star Trek movies: the first, a redo of the original series. The second, a redo of Wrath of Khan. I would worry about his plot of a second Star Wars movie: After a First Order assault decimates a rebel base, Finn & Poe seek refuge at a base they thought was run by an ally, but are betrayed. Meanwhile, (SLIGHT SPOILER ALERT) Rey goes to a swamp world to be trained in the Force by a reptilian Fozzy Bear … (END OF SPOILER)

For the first time since the first movie, I want to see more of this universe. Empire succeeded in doing that. Let’s hope Episode Eight does that, too.

And remember Empire had an original plot. We’ve now known the thrill of knowing this universe we love so much is back, so now let’s move forward instead of looking back …

Original Material Copyright 2016 Michael Curry

Some thoughts on Avengers: Age of Ultron

age of utlron

                (I’ll keep the spoilers to a minimum and give you fair warning, but there’s nothing in this blog that you can’t find online elsewhere …)

I tend to see movies late in their runs. I don’t like crowded theaters so I usually wait until week two or three when the general masses have seen it once and the uber-fans have sated themselves during the week. Thus is this late review of Avengers: Age of Ultron.

And not a review as such, more like some random thoughts akin to my blog on Guardians of the Galaxy.

Avengers Age of Ultron is doing very well. It is the biggest money-maker of the year so far and has grossed a billion dollars internationally.

It certainly doesn’t need me blogging about it to hype it. Fans will go see it whether I like it or not. And I did like it. A lot.

It was just like an Avengers comic book from the 1970s.

But …

What is that nagging feeling I have in the weeks after seeing it? There was something about the movie while I was watching it and afterwards that keeps pecking … and I think I finally know what it is…

***

               I certainly loved more of the movie than I disliked: casting James Spader as Ultron was a genius move – the casting director deserves a bonus! He probably already has gotten more than the artists and writers who created the characters in the movie … but that is another argument.

And the battle scenes and special effects are grand.

avengers

               I especially enjoyed the human elements of the movie – and the humanity shown by the characters – going out of their way to save innocent lives. Captain America’s line “I asked for a solution, not an escape plan” said more for heroism than any scene from the Man of Steel

Plus we finally get to see more of Hawkeye and his personal life – the one character from the first movie that had no real back story. An excellent one was provided.

The things I didn’t like about the movie were not what was niggling at me. These things didn’t ruin the movie for me; rather they made me go … “What?”

Maybe I wasn’t paying attention, but I was lost at the creation of Ultron. The McGuffin of this movie – apparently required in all Marvel/Disney movies – was the stone in Loki’s spear. Somehow the stone contained an artificial intelligence that Tony Stark and Bruce Banner injected into their Ultron defense system and thus activated him.

Somehow the system was imbued with Tony Stark’s personality (Ultron was referred to as an “anti-Stark” a few times). That left me scratching my head a bit. Was it because he took over Jarvis’ mentality and Jarvis had a bit of Stark’s personality? Did I miss or forget that from a previous Iron Man flick?

Regardless, it worked; James Spader’s voice-work perfectly emulated Robert Downey Jr’s vocal inflections and mannerisms. In another reality he could have been cast as Tony Stark/Iron Man. Brilliant stuff. And while he didn’t steal every scene he was in as was the case in the first movie with Tom Hiddleston as Loki, Spader/Ultron made a memorable villain.

(Small Spoiler Alert) And the romance between Black Widow and Bruce Banner didn’t bother me. After Star Trek 5: My Eyes! Out Vile Jelly!’s fling between Scotty and Uhura, nothing like that bothers me anymore…   But I will say this – if Scarlett Johansson whispered to me that it was sundown and started rubbing my hand the last thing I would do is calm down…

***

               But none of that bugged me. I put my finger on the problem some days later while trolling my wall on Facebook. “Did you catch these Easter Eggs in Avengers: Age of Ultron?” shouted one article. I did not read the article, because it was my eureka moment – the problem I had with the movie hit me:

Avengers: Age of Ultron spent so much time being the flagship of the future Marvel cinematic universe it forgot, at times, to be Avengers: Age of Ultron.

The movie was burdened with being the gateway to future Marvel movies. It gave the film an “in-betweenness” it would not have had otherwise. With the exception of Godfather II, most sequels stink, especially when compared to the first and sometimes third movie. Two words: Indiana Jones. Even The Empire Strikes Back suffered from its “in-betweenness”. Great as it was, it was still the opening act for the third movie (and what a stinker that ended up being). Like the Pirates of the Caribbean and Matrix franchises, Movie 2 was basically part one of two.

Even before Age of Ultron’s release we knew what was going to happen next. Not just the Ant-Man movie, but we knew the next Avengers film will adapt the fantastic Infinity War storyline – and do it in two movies! A Black Panther movie is in the works. Captain America’s next movie will adapt the equally fantastic Civil War storyline and may give the now-aging stars of the Captain America and Iron Man franchises an excuse to bow out with a bang. Literally.

civil-war

               Age of Ultron crams all that in. They do not take away from the film to do it; which is why it clocks in at two and a half hours.

And I’m not talking about the now-mandatory mid- and post-credit teasers. Those are just that – teasers to thrill you as to what comes next (except for Thor the Dark World – I stuck around twenty minutes for THAT!? I could’ve been home by now).

So there’s nothing wrong with end-of-the-movie teasers. “James Bond will return…”

Remember when I said the movie was much like an Avengers comic book in the 1970s? Back then the comics would have a panel or two foreshadowing what is to come. “Who is that mysterious figure lurking in Avenger’s mansion? We’ll find out next issue, pilgrim, ’cause right now it’s back to the ACTION…” Age of Ultron was burdened with them, and I do mean burdened:

Thor’s illusion leads us to the next two Avengers movie and foreshadows his own next film; Captain America’s illusion reminds us to watch the next season of Agent Carter; the ending of the movie  – heck, the entire introduction of the new Avenger members – sets up Civil War. Our heroes go to Wakanda and fight a bad guy (played by chameleon Andy Serkis) to set up the Black Panther movie.

infinity war

               Even before Age of Ultron was released we the people knew about the next Avengers and Captain America movies. By this time during the first Avengers movie we the people had no idea what the next movie was about – it wasn’t until August 2012 that were even given the title. Age of Ultron was the forgotten middle child even before it hit the theaters.

Oh, I’ll go see the next movies, don’t worry, but I wanted to see Age of Ultron.

Too many moving parts leading in too many directions. That was what was nagging me.

And even Age of Ultron’s post-credit teaser was a let down. What was the real difference between this one and the teaser from the first Avengers movie?

This was a meme posted on my Facebook wall:

 Shield

               And I responded: That’s the movies, though. If it were the TV show “Agents of Shield” it would be, “I’m here to ask you a question, but I won’t ask it until the end-of-season cliffhanger. When you answer six shows into the next season I will say, ‘and now for the follow-up question…’ which will not be asked until that next year’s cliffhanger, and if we’re renewed…” The movies aren’t getting that bad, but they planted those seeds too. It’s getting to that point.

Let the next few movies worry about themselves. And in the meantime, let me enjoy Age of Ultron.

 ***

Footnote: As is usual with sequels TV networks aired the first Avengers movie to whet our appetites. I Tivoed the movie and watched it with my 5-year-old-daughter. Her gasp when Thor was first on screen is a memory I will cherish to my dying day. She says Thor is the best good guy ever. She (along with billions of others) laughed when Hulk beat Loki into the ground – after many minutes of explaining that Loki was a bad guy) and still loves watching Thor, Iron Man and Hulk beat up the “big fish”. At first she called Iron Man Flash and now she’s reversed that.

Although she likes the scenes with Hulk, she is starting to identify with Black Widow. Thor is still her favorite. I hope it’s because Daddy cosplays as Thor…

thor

Original material copyright 2015 Michael G Curry

Part two of The Hobbit: Battle of the Five Armies review…

A review of The Hobbit: Battle of the Five Armies

from Seven Chapters, shown in Three-D

Part Two

(one last time)

Hobbit 2

            War between elves, dwarves and men is about to begin…

            Quick! Read my blog of Part One of this review: https://michaelgcurry.com/2014/12/28/a-late-review-of-the-hobbit-battle-of-the-five-armies/

            An army of elves and remaining Laketown humans line the fields in a scene reminiscent of the Battle of Helms Deep in “Two Towers”. When Thorin’s cousin Dain and his dwarves of the northern Iron Hills crest the mountain and march to the Elf/Man army, we share Bilbo’s despair that war cannot be avoided.

            Dain, by the way, is marvelously played by comedian Billy Connolly.  His presence steals every scene – an incredible feat for such an epic movie! Plus he rides a war pig (Jackson resisted the One-Ring-level urge to play the Black Sabbath song…) and tells the elves to sod off! What’s not to love?

            Just before the three armies come to blows, the orcs attack from underground tunnels. D&Der will thrill at the sight of purple worms bursting through the earth’s crust. Movie fans will have traumatic “Dune” flashbacks.  “I will kill him!” MacLachlan! Is … is that Picard? Sting! {SLAP} Oh, sorry … thanks …

            The scene of the dwarves holding the line against the oncoming orcs is thrilling – the dwarves and elves unite against a common enemy. If there weren’t just six people in the theater that day, I probably would have cheered!

            In Jackson’s non-novel storyline, Legolas and Tauriel travel to Gundabad, an orc stronghold to the north, and find a second orc army coming from the north to form a second attack wave. They arrive to warn the Three Armies just before the second wave hits.

            Thorin and company are still held up in Erebor, refusing to help even his cousin. The three armies are being decimated, but still Thorin does nothing. We find Thorin deep in the dwarven compound and watch his internal struggle. He finally comes out of the Dragon Sickness to help his family and friends.

            He takes three of his companions to the fortress of Azog “to cut the head off the snake” to paraphrase Gandalf.  We watch Thorin and Azog’s final battle (Azog killed Thorin’s grandfather, remember…). Fili and Tauriel resolve their affection with one another – both events done with a sense of finality – especially if you know what was going to happen (I am so glad I read the book before seeing the movie).  The inevitable knowledge of the fate of some of the dwarven company made me sad during the movie.

***

            (MILD SPOILER) Near the end, the fifth army of the title appears to save the day. No surprise, it is the same “army” who saved the day in three of the past five LOTR movies…).It’s getting to be a bit of a joke … but Beorn’s appearance was cool!(END OF SPOILERS)

***

            The aftermath, while not as sad and wistful as “Return of the King” is so, nonetheless. This really is our last visit to Jackson’s Middle Earth and we say goodbye to our friends. But seeds are planted foreshadowing the “LOTR” movies. Thranduil and Legolas make an uneasy peace: father telling son to seek out Rangers from the North, one in particular named Strider, whose real identity Legolas must discover himself; Gandalf tells Bilbo to take care of the ring (in the book Bilbo reveals he has a magic ring early on; in this movie series it was always a secret).

            The movie series ends as it begins, with Ian Holm as Bilbo writing his memoir “A Hobbit’s Tale, or There and Back Again”

***

            People who do not like the genre will probably not like the film. But they didn’t like the LOTR movies either. “Return of the King’s” Oscar sweep won’t happen here. As epic as these Hobbit movies have been, they were made to complete the circle.

            In previous blogs I discussed the detractions of this second series of Middle Earth movies: the necessity of making it three films to keep the money machine rolling, etc. But I didn’t think of such things watching this movie. I went in expecting to enjoy it and I did. Obviously, as is always the case with multi-part movies, if you have not seen the first two, I’d recommend renting them and watching them first. You’ll be lost.

            The chase scenes that plagued the first two movies are not present here. The battles probably go on longer than necessary (most notably Thorin/Azog), but they are divided out proportionately and I never got the urge to go out to the lobby for a while.

            One thing missing in this movie that was prominent in the prior five Jackson/Tolkien epics was the celebration of the small. All through LOTR was the idea that even a little person can make a big difference. My blog of the movie “An Unexpected Party” was rife with the joy of the small.  And although Gandalf mentioned that theme in his parting words to Bilbo, it was there in words only. Like “Return of the King”, here we faced a battle that would be sung about for ages. Unlike “Return…”, the very small had no part. It’s the fault of the novel, really. Bilbo got knocked out early on and had to be told how the battle ended. Not quite the case in this movie, but still … one small person (embodied by Bilbo in this series and Frodo and Sam in the first) made no difference in this movie. And not just in the actual battle – his attempts at brokering peace failed; his attempt at breaking Thorin of his Dragon Sickness failed.

            “Return of the King’s” climax was not only a battle to end an age, but also featured a pair of small everyday people saving the world. In “Battle of the Five Armies” the climax featured kings battling kings.  A grand feast, but I yearned for the small tasty dessert at the end.

            I left the theater knowing I enjoyed a complete story, but also knowing it was prequel …

            Put another way: the novel The Hobbit is a satisfying and complete read.  Although I will probably read LOTR in the near future I was not filled with the desire to read it immediately after putting The Hobbit down.

            The movie “The Hobbit”, although completely satisfying, is not satisfyingly complete.

            The LOTR movie trilogy was always in the background;  always there to compare itself with the Hobbit trilogy. As good as “The Hobbit” trilogy is – and it will stand the test of time as well as the LOTR movies – it will always stand in the shadow of its bigger cinematic brother. Something the novel does not suffer.

            Put yet another way: this movie was a great set-up for the LOTR movies – now one can spend an entire weekend watching the six movies instead of “just” an entire day. And as fun and complete and satisfying as it was – it is still also a great set-up for the LOTR movies.  A great opening act is still just the opening act …

 Hobbit 1-1

***

            Did 3D help the movie? No. This was my first 3D film since the trend returned with “Avatar” and I was not too impressed.  Two scenes were incredibly well-done, I will say: the battle with the Nazgul and Legolas’s fight on the stone bridge.  If the whole movie were of that caliber I would go buy a 3D television – do they still sell those?

            Otherwise it looked as if I was watching a Viewmaster reel. Things in the front were too blurry and some obvious takes – Thorin holding his sword toward the camera as he walked – took the magic away by reminding me I was in a theater watching a movie in “3D!!! (insert echo)”

            And 3D ruins any forced perspective. The magic of suspended disbelief in Peter Jackson’s six movies were based not only on CGI but on forced perspective. Here when a human talks to a dwarf or hobbit you can see how far away they are from each other due to the 3D/Viewmaster perspective.  A shame.

***

            So go see “Battle of the Five Armies” – enjoy visiting with old friends one last time – just like the advertising campaign says.  We probably won’t see another treatment of LOTR or the Hobbit on this scale in our lifetimes. At first I was upset that I had to see this last movie alone. In the prior five films I was surrounded by my family and friends.  But as the movie started I realized I was still among some very old and dear friends … and enjoyed it immensely!

 

Original Material Copyright 2014 Michael Curry

A late review of The Hobbit: Battle of the Five Armies

A review of The Hobbit: Battle of the Five Armies

from Seven Chapters, shown in Three-D

Part One

(does any of this add up?)

 Hobbit 2-1

                This review contains mild spoilers of the movie as well as MAJOR spoilers of the five prior Tolkien movies by Peter Jackson … I tried to make this pretty safe to read. Keep in mind, this movie is based on a work that is seventy years old, available free online and is a major piece of fiction in Western Civilization, to complain that I “ruined” your pleasure by revealing facts of the movie is just plain silly.

                If you don’t know the outcome of the story by now, or that Darth Vader is Luke Skywalker’s father, the chick in “The Crying Game” is really a man, Rosebud was a sled, and/or continue to be tricked by any plot twist of a movie from M Night Shamalamadingdong movie; you need to crawl back into your cave…

                Note: to avoid confusion, book titles are underlined, “movie titles” are in quotes…

***

                Just as you should watch the first two films before seeing this movie, you need to read my blogs about the prior films first!

https://michaelgcurry.com/2013/01/03/114/

https://michaelgcurry.com/2013/12/29/42/

***

Hobbit 1

            Christmas Eve day we planned on seeing the third movie of Peter Jackson’s version of “The Hobbit”. This third installment is called “The Battle of the Five Armies”.

            On the way to the theater my daughter’s day care called and said she was running a fever. We brought her home, gave her some medicine (her pediatrician called back right away and called in a prescription quite quickly!) and she felt better by Christmas Day. During the 24th she was quiet and mellow and spent most of the afternoon lying on the couch or snuggling with Mommy and/or Daddy.

            Just before her afternoon nap my wife said I could go see the movie by myself if I wanted to. I didn’t. I wanted to see it with her. But all I would otherwise do that day, just as my little girl would do, is to sit around the house and lie quietly … I was going to see the movie again on New Year’s Eve Day when my wife worked and I did not … it would give me a chance to do some last-minute Christmas shopping when it was over.

            Well, why not?

            We missed the 10:00am show, but there were more at noon and 1:30. The noon showing was in 3D. I had never seen a modern-day 3D movie – the last one I saw was one of the Nightmare on Elm Street thingies from the 1980s. And the noon showing would get me out of the theater sooner and home by four or so …

            Again, why not?

            I watched the first Hobbit movie many times in the theater and on blu-ray, and although I have the second one in disc, I had yet to watch it! I haven’t seen it since it was in the theaters! The weekend before I watched the second movie again. Because of the new material in the movies and the cliff-hanging ending of the second movie, I was afraid I would be a bit lost watching this third movie at first. I’m glad I watched “The Desolation of Smaug” to refresh my memory.

            Earlier in the month of December, on a whim, I decided to re-read The Hobbit novel -I had not read it since I was in New York during the birth of my child; and then it was only the second time I read the book (I have read Lord of the Rings five or six times by now…). I finished it that weekend – the evening after I finished the book I watched the second movie.

            “Why!?” the nay-sayers shout. “This travesty has nothing to do with the book!” Not altogether true. The movies are wonderful fun. There are new scenes and characters, true, but as I said in my previous blogs … who cares? Who wouldn’t want to spend more time on Middle Earth and meet new friends?

            And I’m glad I read the book again. It helped me remember what happened – Thorin’s gold-fever and who survived (and who didn’t survive) the battle.  The deaths of some of the friends we made during this series is fore-ordained – what about our new friends? Whither their fate? Hmm?

            “Battle of the Five Armies” picks up right after “Desolation of Smaug” ended. Smaug wings his way to Laketown – convinced they were in on the dwarves incursion into his mountain. Bard, the human fisherman/smuggler descended from the ruler of Dale (thus making him an early draft of Aragorn), is locked away in a Laketown cell.

            Smaug’s attack is awesome in the adult sense of the word.  Terrifying. Stephen Frye returns as Laketown’s Master whose escape tries to provide comic relief, but we are too swept up in the townspeople’s attempt to flee to really laugh at the Master and his toady Alfred’s cowardly acts.  Alfred becomes a thorn in Bard’s side throughout most of the movie. Not as inherently evil as Wormtongue from “Two Towers”, but just as oily …

            Bard escapes, finds his family, retrieves the black arrow and faces Smaug. The result is similar to the book and to anyone who saw its obvious foreshadowing in “Desolation…”.

            Then the credits roll…

            The next third of the movie builds up the war envisioned in the title.  As in the novel, Bard and the Laketowners make refuge on the shore and ask Thorin’s company for reparations. We see Thorin’s descent into gold fever (or dragon sickness as it is called in the movie) as he refuses to keep his word to the Laketowners. His fever grows as he demands his company find the legendary Arkenstone amongst the treasure hoard, eventually suspecting even his kinfolk of duplicity – an act unthinkable in dwarves to their allies and kin.

            Thranduil, the elven king from Mirkwood, and his army of elves appear with supplies for the Laketown refugees.  Rather than being beneficent, as in the novel, Thranduil comes to the Lonely Mountain to get back his people’s diamond jewels kept there.  Thus he and Bard demand what they think is rightfully theirs.  The audience believes this, too.  The film does a convincing job showing us Thorin’s greed without making him a true villain.  Bilbo and the other company often remark (even to the great King’s face to their peril) that this is not the Thorin they knew and followed loyally.  We side with the men and elves, but sympathize with the dwarves.

            Orc armies are marching to Erebor (the Lonely Mountain). In the novel, they marched when they learned Smaug was dead and his treasure hoard was up for grabs! Here, the reasons link in with the ”Lord of the Rings” movie trilogy …

            When we last left Gandalf in “Desolation…” he was the caged prisoner of the Necromancer, revealed to be Sauron.  He watches Azog’s orc army march to Erebor at Sauron’s command. The Lonely Mountain is of strategic importance (Sauron has no need for coins and baubles). It is the initial step in his conquest of the West.

            Gandalf escapes in a thrilling battle between the Ringwraiths and the White Council. After five movies we finally get to watch Elrond and even Saruman kick ass. Galadriel’s confrontation with Sauron is terrifying and well done – reminding us of the glimpse of her true power in “The Fellowship of the Ring”. The look on Saruman’s face when Sauron appears makes the movie fans giggle in delight: is this the point he begins to turn to the dark side? Has it happened already and he stops fighting when his master is revealed?

            Bilbo attempts to negotiate a peace, by “betraying” Thorin. By now we are, of course, on Bilbo’s side here, so the betrayal was from Thorin, not the hobbit. The negotiation tactic does not work, Thorin is even MORE infuriated and he and his dwarven companions prepare for war…

            In honor of the movies, this review is split into two unnecessary parts … 

             … to be continued…

Original Material Copyright 2014 Michael Curry

National Adoption Month Spotlight: Soon-yi Previn

November is National Adoption Month! Throughout the month I’ll feature famous folk who have been adopted!

 Culled mostly from IMBD:

 Soon yi previn

Soon-Yi Previn was born on October 8, 1973 in Korea and at age 8 was adopted by Mia Farrow and André Previn.

She is an actress and married Woody Allen on December 22, 1997. Their union caused a controversy, as he started their love affair while still being “a couple” with Farrow in 1992.

They have two children. They adopted two daughters, Bechet Dumaine Allen, and Manzie Tio Allen.

 

Be sure to visit Abby’s Road on Facebook for more Spotlights including Kelly Preston, Newt Gingrich and Gary Coleman (never thought you’d see those people in the same sentence, did you?)!

  cover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

 

Winner, Honorable Mention, 2014, Great Midwest Book Festival


Abby’s Road is available at Amazon here: 
http://www.amazon.com/Abbys-Road-Long-Winding-Adoption/product-reviews/0692221530/ref=cm_cr_pr_top_recent?ie=UTF8&showViewpoints=0&sortBy=bySubmissionDateDescending


at Barnes and Noble here: 
http://www.barnesandnoble.com/w/abbys-road-the-long-and-winding-road-to-adoption-and-how-facebook-aquaman-and-theodore-roosevelt-helped-michael-curry/1119971924?ean=9780692221532


and at Smashwords here:
 https://www.smashwords.com/books/view/457270

 

Copyright 2014 Michael Curry

 

 

 

 

 

Christina Crawford: A National Adoption Month Spotlight

My sister Kathryn asked if I was going to include Christina Crawford. I said I was and would move her up the schedule a little …

 November is National Adoption Month! Throughout the month I’ll feature famous folk who have been adopted! And now a view from the dark side…

 Christina-and-Joan-Crawford real

Culled mostly from Wikipedia:

 

Christina Crawford (born June 11, 1939) is a writer and actress, best known as the author of Mommie Dearest, an autobiographical account of alleged child abuse by mother, actress Joan Crawford.

She was born in Los Angeles, California to unmarried teen parents.

According to Christina; her father, Larry King (yes, THAT Larry King), supposedly in the Navy, was married to another woman while her mother was unmarried. Christina Crawford was adopted from a baby broker in the state of Nevada because Joan Crawford was formerly denied an adoption by Social Services for being an unfit candidate in California in 1940. Subsequent documentation showed that the adoption was handled by Georgia Tann through Tann’s infamous Tennessee Children’s Home Society. Christina was one of five children adopted by Joan Crawford.

mommie-dearest

One photo I selected had the fabulous Faye Dunaway as Joan Crawford (also pictured above) wielding a wire hanger. I also found the wonderful Gilda Radner in the classic Saturday Night Live skit spoofing Mommie Dearest. But I decided not to use them in this venue. Mean-spirited humor has its place, and I can be as mean as the next guy. But then again, child abuse is never funny. Never. 

Be sure to visit Abby’s Road on Facebook for more Spotlights, such as Gary Coleman and Nancy Reagan!

   

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.

 Winner, Honorable Mention, 2014, Great Midwest Book Festival

cover
Abby’s Road is available at Amazon here: 
http://www.amazon.com/Abbys-Road-Long-Winding-Adoption/product-reviews/0692221530/ref=cm_cr_pr_top_recent?ie=UTF8&showViewpoints=0&sortBy=bySubmissionDateDescending


at Barnes and Noble here: 
http://www.barnesandnoble.com/w/abbys-road-the-long-and-winding-road-to-adoption-and-how-facebook-aquaman-and-theodore-roosevelt-helped-michael-curry/1119971924?ean=9780692221532


and at Smashwords here:
 https://www.smashwords.com/books/view/457270

 

Copyright 2014 Michael Curry

 

 

 

 

 

Harry Potter and the “why the hell isn’t my daughter born yet!?”

Another anniversary! Five years ago today …. from page 128:

Harry potter 

           “On Thursday September 24th we wanted something different to do. What about a movie? What was playing? Not much. Some miles east of Bethpage we found a theater playing movies from the past summer. We found the theater online and the only thing that we wanted to see was “Harry Potter and the Half-Blood Prince”.

            I was in a sour mood after no-baby-on-our-anniversary. So much so my Facebook post that morning quoted Lawrence Grossman, “You wait for a gem in an endless sea of blah.”

            Later that morning, our anticipation of the movie was made known to our Facebook friends.

            Mike: “It has come to this: we are going to see an afternoon matinee of Harry Potter and the Last Temple of the Crystal Jedi, or whatever the hell it is…”

            Esther: “…and Mike are going to go see the new Harry Potter movie – hopefully this will “induce” a phone call. If not, I’ll finally get to see the movie.”

            Mike: “Oh Lord, if you are a kind and benevolent God please let us get the phone call before I have to sit through – er, rather – before we get to the theater!”

            The theater was in a plaza with a Barnes & Noble and other shops. We stopped in the book store until it was time for the movie.

            Esther’s cell phone rang as we stepped out of the car in the theater parking lot. “It’s the attorney!” Esther said. Valerie’s attorney!

            I stood next to the driver’s side door; Esther by the passenger door with the phone on her ear. “Uh-huh…”

            “Uh-huh … That’s good…”

            By this time I was trembling and smoke was coming out of my ears. “For god’s sake provide some exposition!!”

            Esther shook her head. I took this to mean no baby news. After the call Esther said he was calling to give us an update. After the Sunday night fiasco he probably decided some kind of control and oversight was needed. He was right. He was a week too late, but he was right.

            “He said Valerie was feeling just fine.”

            “Oh goodie,” I said without further comment. We were still standing beside the car.

            “He said he was sorry for our extended stay, but we were going to go home with a baby.”

            “Twenty one dollars!?”

            “That’s total,” said the lady in the ticket booth.

            “You think I’d be more outraged if it was twenty-one each?  Is Rowling going to sit next to me and narrate the damn thing!?”

            Popcorn and two drinks cost even more than that. They had to have some way to pay for the mortgage on the theater. The place was immense! The auditorium was the size of a small baseball park. The chairs were larger and more comfortable than mine at home. Esther and I could barely reach to hold hands during the movie.  Sweet!

            Three hours later, after a myriad of commercials, previews and the main attraction, I saw “Harry Potter and the Half-Blood formerly known as Prince”. I haven’t been this lost since I saw … well … “Lost”. The bit after the credits was cool though – Samuel L. Jackson as Nick Fury invites Harry to join the Avengers.  I tease — the movie was pretty good, but it took Esther explaining most of the back-story to me on the way home to understand it. It’s getting to the point in the series that non-fans of the books should probably just stay home. Alan Rickman’s revelation that he is the half-blood prince almost seemed tacked on at the last minute, “Oh, shoot! We’d best explain the mystery of the title of the movie. At the time the best analogy I can come up with is if Lucas called the first Star Wars movie “Attack of the Sandpeople” —yes, but it was so dwarfed by the incidents of the rest of the movie as to be incidental.

            Later I thought of a better analogy – what if the book was called “Harry Potter and the Potions Class”.

            And yes I gave away the secret of the movie – it was from 2009 for god’s sake, chill out! Rosebud is a sled; Darth Vader is Luke’s father; the chick on “Crying Game” was a man and Norman Bates’ mother is dead.

            So there.

            Esther checked her phone all through the movie, dinner that night and throughout the evening. No emails, no messages. No baby. Not today.”

 

***

 cover

“Abby’s Road, the Long and Winding Road to Adoption and how Facebook, Aquaman and Theodore Roosevelt Helped” leads a couple through their days of infertility treatments and adoption. It is told with gentle (and sometimes not-so-gentle) humor from the perspective of a nerdy father and his loving and understanding wife.

Join Mike and Esther as they go through IUIs and IFVs, as they search for an adoption agency, are selected by a birth mother, prepare their house, prepare their family, prepare themselves and wait for their daughter to be born a thousand miles from home.


Abby’s Road is available at Amazon here: 
http://www.amazon.com/Abbys-Road-Long-Winding-Adoption/product-reviews/0692221530/ref=cm_cr_pr_top_recent?ie=UTF8&showViewpoints=0&sortBy=bySubmissionDateDescending


at Barnes and Noble here: 
http://www.barnesandnoble.com/w/abbys-road-the-long-and-winding-road-to-adoption-and-how-facebook-aquaman-and-theodore-roosevelt-helped-michael-curry/1119971924?ean=9780692221532


and at Smashwords here:
 https://www.smashwords.com/books/view/457270

 

Copyright 2014 Michael Curry